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Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

WYNDHAM'S THEATRE


 

AN INSPECTOR CALLS (play)
Ends 13th March 2010.

Brumley, an evening in spring, around the wars. Inspector Goole arrives and the Berling family will never be the same again. Each member has touched the life of a girl and has reason to feel strong emotion...but just what is Inspector Goole?

This production transferred, due to popular demand, following its October 2009 run at the Novello Theatre.

 
Theatremonkey Opinion:
From the previous 2002 London run:
This production has run for many years in various West End theatres, since first produced at the Royal National Theatre in 1993.

A strong directorial interpretation of a dated play, coupled with some of the best scenic design in London make for a compelling evening of classic drama. The lack of an interval helps keep the mind focused on the action and aids the actors with building towards a heavily symbolic and stylised finish.

A chilling account of the British class system, still raising worthwhile questions after so long. See it for a fine example of the theatrical craft in every way.

The good news, for the 2009 run, is that it is pretty much unchanged. Still has the impact, still works fine on stage. Worth catching.
 


 

Your Reviews: Add your own by clicking here.
Important: Some reviews below can contain "spoilers" - please don't read if this bothers you!

(1 review)

27th January 2010: My brother and I were sat in the stalls, seats E14 and E15, which offered a super view of the stage and were comfortable enough even though slightly cramped.

Even though I can't fault the production at all (acting performances were excellent throughout, the idea for the sets were fantastic) I can't help feeling that I missed something by the time we reached the end of the play, I just can't put my finger on it. But as a result left the theatre not feeling fully satisfied, perhaps I was still trying to work out what I thought of the ending.

I'd still recommend it to people, again this performance seems to be used by schools as there were a couple of parties there but can't complain as all behaved themselves and allowed the rest of the audience to enjoy the show.

(1 review from the Novello Theatre 2009 run)

I saw An Inspector Calls last night (29th September 2009). It was an enjoyably almost full house with lots of young people no doubt studying it for GCSE. I have seen this play several times before (including seeing this production) and I was also taking a teenager.

I am pleased to say that this production has held up really well. Sometimes it feels a bit over-staged but not because of age. It's an excellent way of drawing out what can be a one room drama into a stark contrast between the classes. The strong visual impact enhances the play, and emphasises it. The performances are strong. The young audience was riveted. It is also a pleasure to see a play that is well crafted - solidly structured and amusingly written.

I would recommend this production to anyone who has not seen it - if they are new to the play, it will be a treat; if they have seen the play before, they will appreciate the imaginative approach.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Performance Schedule:
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

Tuesday to Saturday at 7.30pm
Wednesday and Thursday at 2.30pm and 7.30pm
Saturday at 3pm and 7.30pm

Runs 1 hour 45 minutes approximately, with no interval.
 

 

Ticket Prices:

Offers May be available - Click Here

View this information in diagram form

Stalls:
Rows B to Q (except G and H 11 to 20): £49.50
Premium seats G and H 11 to 20: £65
Row R: £39.50

Dress Circle:
Rows A to G (except A and B 11 to 20 and restricted view seats): £49.50
Premium seats A and B 11 to 20: £65
Restricted view Dress Circle row C 29 and D and E 29 and 30: £39.50

Upper Circle:
All seats £39.50 except,
Restricted View Upper Circle: £29.50

Balcony rows A (except A 5 and 26) and B: £29.50, rows C and D, plus seats A 5 and 26: £19.50

Boxes: £39.50 per seat if sold.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Buying Tickets Online:

Other Box Office Information

Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Theatre Box Office:
www.delfontmackintosh.co.uk provide their own service for this theatre.

Booking fees per ticket for online bookings:
£1.75 per ticket. Pays for the inspection, thinks the monkey.

