STALLS
The Dress Circle overhangs the stalls at row K. The top of the stage is not
visible past row M. At the front of the stage, microphones are hidden behind
raised cobbles - this does not noticeably affect the view, though purists may
wish to sit a few rows back from them. Those wishing to observe lighting effects
on the stage may also want to sit further back or in the Circles.In the front stalls it is worth avoiding the first and last three seats in
rows B to J since the viewing angle is not good enough to justify the top price
to the monkey mind.
Another reader, Tamara, backs the front row comments up:
"Sat stalls row E seats 19 and 20, slightly too far forward for my liking, the stage is quite high for this show and the view would have been more comfortable from further back."
Note that row A seats 13 and 14 are slightly cheaper as the conductor can
sometimes be seen. Purists might want to avoid the seats behind these - B14 and
15 - to be on the safe side, though it does not bother the monkey and it does
not feel you would have a problem! The ends of row A - seats 6, 7, 20 and 21 are
also cheaper due to the stage curving round.
A reader comments of the front stalls and the conductor:
"Seat D13: first time I have been so near to the stage, and to be honest
wouldn't have wanted to be any further forward. The conductor was like a jack in
the box, also he was weaving around like a boxer. It must have been very off
putting being in the middle of the rows in front of me, actually I was put off a
bit by him, can't imagine what it must have been like for those in the front
row. To be fair to him, his moving about shows that no matter how many times he
has performed, he is still very much into the music and the occasion, though.
Leg room was very good."
And remember, those directly behind the conductor in row A ONLY do get a
discount, notes the monkey...
At the end of row A (not at the end of the day - monkey pun, sorry!),
a reader says of the changed 2011 layout without row BB,
"A6: This in front of the tooter section from the orchestra. Of course
they are really loud but not annoying. You are totally in the action of
the show. But you have to turn your head right and left and right and
left. When they are climbing on the barricades you have to lift up your
head to see the flag waving! Look for those seats if you are a fan of
the show. They will give you a wonderful evening."
Another reader says of the new layout,
"Row A 10 and 11: Managed to get these through GILT for half price so a
bargain. It’s a great view at the front, so close to the action. If you
are shorter, the conductor may slightly get in your way at times if you
sit in the middle of row A but otherwise fine. So if you can get hold of
tickets for a discount then there is no reason to be put off by being in
Row A. All the seats in the stalls are the new straight backed ones,
which are not as comfortable as the traditional curved back styles.
Centrally in row A, reader Louise Robinson says,
I was the centre of row A to the left of the gap where the Conductor is.
Although you did have to look upwards a bit, having sat all around the
theatre the front row was astounding. The only bad thing I could say
about it was the amount of spit Javert sprayed all around the stage as
he sung - it was at times a little off-putting."
Also centrally, another reader adds,
"With a little help from the monkey site I got stalls A15 and was very
happy about it!
The conductor is not ruining your experience. There are some microphones
covered as cobbles in front of the stage but they won't harm you! You
will have lots of space to put down all the merchandise goodies you
might have bought before the show and you will have lots of space for
your legs.
You're really close to the action and sometimes the actors spittle will
graze your face:-)
Of course, a seat in row E or F will give you a better overview, but in
row A you are thrilled by the actors work! The sound is very good, and
not to loud (but that's my personal perception, for the lady next to me
it was a little bit to much - but hey glad for her that she
doesn't have to see 'We Will Rock You,' for example)."
Of row B, reader Stuart Spendlow reports:
"The view was fantastic and you really felt like you were in there with all the
action. (row B is worth the money)."
Reader Fiona agrees,
"Row B of the stalls was a thrill - I could see all the facial
expressions and felt I was really a part of the action!"
Another reader adds,
"Our seats were close to the front (B15 and 16) and offered a wonderful
view. I was worried that we would be too close and would end up with
sore necks, but no. These seats were wonderful, we saw all the facial
expressions clearly and saw all the action clearly."
Readers Jessica and Niamh report,
"seats C4 and 5 at a large discount: Although they were end of row we still felt like
we were in the action and took in the full impact of what was going on on
stage and the power of the music."
The also feel that,
"If it is your first time, make sure you get great seats - front stalls are the
way to go, no closer than C though as the stage is high."
