Titanique
Warnings: THOSE AGED 11 OR UNDER CANNOT BE ADMITTED TO THIS SHOW. NOT SUITABLE FOR THE EASILY OFFENDED.
Jack and Rose – an affair which sank mid-Atlantic. Now their love story is camped up to the hilt, because, well, it must go on… those Celine Dion tunes demand it.
The New York musical hit comes to London.
Titanique
Offer expires: Sun, 30th August 2026
Book between: Tue, 28th April 2026 and Sun, 30th August 2026
Buy best available top non-premium price £67, second price £55 or fourth price £28.25 (£76.25 / £55 / £33.75 Saturday Evening performances) tickets (from agency / offer allocation) reduced to £50 / £40 / £25 (£30 Sunday afternoons) each at all Sunday to Thursday performances ONLY.
Original ticket prices may vary by performance, and some prices are not available on all dates, the system will advise at time of enquiry.
Seats at second price and below may be in the RESTRICTED VIEW STALLS (ground level) OR RESTRICTED VIEW DRESS CIRCLE (first tier) OR UPPER CIRCLE (second tier, highest in venue). Seat Information.
Some "peak dates" are excluded - the system will advise at time of enquiry.
Ticket selection is from agency's allocation. Subject to allocation availability, change, withdrawal and agency discretion. Not available on tickets already purchased.
(seen at the afternoon preview performance on 5th January 2025). Some actors have now left the cast.
Actor Robert Lindsay was interviewed last year, and was quoted as saying he didn’t understand the new generation because they laughed at things which were not funny.
The monkey experienced something similar at this musical.
Not being a Celine Dion fan, and filing “Titanic The Movie” as one of the campest experiences of its life (bear in mind, it has worked in theatre for 25 years...), the first thing to note is that this proves the British are far more able than any other nation when it comes to “taking the piss”.
Marla Mindelle, Constantine Rousouli and Tye Blue have that “Gen Z” humour gene which is afraid of belly-laughter, wishes to appear cleverer than comedic intellect permits and will take no risks at all in their pursuit. The result is blunted, muted and considerably more antiquated than they think, under a wafer-thin spray coat of diluted creativity.
It steams ahead regardless (a running gag in the show) and runs out of power around 20 minutes before reaching its destination – and that isn’t an intended plot mirror.
The jokes are obvious, though thankfully regularly updated with local references. If you recognise the songs, you will enjoy the cast rendering them. They are an industrious crew.
Kristina Walz (in for absent Lauren Drew) as Celine is our guide in a dress far brighter than she is. It’s all about her, and we settle in for an extended “Forbidden Broadway” style sketch - too far stretched to remain even mildly amusing by the end.
We get the big song, she does it fine. Move on.
The rest of the team ham it up equally well. A delight to see Charlotte Wakefield back as Molly Brown, with a song to boot – and a nasty quip about when she last won an award, utterly unnecessary.
A triangle of Rose (Kat Ronney), Jack (Rob Houchen) and Cal (Jordan Luke Gage) gives each of them a chance to be funny, sing and parody a bit of the film. Each is steady and hardworking.
Nods too for Darren Bennett as Victor Garber / Luigi (his hat didn’t fit the monkey), and an under-used Layton Williams as The Seaman and Iceberg (don’t ask).
Tye Blue and Ellenore Scott do well to convey a cabaret-style setting on the Evansohn / Laubacher / Bloom panelled set which thrusts into the second row. Paige Seber’s lighting was shockingly badly aligned to upset the monkey and those around it (hopefully fixed by the time previews end), but is otherwise in keeping with the general lightness amid the drownings.
Which rather sums up this show. A British written satire would no doubt work with the existing “Carry On” humour and elevate it to historic levels. Given the huge loss of life, it needs to be far more tastelessly camp - at “The Producers” level - to truly get away with it.
Trapped somewhere between a joke and a jukebox musical, it does not quite work as either. Still, the new generation around the monkey seemed to find it very entertaining indeed, and for a “hen night” or alternative to anything heavier in the way of musical theatre or even stand-up comedy, this show has its place.
5 stars! Fabulous fun!
Stalls C24: Missed a little on the left side of the stage but unlimited legroom. Front row would have been better.
Second visit: 10th May 2026. Enjoyed again! Was a little annoyed by the actor playing Ruth using his natural accent for the ad lib bits. He also sometimes let it slip in scripted lines but he was funny. 5 stars
Stalls G8: Fabulous view and legroom was ok but not generous. Normally this seat is £135 and I got it on rush for £30!
Broadway John
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.
| Run Time: | 2 hours 5 minutes with 1 interval |
| Monday: | X |
| Tuesday: | 7.30pm |
| Wednesday: | 7.30pm |
| Thursday: | 7.30pm |
| Friday: | 7.30pm |
| Saturday: | 3pm, 7.30pm |
| Sunday: | 2.30pm, 7pm |
Venue Box Office & Current Prices
033 33 202 895Venue box office details and show price charts are available on the Criterion Theatre page.
Ticketpipe
Ticketpipe has 2 deals available:- Titanique - See the Olivier Award winning splash-hit
- Titanique & Whitcombs – only £85 per person! -
TodayTix
TodayTix. Charge between 10% and 20% booking fee per ticket. Discounts are often available as this is a large global ticketing company with this specific aim.
Ticketmaster
Ticketmaster.co.uk. Charge around 8% to 10% booking fee per ticket. Handling fees may also be added. This is the largest ticketing agency worldwide.
London Theatre Direct
Londontheatredirect.com. Charge between 10% and 25% booking fee per ticket. Discounts are frequently available. Part of Trafalgar Theatre Group, known for customer service and unique offers.
See Tickets
See Tickets. Charge around 10% booking fee per ticket, plus £2.75 per booking (not per ticket) postal charge. They are owned by ticketing group Eventim.
LoveTheatre.com
Lovetheatre.com. Charge around 10% booking fee per ticket. They are owned by Ambassador Theatre Group (ATG) and often have good deals on shows at ATG venues.
Availability: Box office discretion
Price: £30 (todaytix) / £25 (box office)
Notes: RUSH TICKETS: App Todaytix are offering £30 “Rush tickets,” located at venue discretion, usually standing places, for all performances. Released for the performance on that day, first-come, first-served. Download the App from Todaytix. DAY SEATS: May be available on the day of performance from the box office by phone on 033 33 202 895 from 10am, or in person from 12 noon. NOT AVAILABLE FOR EVERY PERFORMANCE, and may be a very limited number, located at venue discretion. Released for the performance on that day, first-come, first-served.
Address: 218-223 Piccadilly, St. James's, W1V 9LB
Box Office: 033 33 202 895
More details: Seats to buy or avoid at this venue plus travel information and other details can be found on the Criterion Theatre page
