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Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

PLAYHOUSE THEATRE



 CLICK HERE to buy the Original 2009 London Cast CD

DREAMBOATS AND PETTICOATS THE MUSICAL (musical, duh!)

As their own fame beckons, musicians Norman and Bobby compete for Laura's heart. It's 1961 and their soundtrack is Roy Orbison, The Shadows, Chuck Berry, and other golden greats... music to fall in love by.

Probably the first jukebox compilation musical to be based on a compilation CD. Marks and Gran provide the book to link the songs, Bill Kenwright satisfies his commendable obsession with filling empty West End theatres by bringing this show first seen on tour into London for a season.

This production moves into the Playhouse Theatre following a successful run at the Savoy in October 2009.



 
Theatremonkey Opinion:

From the current Playhouse Theatre 2010 production.
The music of the era still stirs, the plot is as dumb as ever... but at the performance the monkey saw in May 2010 alas things don't seem to be what they were. Technically, the performance was smooth - sound and lighting cues were accurate, the scenery moved as it should... sadly, many of the cast (the trio of guitarists excepted) just appeared tired.

A lassitude on stage lead to a pretty dull evening - and an horrifically over-amplified one too. Gentle nostalgia delivered with energetic panache wasn't in evidence this time, alas. The show itself remains intact beneath the lethargy, and the monkey hopes all will be well at future performances.

 

From the Savoy Theatre 2009 production. Some cast members will not be in the current version:
Forget the script - it was never going to win against the sold gold 60s soundtrack anyway. You get instead a young and pretty glamorous ex-soap cast (Jessica from Hollyoaks, Scott from Emmerdale) and their pals dancing up a storm for the nostalgia crowd.

Don't bother with this is if you are seeking an intelligent evening of original musical theatre, or are even just looking for something more demanding than sitting in a seat with your eyes open and focussed sometimes on the stage. This is for those in the mood for cheap hokum, and you really won't be disappointed.

Give your brain the night off, slip on some dancin' shoes and find out exactly why your parents have every right to complain that frankly there is no good music around these days - the proof is right here, and the cast really do try and sell it at all costs.
 

 

Your Reviews: Add your own by clicking here.
Important: Some reviews below can contain "spoilers" - please don't read if this bothers you!

(5 reviews)

Stalls A14 - 9th February 2010
Really enjoyed this second time round (had seen it on tour before). I really liked being near the front, I felt it gave you a good opportunity to connect with the actors on the stage. Being all the way to the side didn't matter at all, I didn't miss a thing.
__________________

Overall this was a pleasant evening, nothing more and nothing less. The script is obviously an excuse to string loads (and loads) of 60s hits together, but is actually quite amusing in places with some cleverly placed songs.

However, I don't think I've ever seen a cast in the West End look more bored. I was quite distracted by trying to spot a smile or any sense of enjoyment from two of them, and some of the others seemed to be on autopilot to put it politely. On the other hand, there were some real troopers who shone, and some nice singing, even if it was almost spoiled as the volume knob seems to have got stuck at "uncomfortably and distortion-inducing loud".

Whilst this was pleasant, I'm not sure it's worth paying real money for unless you can get a cheap ticket or are a big fan of 60s hits. Happily, cheap seats at the moment seem easy to come by.
___________________

We took advantage of a ticket offer as Ben James-Ellis is in the show and we know him from 'Hairspray.' Went to see it last week (July 2010) and had great seats in stalls Row D. Enjoyed the music and Ben plays a great part. We want to see the show again... but not at full price!
___________________

Went to see "Dreamboats" on Saturday 14th August 2010. I enjoyed the show very much. We sat in the stalls, row B seats 3 to 6; we found these seats excellent. However I would like to comment that the music was a fraction to loud and was in danger of spoiling the fab songs.

Also, I thought they could of made the play far more nostalgic for the mainly older generation audience - and lose a bit of the childish innuendo which barely raised a laugh. I am no prude and the innuendos did not offend me, but they just seemed out of place in the play.