The overhang of the circle above is irritating at the very ends of the front
rows for some - though
not critical enough to ruin anyone's enjoyment particularly. From row K back,
though, the overhang may well be a real pain for many.
Reader James T notes:
"Sat in G3,
theatre monkey advises against this seat, though as a student I managed
to secure it for the bargain price of £20. For what I paid it was an
excellent seat. Good leg room and an excellent view of the stage".
As the reader says, the ends of the row are O.K. at a heavy discount, but you
probably wouldn't want to pay the full top price. Useful for a student to know,
of course, though! If these seats were regularly £20, the monkey would, of
course, have given them a "green" rating.
Reader Sam says of seat C7,
"Very clear view, but naturally one would like to be more centre".
Another reader reports well-balanced sound in this row too.
In row D, a reader says,
"Just wanted to recommend seats D13 and D14. I got the seats for £40
(using an offer) but would have paid full price for seats of this
quality. The seats are central to the stage and as a result you don't
miss any of the action. The only thing I didn't like with these seats
was that you were stuck in the middle of the row so it was a problem
getting out of the row to get to the bar or the toilets in the interval,
without having to ask at least half of the row to move out of their
seats first. Lots of legroom in these seats!"
In row E, a reader says,
"At an another evening with the people singing I was seated in stalls
E8. The view was very good, even the sound, and you're close to the
stage. There was quite enough legroom and it was a very good investment
and a lovely theatre evening!"
Theatremonkey regular seat commentator James weighs in with,
"E19 and 20: Quite close and a high stage means looking up (and we were
lucky not to have anyone tall in front), but it is a fantastic view and
you can see every expression and hear every note. Well worth top price."
A row back, another reader opines,
"F13 and 14: Paid top price, but properly the best seats in the house.
Smack bang in the middle and just the right distance from the stage.
Beautiful sound, and close enough to see the action properly, without
the 'tennis watching' effect. This is what theatre should be like if
you're paying top price - not tickets anywhere in the stalls!"
From the next seat, reader Alison feels,
"F15: I popped for great seats this time: stalls F15, right in the
centre. The seat was comfortable and there was plenty of legroom. At
first I thought row F might be a tad too close, but again, I revised my
opinion as soon as the show started. Row F turned out to be one of the
best seats in the house...the sound was great, and you could clearly see
the expressions on the actors' faces. I thought the seat was well worth
the price."
Beside them, reader Cristopher H says,
"we were sat in the stalls seats F17, 18 and 23. We were very happy
about them, although I think we were a bit too close because we couldn't
see the river in ''Valjean's Soliloquy.'' I was very impressed about the
leg room, and therefore excited because the monkey had given them a
green rating; seat 23 was great as well, I don't see why the monkey gave
it a red rating."
This is due to the circle overhang, notes the monkey. Otherwise all other central seats in rows A to
N offer at least fair value.
The best seats are in the centre of rows D to G.
Monkey regular seat reporter and Miz fan James says,
"Sat in Stalls G11 and G12 for “Les Mis”. This was my first time in the
Stalls here and I’m still undecided as to whether I prefer the show from
the Stalls or the Dress Circle. I think you feel more involved from the
Stalls but not being particularly tall I found row G perhaps a little
close and had to look up a bit. However, legroom and sound were both
good."
Another row G reader says,
"G21, is probably the best area to watch it. If you want to forget
you're sitting in a theatre, these seats are definitely worth the
price."
Seats around rows E to K 9 to 18 (more at certain performances) are sold at
premium prices. The view is fine here, whether you wish to spend the extra
is totally your choice, feels the monkey...
Further along, a reader says,
"H25: good view, but as the monkey's diagram rightly indicates, not one
of the best seats for that price."
Another comments,
"H5. One of the best places in the theatre to see the show. A very good
overview. The sound is perfect ( thanks to the new sound system). I've
seen the barricade boys from many different angles from the stalls, and
this is one of my top favourite seats from now. You get every emotion
from the very beginning."