Other Online Choices (with S.T.A.R. genuine ticket agencies):

When the theatre does not have the tickets you desire available, it is well worth trying the Theatremonkey Ticketshop agency, which offers £49.50 tickets with a £4.95 per seat booking fee. Moderate by agency standards, though higher than box office fees, worth trying as they often have an alternative choice of seats available! Simply select the show from the "drop down" menu in the centre of the page. Note that this system will confirm exact seat numbers prior to purchase.

"See" www.seetickets.com or 0870 830 0200 offer £49.50 tickets with a £4.95 per seat booking fee (£3.95 on £39.50, £1.95 on £19.50 seats) plus a £1.60 per booking, not per ticket, handling charge. Note that the tickets offered may differ between phone and online sources. (FREE call if using BT.com Calling Plan at your chosen times).

Another alternative is Ticketmaster.co.uk who offer £49.50 seats with a £3.70 per ticket booking fee ( £2.80 on £39.50, £2.20 on £29.50 seats). A £2.50 per booking (not per ticket) handling charge is also added for ALL transactions.

Encore Tickets offer £49.50 seats with an £12.50 per ticket booking fee (£10 on £39.50, £7.50 on £29.50 seats), plus optional UK postage of £1.50 per booking, not per ticket, available if time allows. Quality and Value hotel / theatre ticket packages are also available.

Other Independent S.T.A.R. ticket agencies may also offer an alternative choice of seats.


 

Box Office Information:
Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Theatre Box Office:
Telephone: 0844 482 5120
(020 7812 7498 if you cannot use the 0844 number)
Operated by the owners, Delfont-Mackintosh Theatres. At busy times / outside working hours - 9am to 8pm, See Tickets may answer on behalf of the venue.

Booking fees per ticket for telephone bookings:
£1.75 per ticket. Pays for the inspecting, thinks the monkey.

For personal callers or by post: Charing Cross Road, London. WC2H 0DA
No booking fee for personal callers.

Special Access Needs Customers:
Wheelchair users and other registered disabled theatregoers can book their seats on 0844 482 5137 and enquire about concessionary prices that may be available to them. The wheelchair users line connects directly to the Delfont-Mackintosh Theatre Group Helpline in London. See Notes.

www.delfontmackintosh.co.uk is the official theatre website.

 

 
 
Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Theatre Seat Opinions:
Please remember that cheaper seats often do not offer the same view / location quality as top price ones, and that ticket prices are designed to reflect this difference.

This venue was refurbished in September 2008. Arrive early to admire the newly-cleaned ceiling art in the foyer, and the other tasteful pictures and architectural embellishments. Auditorium seating remains basically unchanged, with only the aisle from row A to P being removed. Without fully testing this new area, the monkey provides "first impression opinion" below, and welcomes comments to the usual email address.

 

Seating Plan Diagram

Stalls Dress Circle Upper Circle Balcony Notes
STALLS 
The Dress Circle overhangs the stalls at row K and cuts off the view of the top of the stage from row N back. Row R is set in an alcove at the back of the theatre, fenced in by row Q in front - quite a cosy arrangement, thinks the monkey.

Rows A to D are not raked, but the proximity to the stage makes them a favourite of theatremonkey's. The viewing angle of the first and last three seats in each row is a little annoying, so take more central seats first for the same price, but value for money is at least acceptable in all seats. Neck ache allergy suffers may want to sit further back, as might children if the height of the stage is a problem.

The stage corners are sharp in front of the end seats in row A - ending around or just above the average person's eyeline. This means looking steeply upwards, but no actual restricted view. Still worth avoiding for the shorter, perhaps.

Reader Craig clarifies,
"Sat in row A seat 9 and 10. Seat 9 was marked as red on the seating chart, and I can kind of understand why. The stage rises slightly in front of this seat and A8 but to be perfectly honest the view from this seat was still superb with much of the action taking place literally two feet from me. You can see all of the stage from this seat apart form the back right, where nothing happens anyway. The seating in the stalls was great compared to other theatres - with the obvious sea of leg room in row A. Even though I had a (seemingly obligatory these days) very rotund person sitting next to me, the seats were wide enough for it not to be a problem."