JJ.
_____________________

I saw the above show with my daughter and 2 granddaughters on the 14th August 2010 and thought it was very entertaining. My daughter booked this particular show and checked as to the content concerning her children, and was assured it was ok for children; but I was shocked, to say the least, as to the use of certain words and certain innuendo concerning the human anatomy throughout the show.

It seems to me that decency is not considered even though young children are in the audience. For me it spoilt the whole show; why oh why can we not have a family time together?

Jane Ashwell

 

(2 reviews from the 2009 Savoy Theatre run)

Brian and Margaret from Kent went on 29th July 2009. What a fantastic show! Most of the audience were our age (sixties), so it was like been taken back to our teens, wonderful. Do not miss this one, it's brilliant from start to finish, where do they get all that energy?

___________________

We went to see "Dreamboats and Petticoats" last night (10th August 2009). What an amazing show. Great singing, playing, dancing and costumes. We smiled all the way through and were up and dancing at the end. It is like a 1960s version of "Mamma Mia" - great songs and a whole lot of fun :-)

We were the youngest in the theatre and we are in our mid-forties but that didn't matter.

It is a lovely show with a "feel good" story and ending.


Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Performance Schedule:
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

Monday to Friday at 7.30pm
Thursday and Saturday at 3pm and 8pm
Saturday at 4pm and 8pm

Runs 2 hours 25 minutes approximately.
 

Ticket Prices:

Offers May be available - Click Here

View this information in diagram form.

Stalls
Rows AA to P: £50
Row Q: £40

Dress Circle
Row A 7 to 23 and centre block rows B to J, plus side block rows G, H and J 6, 7, 21 and 22: £50
all other seats: £40

Upper Circle
Centre block (except single aisle sests in rows A to H): £35
all other seats: £25

Boxes
£50 per seat when sold.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Buying Tickets Online:

Other Box Office Information

Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Theatre Box Office:
Ambassador Theatre Group, the theatre group's own website provide the service for this theatre.
This site allows you to choose your own tickets from those available.

Booking fees per transaction for online bookings:
A £3 per transaction (not per ticket) fee is made.

Other Online Choices (with S.T.A.R. genuine ticket agencies):

Ticketmaster offer an alternative with the same booking fee as via the venue. Online charges are £3 per booking, not per ticket, handling fee. If you use this method, be aware that the computer offers tickets at random. If you are unhappy with its choice, keep re-selecting using the "Back" button on your browser, NOT the "reselect button" on the page, until you get tickets you consider worthwhile. Note that the tickets offered may differ between phone and online sources.

When the box office does not have what you require, the Theatremonkey Ticketshop offers an extra selection of £50 seats with a £5 per ticket booking fee. Slightly higher than the box office, but lower than most agencies. Worth checking if the box office cannot provide the exact tickets you might require. Simply select the show from the "drop down" menu in the centre of the page. Note that this system will confirm exact seat numbers prior to purchase.

Another alternative is www.seetickets.com / telephone 0870 830 0200 which offers £50 seats with a £5 per ticket booking fee (£7.50 at Friday and Saturday performances) and £2 per booking (not per ticket) postal charge. (FREE call if using BT.com Calling Plan at your chosen times).

Encore Tickets offer £50 seats with a £12.50 booking fee per ticket (£9 on £35 seats) - plus optional UK postage of £1.50 per booking, not per ticket, available if time allows. Discounts and "Meal and Show" packages may also be available. Quality and Value hotel / theatre ticket packages are also available.

ALSO SEE Tickettree.com for great value "hotel and theatre ticket" packages.

Other Independent S.T.A.R. ticket agencies may also offer an alternative choice of seats.

 

Box Office Information:
Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Theatre Box Office:
Telephone: 0870 060 6631
( 020 8544 7424 if you cannot use the 0870 number)
Operated by the Ambassador Theatre group's own phoneroom from 9am until 10pm (Sundays 10am until 8pm). Outside these hours the Ticketmaster agency answer calls on their behalf.