More centrally, regular theatremonkey seat reporting reader Mark comments,
"Got a cheap student standby for row A. Great seat and could see everything, the stage (for "The Shawshank Redemption" September 2009) was quite low so could see everything very clearly."

From A 17 and 18, reader Alun says,
"had front row seats but with the Wyndham stage not to high, it was OK."

For "An Inspector Calls" the set means that row A, plus seats on the "high numbers" sides of B and C have been removed - the latter has the telephone box blocking the view.

Reader HB adds,
"B 22 and 23: the view and sound were great. You had to look up a little as the stage is high but you are extremely close to the cast."

Reader Phil Ellis notes:
"We sat in stalls C22 and C23 (for "As You Like It" - August 2005)...All the front stalls seats are very close to the action" 

Central rows E to O offer the best overall view of the stage, with a fairly decent rake.

A reader notes,
"E14 and 15: offered a super view of the stage and were comfortable enough even though slightly cramped."

For "An Inspector Calls" (December 2009) central rows G and H are at "premium" prices - your call, feels the monkey, who finds the price about average value.

Reader Avril says,
"Row G 9 to 12 had a marvellous view. Plenty of legroom, but altogether a feeling of being very close to everyone else."

Reader Simon reports,
"Row H of the stalls - quite frankly I can't imagine having seats any better."

A reader says,
"My seat K22 in the stalls was fine with a good view and adequate leg room."

In row N, regular monkey seat commentator James reports,
"I would have preferred to have been a bit more central, but it didn't feel too distant from the stage."


Rows Q and R at lower prices also offer fair value for money with the cheaper price compensating for the distance from the stage and lack of view of the top of it - though be aware some action may be missed (that is why there is often a discount). Just average without one, though.

"An Inspector Calls" (December 2009) has row R at a slightly lower price - worth a thought for legroom if the upper circle at similar cost doesn't appeal.

A reader says,
"Q16: The legroom and view were fine (I don't think anything was missed by not being able to see the very top of the set), although you do get streams of people filing past you at the interval (and spilling the occasional drink on you in my case!)."

There is a little more space for someone in the aisle seat of central row R behind, but it is not as much as the width of two sets as the gap in some seating plans indicate (one of those unavoidable computer distortions alas!).

One reader comments of the new layout,
"From my seat near the back of the stalls, under the overhang of the Dress Circle, I found it quite difficult to hear some of the actors on stage in ‘Ivanov’ and 'Twelfth Night,' although others were perfectly audible. Also the seat was rather uncomfortable and the theatre was very stuffy."

Legroom is just acceptable in rows A to D, slightly better for all but the tallest throughout the stalls.

Cheap standing places at the back of the stalls are not bad either in the monkey view.

 

 

Stalls Boxes
Box A is behind row R in the Stalls. It offers a central view but without the top of the stage. Try boxes 1 to 8 at Dress / Upper Circle level first. This box is sometimes used to house the sound desk and is not always available to the public.

Legroom is good in all seats.

 

 

DRESS CIRCLE 
Called the ROYAL CIRCLE in this theatre.

The Upper Circle overhangs the Dress Circle at row C restricting the view of the top of the stage from row C back. Two new rails on the stairs beside rows A and B assist the less able to manage, and, along with aisle end rails, do not affect the view.

Rows A to F seats 7 to 24 offer the most central view of the stage. The rest of the seats at the ends of the row offer less value at the same price. A good rake ensures reasonable sightlines in all rows, though rows D back are hovering at the average mark at top price. One reader notes the good view from row A, worth the slightly tight legroom!

In row C for "The Shawshank Redemption" (August 2009), a reader says,
"C 20 and 21: A good rake and slightly staggered seating towards the end of the row gives clear unrestricted views of the stage. I would happily sit here again."

From the edge of row D, a reader says,
"Sat in D3, 4 and 5. These seats were really good and you didn’t miss anything even though you were to the end of the aisle."

Another reader notes that,
"D15 and 16 were central (I like that), comfortable and warm but I understand the problem people with long legs would have - I tossed my head back at one point and encountered the knees of the guy sitting behind." 

Row G on it's own at the back of the Circle offers a fair, if distant, view at a reasonable price when there is a discount or it is low priced - but not otherwise - and can be considered over the Upper Circle for comfort. Be aware that there is a rail in front of these seats, except those most central, which will feature in the sightlines of the shortest.

Cheap standing places at the back of the Dress Circle are not bad either in the monkey view.

Theatremonkey cannot get excited about the Dress Circle here, Row G aside, the Stalls at all prices beats the Circle on comfort and view in it's opinion. At top price rear rows are just about average - try for seats further forward first.

For "An Inspector Calls" (December 2009), the edges of row C back to E are slightly cheaper as the telephone box on stage blocks some action - some compensation for being at the end of the row, feels the monkey. Not a bad option if similarly priced upper circle or back stalls seats don't appeal.

Legroom is poor in rows A to F for those over 5ft 7 or so, particularly tight for the tall in row A, but just adequate in row G.

 

 

Dress Circle / Upper Circle Boxes
Boxes 1 to 4 arranged in pairs either side of the stage between it and the Dress Circle. Boxes 5 to 8 above them at Upper Circle level.

All offer sideways views of the stage, losing around 15% or so. Be prepared to move your chairs around and lean for the best view possible here. Narrow access down three stairs to wheelchair space in box 3. See notes. Value at second price is not good, take these after stalls for the same money, and before the Dress Circle only if legroom is a factor. Choose boxes 3 and 4 first, then 7 and 8 then 1 and 2 then 5 and 6.

Legroom is good in all seats.

 

 

UPPER CIRCLE
Called the GRAND CIRCLE in this theatre.

This is far above the stage. Lighting can be mounted on the front of this circle, potentially intruding slightly on row A views.

Seats are fair value here, B and C seats 12 to 18 offering a central view of the stage and priced to take account of the distance from it. 

Standing space is acceptable, though one reader noted slightly less audibility on one occasion.

Row A seats 2 to 5 and 26 to 29, B 2 to 4 and 28 to 30, C 2, 3, 28 to 30 and D 2 and 29 are designated restricted view. Boxes and the curve of the circle take away maybe a one fifth segment of the front corner of the stage away at most from the very end seats. Further in, if at balcony prices, they are worth it for being closer for the same money.

Legroom is poor in all seats, worst in row A, for anyone over 5ft 7 or so.

 

 

BALCONY
This is situated behind the Upper Circle and very slightly above it.

A safety rail across the front of the balcony affecting the view slightly. Rails also run across the fronts of rows B and D, but don't affect the view.

The seats are split into two blocks by a central aisle. Seats A 5 and 26 are also split from the main blocks by aisle space.

All seats here offer a view in direct proportion to the price paid, the back rows looking downwards 'under the ceiling' of the theatre below. Value for money for those on a tight budget is very fair - you can see the stage through the bars and are not so far away as to require oxygen.

Reader Lesley comments,
"We were seated in the seats furthest away from the stage - Balcony seats row D - and could hear everyone except for one person who obviously hasn't been trained to throw her voice as the other actors managed to do. Balcony seats were excellent value for money at £10."

Normally, pick rows B to D seats 9 to 22 first, then the others, but also consider the new nests A 5 and 26:

A reader reports of A26,
"I was in A26 of the balcony, which is marked both on theatremonkey and by the box office as "restricted view" due to the lighting rig that obscures part of stage right (audience left), so I only paid about £20 for it. That was a great price for the view I got - I could see some facial expressions (not too well but some) and the lighting rig didn't take away from ANY of the action as most of it takes place on stage left anyway and the light only took up at most 1/10 of the stage. I was next to the safety pole so that wasn't a problem, and I had the balcony rail right in front of me that didn't obscure the view at all, only gave me a place to put my programme and ice cream and to lean my elbows on as I watched the show. I was sad that at times some of the actors had their backs to me as I was in the curved to the left section of the balcony, but otherwise it was a great view."