Booking fees per transaction for telephone bookings:
A £3 per transaction (not per ticket) fee is made.

For personal callers or by post: Northumberland Avenue, London. WC2N 5DE
No booking fee for personal callers.

Special Access Needs Customers:
Wheelchair users and other registered disabled theatregoers can book their seats on 0871 297 5477 and enquire about concessionary prices that may be available to them. The wheelchair users line connects directly to the theatre chain central phoneroom in London during working hours. See Notes.

 

 
 
Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Theatre Seat Opinions:
Please remember that cheaper seats often do not offer the same view / location quality as top price ones, and that ticket prices are designed to reflect this difference.

 

Seating Plan Diagram

Stalls Dress Circle Upper Circle Notes
STALLS 
The Dress Circle overhangs the stalls at row M but is high enough above to avoid affecting the view from any seat. Those in the front rows may find the stage a little high - sit further back if shorter and wishing to avoid neck ache. Reader Andy found the seats themselves uncomfortable, too.

Prime seats the monkey feels are in the centre from around rows F to K. The monkey rates as 'fair' the extra £2.50 required to sit in row J seats 5 to 18 - seats around it are just as good, really.

A good rake results in clear views from almost all seats in the stalls. It is worth avoiding the first and last four seats from row E to P as these are outside the proscenium and suffer an awkward viewing angle. 

Reader Rob Mumford endorses this:
"A word of warning before you book - as the monkey says, when the front rows have been removed from the stalls. We were in row C (2nd from the front) and while we got a good close up view of the action you might want to consider sitting a few rows back so you can see everything which is going on." 

Reader Stu also makes a similar point,
"I was seated in row B seats 13 and 14 which I would recommend ( row AA and BB were too close to the stage in my opinion)"

another reader comments,
"B 12 and 13 were really good seats, very close to the action. As someone else has commented on, maybe sitting further back would be better for those wanting to take it all in."

Further forward, in row AA, a warning for "Dreamboats and Petticoats" (January 2010) patrons regarding very close and loud speakers in the vicinity is worth heeding, feels the monkey. Also worth noting is that on the "low numbers" side of the stage there's a piano for some of the performance. Those on the extreme end of the very front row might find find that noticeable in their sightlines.

In row A for the same show, a reader says,
"A14: I really liked being near the front, I felt it gave you a good opportunity to connect with the actors on the stage. Being all the way to the side didn't matter at all, I didn't miss a thing."

A row behind, for that show, a reader notes,
"B 3 to 6: we found these seats excellent. However I would like to comment that the music was a fraction to loud and was in danger of spoiling the fab songs."

A reader rated row D "great" for "Dreamboats and Petticoats" (January 2010) too.

In central row E for "La Cage Aux Folles" (2009) reader N Ansari says,
"We were sat in the stalls, row E seats 16 and 17 which were 5 rows from the front and behind the cabaret tables. The seats were perfect to see all the action and SPOILER ALERT be part of it sometimes! A wonderful show!"
 

Another reader from E reports,
"E22 - Great seat no complaints when got for £20 on a discount. Although right on the end of the row I didn't miss any of the action."

At the end of row E, reader Barbara points out one advantage,
"Row E seats 1 and 2; excellent for me as in the first seat I had extra legroom."

 

In the same area, another reader says,
"We sat in Stalls D18 and E15 respectively. We’d booked at slightly different times using the same special offer of £10 a seat for the production we saw. View was excellent and plenty of legroom, although the seats were certainly on the shabby side."

From E another reader adds,
"E10 to 12 I would definitely recommend - close enough not to have to crane upwards and far enough away to be able to take in the sometimes very energetic action spread about the stage."

Regular theatremonkey seat reporting reader Mark comments,
"F3 stalls on £20 student standby. Very good view of the stage. Have seen 'La Cage Aux Folles' twice from stalls and twice from upper circle and just think the upper circle at the Playhouse is terrible when compared the the fantastic views in the stalls. It really does affect how much you enjoy the show."