This seat, and A5 opposite, have been turned into miniature padded private "nests" - as the monkey has christened them. Facing the stage is still a narrow ledge seat with a straight back, but to the side is a deeper triangle of padded seat. If willing to look sideways at the stage, you could sit here (if of average hip width) and stretch your legs horizontal with the circle wall. The monkey rather likes this new arrangement but management have informed it that any sign of permanent residence (i.e. banana skins, cable TV installation etc) will result in an indefinite ban from the venue.

There are several flights of stairs up to this circle, and it is fairly high up, so consider health and vertigo at time of purchase.

Cheap standing places at the back are not bad either in the monkey view, but try for stalls / Dress Circle ones first at the same price.

Legroom is tight in all seats for the taller over 5ft 9 or so, worst in row A. except 5 and 26 (if slim and creative). A reader says of row A in 2009,
"I am a regular theatre goer, and I regularly sit in the 'cheap' seats.  In fact I always choose the front row of the balcony or upper circle despite the monkeys advice that usually they are a bad or restricted view!!  I like to be in the front and have nobody else in front of me, plus I can rarely afford more expensive seats!!  Hence I felt compelled to write after sitting in the Balcony at the Wyndhams theatre, Row A, seats 10 and 11.  All I can say is that never have I sat in more uncomfortable seats than these!  The backs are so upright that you simply cannot relax.  Plus, there is leg room, however there is no space under your chair, so if you have a bag with you, as I did, there is then no leg room as your bag takes up the space.  I sat with my feet on top of my bag!!  OK, we only paid £10 for the tickets, but even at this price, I wish I had splashed out an extra £15 for better seats.  Or if nothing else, that I'd sat in Row B, as they had space under their chairs for bags, though they still have the upright straight backs to the chairs, and so are probably still quite uncomfortable, but they cannot have been as bad as Row A!  I just wanted to write to advise readers that I would honestly advise NOBODY to sit in Row A of the Balcony at Wyndhams, and this comes from somebody who regularly sits and doesn't mind sitting in Row A of the balcony!!!!"  

An honest summary, feels the monkey.

 Rows B to D seats 15 and 16 offer the central aisle to stretch one leg out into. Take advantage of this combination of space and view. Row D seats are also slightly wider than those in front. Row C seats rest on a ledge rather than being "flip down" variety, and are a bit deeper than average (but happily won't actually quote philosophy at you).

 

Notes
Total 780 seats.

Air-conditioned auditorium, but the balcony still gets very hot in summer according to many.

Infrared system using headsets for the deaf, plus some signed performances. Some audio described performances for the blind, and guide dogs allowed in theatre or dog sat outside. Narrow access down three stairs to wheelchair space in side box. The box has a very restricted view and is poor in theatremonkey's opinion. It has a private toilet, too narrow to take a wheelchair, but better than nothing, which is the usual alternative in the adapted toilet department. Tries hard, given the constraints of the building. The "registered disabled" concessionary price policy here is generally (though can be subject to change) for a quota of accessible best seats to be made available at the lowest regular price charged. This quota is increased for designated performances such as signed / audio interpreted. Check with the box office at time of booking. Fuller details from the theatre group dedicated phoneline on 0844 482 5137 or www.delfontmackintosh.co.uk or Artsline 020 7388 2227 email artsline@dircon.co.uk. A "venue access guide" from the team who created book "Theatremonkey, A Guide to London's West End," is available to download in PDF format by clicking here.

No food except Ice cream and confectionery. Bar snacks also available.