In the same row, for the same show, a reader says,
"F19 and 20: Got these at a discount and chose them over more central in Row L. You feel close to the actors on stage whilst getting a full view of the stage."

From H another opines,
"H7 and 8. Excellent seats (and such a beautiful theatre!)."

At the end of H, another reader comments,
"H 23 and 24: didn't realise they were 'red' as bought from a half price booth. Didn't have too much of a problem with the seats (did have a problem with the fidgety man sitting next to me who made the whole row wobble every time he moved). You are to the side a bit and for 'La Cage' this meant we couldn't see the DSR door on stage but you didn't miss any of the action. Still close to the stage and at half price who can grumble!"
 

Regular theatremonkey seat connoisseur James reports,
"K11 and 12 for “La Cage Aux Folles” (October 2008). The rake felt a little shallow but staggered seats really helped -  good view and great sound from here."

Further along, another regular reports for the same show,
"We were sat in K20 and 21 which again were great seats with a great view of the stage. I've never been disappointed with any area I have sat in the stalls, although I echo others comments on being seated further back to take in all the action."

Further along, a reader reports a problem,
"I accidentally booked seat K25. I must have been looking at the wrong seating plan on this website at the time, otherwise I would never have accepted a RED seat - even if it was discounted.

On the night, I found that the space immediately in front of K25 is used for wheelchair users, and on this particular evening an electric wheelchair was in this space. The wheelchair was so large that there was no legroom left for K25 and so high that the person occupying the wheelchair completely blocked my view. Fortunately, the theatre had anticipated such a problem and had a couple of seats had been held back from sale. I was offered F24, which technically is an even worse seat than K25 as the viewing angle is more awkward."
 

In L, another reader reports,
"L11 through 14 were comfortable and a perfect view of the stage. I don't think anywhere in the Stalls would be a problem as this is a fairly small theatre."

backed up by another reader,
"L12 and 13 were perfect seats with a perfect view of the stage."

and also regular seat connoisseur James,
"Sat in L11 and L12 for 'La Cage Aux Folles' (November 2009). Excellent sound and view from here, although a fairly shallow rake still makes me hope there's someone short in front of me, despite the staggered seats."

Another reader comments,
"L3 to 5 were perfect even if slightly off centre, we still had a wonderful view and wouldn't have a problem recommending these on a discount."

Sound desk avoiders might like to miss P1 to 18 and Q11 and 18 too.

G1 and 24 are wheelchair places. The view could be much better. Transfer is possible to any aisle seat. See notes.

Other seats offer at least fair value for money.

Legroom is good in all seats, for all but the tallest.

 

Stalls Boxes
The Gladys Cooper and Prince of Wales boxes are at stalls level either side of the stage. The view from all boxes is reasonable, if sideways on, with just the nearside rear corner invisible. Fair value at second price, expensive at top. The monkey would take rear stalls first. Both boxes have four seats.

For "Dreamboats and Petticoats" (February 2010) the stage extends in front of these boxes, further narrowing the views.

 

DRESS CIRCLE 
The Upper Circle overhangs the Dress Circle at row C; it cuts the view of the top of the stage from row G back. The curve of the circle means all but the most central seats lose the very front of an extended stage, but it really isn't a noticeable issue.

The Dress Circle is split into a central and two small side blocks by aisles.

The central block offers fine views of the stage in rows A to E. Pick B first, then C, D, then E or A depending if legroom / looking over the balustrade is an issue. Choose stalls before accepting row G.

Theatremonkey regular seat commentator James expounds,
"Sat in Dress Circle A7 to 10 for “La Cage Aux Folles”. The view is adequate, but these tickets should not be full price as the balustrade cuts off part of the stage, especially when the performers walk out to the extended stage. However, for the most part it’s okay and the sound is good from here."
 

Reader Lizzie agrees,
"We were in the Dress Circle, second row from the front. The centre section (avoid front row – as there is a rail) is the best - or if you have to get the side sections take a few rows back as there are banisters either side which restrict the view. It is a small theatre but perfect for a show as it had a friendly atmosphere."