Four bars; Stalls, Dress Circle, Upper Circle and Balcony.

8 Toilets; Foyer 1 gents 1 cubicle, 1 ladies 4 cubicles; Stalls 1 gents 1 cubicle, 2 ladies; Dress Circle 1 gents 1 cubicle; Upper Circle 2 ladies; Balcony 2 ladies 2 cubicles.


 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Getting to this Theatre
Find this theatre on a Street Map
Nearest Underground Station Buses Car Park
Nearest Underground Station:
Leicester Square - Northern (black) and Piccadilly (dark blue) lines.

Plan your tube journey to this station using the button below:
 

The escalator from the platforms deposits passengers into a circular space with a number of staircases leading to the surface. Beside each staircase is a vast white panel listing the places accessible from that exit. So look for the one showing the Wyndham's theatre. It is marked "Charing Cross Road South" and is to the left when you leave the ticket gates. Go up the staircase. At the top, in front of you will be Charing Cross Road. On the opposite corner, notice the Hippodrome Nightclub and a wide pedestrianised street. Turn to your left. Wyndham's theatre is there.

If at the top of the underground stairs you see a narrow street with only a row of small shops and offices in front of you, this is Cranbourn Street. Turn to your right and change to the other side of the road. Walk to the end of the street. If you see the Hippodrome Nightclub on the opposite corner across a busy road, good. Do not cross the road to it! Turn to your left. The underground exit you should have used is on your left. Walk past it and you are in front of the theatre. 

 

Buses:
24, 29 and 176 stop on Charing Cross Road by the Wyndham's Theatre.

 

Car Park:
Newport Place, China Town. On leaving, use Gerard Street to get you onto Shaftesbury Avenue. On Shaftesbury Avenue look to your right. The brown brick building to your right is the Palace Theatre. Don't bother crossing the road, but turn to your right on Shaftesbury Avenue and walk in the direction of it. When you come to the main road intersection in front of Shaftesbury Avenue, cross Charing Cross Road at the traffic lights. Now turn to your right and walk down Charing Cross Road, crossing Litchfield Street as you go.

Next is Newport Street. Cross that too and head on, crossing Cranbourne Street towards Leicester Square Underground Station. Wyndhams Theatre is just beyond that on your left.

An alternative car park is Trafalgar Square Spring Gardens.

From the car park, turn up the road on the left to bring you on to Trafalgar Square. Face Nelson's Column and cross the road towards it. In front of you is the National Gallery. You require the road to the right side of it - Charing Cross Road. Do not enter the Trafalgar Square area itself, but follow the pavement round towards the right corner of the National Gallery. Continue along so that you pass the National Gallery on your right and so that you enter Charing Cross Road. Cross Charing Cross Road where you can, and keep walking, passing the Garrick Theatre. The Wyndhams Theatre is ahead of you, to your right.

The "Theatreland Parking Scheme" is in use in both car parks. Call Westminster City Council car parks on 0800 243 348 or see www.westminster.gov.uk/carparks for details. Parking under the "Theatreland Parking Scheme" allows a 50% discount in cost. Spaces CANNOT be reserved at these prices, so choose whether you would prefer to book and pay more, or use this scheme.

If you choose the "Theatreland Parking Scheme", you must get your car park ticket validated at the theatre's box office counter (the theatre attendant will insert the car parking ticket into a small machine which updates the information held on the magnetic strip on the reverse, thus enabling the discount). When you pay using the machines at the car park, 50% will be deducted from the full tariff. You may park for up to 72 hours using this scheme and it is endorsed by the Society of London Theatre.

For a full list of car parks that participate in the 50% off theatreland scheme here see www.westminster.gov.uk/carparks/theatreland.cfm, and for a full list of theatres that participate in the scheme see www.westminster.gov.uk/carparks/theatres.cfm.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

 

 

 

 

 

 

 

 

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