Also in row B, reader Alison H comments,
"I had seats in the centre of the second row of dress circle (B7), with an excellent view. I would recommend those seats - lots of leg room, in addition to a good view. Do take theatremonkey's seating advice, though, and avoid the first row of dress circle and the ends of the rows, because of obstructed views because of the railings."

Regular Theatremoneky seat connoisseur James reports for "La Cage Aux Folles" (October 2008),
"D11 and 12: excellent view and sound from here."

To their right, another reader says,
"D5 and 6: the view was great and found the seats comfortable with plenty of legroom too."

Note that for "Dreamboats and Petticoats" (January 2010) row A 1 to 6 and 24 to 29 are cheaper and bookable in advance... the monkey likes 4 to 7 and 24 to 26 particularly at lower price - but strongly advises those shorter folk who would have trouble seeing over a balustrade to avoid these seats.

In the side blocks Row D seats 1 to 3, 19 and 20 have walls of bars in front of them making these seats unsuitable for those under five foot tall - everyone else may well like them, though - row E in particular. D 4 and 18 have nothing directly in front, but also have the other railings in view.

In rows F to K the first and last four seats are situated in the far corners of the theatre, with a restricted view - again through bars. Sold at a very large discount they make a fair budget choice if other seats are too expensive, though be aware that you do get exactly what you pay for with this option. Consider row C of the Upper Circle instead of side block ends of rows F to K at the same price.

Legroom is actually comfortable for all but the tallest in all central seats from B back, the balustrade effect front of the circle providing at least toe-space in row A. Aisle seats in the side blocks from row C to J offer stretching space with nothing in front. D1 and 20, F1, 2, 25, 26, 27 and K 1 to 6 and 21 to 26 have much less legroom and the outermost seats are also claustrophobic with no adjacent aisle.


 

Dress Circle Boxes
The George Bernard Shaw and Marie Tempest boxes are either side of the stage at Dress Circle level. The view from all boxes is reasonable, if sideways on, with the nearside rear corner invisible. Fair value at second price, expensive at top, but worth considering for Dress Circle views with added legroom. Both boxes have four seats.

 

UPPER CIRCLE
This is fairly high above the stage, and the rake makes the seats from row F back seem a long way away.

The circle is split into centre and two side blocks by aisles. Metal posts and safety bars at the ends of aisles affects the view from some seats. If sold very cheap, some may find them a bargain - but remember the view is a problem. If you are picky, all aisle seats in rows B to H of the centre block are the ones to avoid, as are the three outermost end seats in the side blocks.

All seats (except on the aisle ends) offer officially "clear" views of the stage. From row F back the rake makes the view uncomfortably steep for the vertigo prone - and the architecture also makes these seats feel embedded in the roof. Reader Catherine Jones actually notes: "Don’t sit in the Upper Circle if you suffer from vertigo – lean forward too far and you could end up on the stage yourself!" another opines, "Avoid the Upper Circle if possible. Most seats do not have a clear view of the stage and some, when people in front lean forward, have none. Not that the theatre is going to tell you that!"

Rows A to D offer a fair view at lower prices. The monkey would choose rows B, C or D - or even E 9 to 15 first; vertigo and legroom are less of a problem than in Row A.

One reader says, for "La Cage Aux Folles," despite an extended stage:
"C8: actually the view was fine, apart from when they used the extended bit of stage."

Another comments,
"Booked D 5, 6, 7 and 8 for "La Cage Aux Folles" (March 2009). Hated these seats; the bar was right in the way and people were leaning over before the show had even started, completely blocking the view. We therefore moved to seats H 12, 13, 14 and 15 just before the show started and had a much more clear view of the stage. I must say though, having seen it before from Row E of the stalls, this show is just not as effective from the Upper Circle."

Another says,
"H13 - Got for £17.25 from TKTS. Was a good seat but a little distant. Wouldn't want to pay the regular £30 for it."

For "Dreamboats and Petticoats" (February 2010) row J 7 to 13 are replaced by a spotlight position. Worth skipping J 6 and 12 right beside them, and purists may want to miss H 7 to 14 in front.

Nostalgics will remember that Row K was a bench at the top of the theatre. When in use, if it is the same price as other seats...last choice...and arrive early to stake your claim on a bit of seat - never know if it will be invaded! Not often sold - it isn't at the moment (October 2005), but still there.

The side blocks are tucked snugly behind the extra high Dress Circle box walls. Avoid the first and last unreduced price seats in rows A to E, and also the restricted view ones (usually priced cheaper) unless you can't get other seats at the same price further back and more central. Accept other seats here only if the centre block is totally full. The corners of the Upper Circle rows H and J are often the cheapest in the house - and expensive. Luckily they are sometimes removed for lighting. Miss them if they are there, though...

Legroom is cramped in all seats, the balustrade effect front of the circle provides toe-space for those in row A, but even those 5 foot tall will suffer!
 

Notes
Total 790 seats.

Air-conditioned auditorium.

Infra-red system covering the whole theatre. Guide dogs allowed in auditorium or dogsat. Large print information available. Wheelchair access is via foyer (cheers) Adapted unisex toilet in foyer.  Fuller details from the theatre helpline on 0844 8717 677,  www.theatre-access.co.uk or Artsline on 020 7388 2227  e-mail artsline@dircon.co.uk. A "venue access guide" from the team who created book "Theatremonkey, A Guide to London's West End," is available to download in PDF format by clicking here.

No food except Ice cream and confectionery.

Four bars; basement, Stalls, Dress Circle and Upper Circle.

7 toilets; basement 1 gents 2 cubicles, 1 ladies 3 cubicles; Foyer 1 unisex disabled; Dress Circle 1 gents 2 cubicles 1 ladies 5 cubicles; Upper Circle 1 gents 1 cubicle, 1 ladies 2 cubicles. Readers note the poor condition of those in the stalls and the long lines in February 2008.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Getting to this Theatre
Find this theatre on a Street Map
Nearest Underground Station Buses Car Park
Nearest Underground Station:
Embankment - Bakerloo Line (brown), Circle Line (yellow), District Line (green), Northern Line (black).

Plan your tube journey to this station using the button below:
 

Follow the signs from the platform to the exit into Villiers Street. On leaving the station turn left: 

and walk into the covered area "Embankment Place" - it has a taxi rank and cafes on one side:
  

Cross to the taxi rank side of the road and keep walking:

The theatre is on the corner at the end of the street, to your right:

Should you choose not to turn left on exiting Embankment Underground Station,  you  will walk uphill and find a sunken entrance to Charing Cross Underground Station . This is the wrong way, so turn back!

 

Buses:
3, 6, 9, 12, 13, 15, 24, 29, 30, 53 stop nearby.

 

Car Park:
Spring Gardens. On leaving the car park walk into Trafalgar Square. Cross Whitehall, a busy street. Walk on and take the next turning on the right, Northumberland Avenue. The theatre is half way down this road on the other side of the road. Call Westminster City Council car parks on 0800 243 348 or see www.westminster.gov.uk/carparks for details. At this car park, parking under the "Theatreland Parking Scheme" allows a 50% discount in cost. Spaces CANNOT be reserved at these prices, so choose whether you would prefer to book and pay more, or use this scheme.

If you choose the "Theatreland Parking Scheme", you must get your car park ticket validated at the theatre's box office counter (the theatre attendant will insert the car parking ticket into a small machine which updates the information held on the magnetic strip on the reverse, thus enabling the discount). When you pay using the machines at the car park, 50% will be deducted from the full tariff. You may park for up to 72 hours using this scheme and it is endorsed by the Society of London Theatre.

For a full list of car parks that participate in the 50% off theatreland scheme here see www.westminster.gov.uk/carparks/theatreland.cfm, and for a full list of theatres that participate in the scheme see www.westminster.gov.uk/carparks/theatres.cfm.


 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

 







 

 

 

 

 

 

 

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