From row J, a reader underlines the monkey's comment about "premium"
seating,
"J15: Was lucky enough to pick up one of the ‘Premium’ £85 seats half
price at the last minute in January 2012. It is a great view from the
middle of stalls but is it worth paying the extra £20 for these
‘Premium’ seats I hear you ask? Well if you were paying full price I
would say it is not worth paying the extra, most normal seats in the
stalls offer a great view and I don’t believe you would really get much
different view a few rows further forward or back from the premium rows.
If you are paying full price I would just try and get somewhere in the
middle stalls either side of the premium rows, if you manage to get a
discounted ticket then pretty much anywhere in the stalls is worth it.
Leg room is ok but for the 6ft plus like myself I would say it is about
average (the straight backed seats affect it), so not the best around
but far from the worst and not a massive problem."
Reader Ali comments,
"We had seats K11-13 in the stalls. Good view of the stage, couldn't see the whirlpool clearly, but I'm not too bothered about that. The legroom was surprisingly good."
On another visit, Ali had stalls K 6 to 9 and commented, "we often seem to get
row K - good view of the stage and performers."
Readers Andy, Claire and family have a similar view,
"We had seats K10 to K13 in stalls (Oyster card promotion). Seats were ideal,
great view, good leg room... the seats positions come recommended."
Another reader adds,
"K13: A brilliant seat. Offered a clear view of the action, you can see
all the facial expressions of the actors. This seat is comfy and leg
room was very good! My one gripe and its a small one is because this is
a central seat, the conductor was in my eyeline and he was moving all
over the place! Quite distracting! However for the access rate of £20 it
was a brilliant show and an excellent seat. At the interval I looked to
see what the £15 seats where like and I definitely think for me for this
show there is no comparison - pay the extra £5 to get a top price seat!"
At the end of the row, reader Sarah Louise opines,
"K24 and 25: Marked as red, but in my view (no pun intended!) the seats
were excellent!! I have sat in most areas in the stalls and would
happily sit in these again! The view was unrestricted if VERY slightly
side on (seeing as these seats are the very end of the row not as side
on as you would expect due to the small theatre). We had 3 VERY tall
girls in front of us and still could see perfectly and there was
adequate legroom."
Behind them, a reader comments,
"Row L gives the perfect view and plenty of leg room."
At the end of the row, another reader says,
"L25. Got this seat on a last minute student standby. Cost £27.50. Was a
very good seat. I thought at first I might have had some problems
because it was the furthest seat to the side but I don't think I missed
anything at all. I think if I'd been paying full price (which will never
happen :P) I would want to maybe be a bit more central and maybe a
little bit closer."
Also in row L, reader Cathy says,
"L 13 - absolutely perfect view, altho' sound a little muffled /
distorted in places because of the overhang from the Royal Circle)."
Reader
Kyrsty Mewett comments:
"We occupied the last two seats of row M in the stalls, and our view was uninhibited
- even of the set on each of the boxes. There was plenty of legroom, and,
unlike seats closer to the stage, we could also see all the effects on the
floor of the stage (such as the 'river' during "Javert's Soliloquy")."
Reader Nadia adds,
"M 7 to 9: I enjoyed being able to see faces and was happy with the
seats. I think anywhere in the stalls would be OK as there are not any
beams to obstruct your view."
N 17 to 22 (my old favourite, the 'upper circle trick' - and the main
reason why I booked Wednesday afternoon tickets worked - got moved from
£18 offer seats to these). I thought these seats were really good, I can
see from the plan that theatremonkey rates them red, but I disagree and
think they should be white at worst. You don't miss anything because of
the circle overhang as it lines up with the top of the stage - it
certainly does not cut off the top of the set. These seats feel close to
the stage but is far enough away to appreciate the whole of the sets. A
few rows back I imaging you would miss some stuff on the top of the
barricade though. Leg room was fine."
The monkey adjusted this accordingly.
Rows P to R have a problem at top price. The circle overhang cuts the top of the set off - meaning that
at top price you can't see the top of
the it. They are also further from the stage than many may
like. If you are seated here, try for the centre of the rows - seats 11 to
16. The circle curves inwards and the overhang is minimised.
The monkey is keen to hear opinions on these rows, as indeed some
readers have already commented:
"P4 to 8: Although the overhang is there, in no way did it detract
from the performance. We could see everything on the stage and we were
close enough to feel part of the performance."
Another reader mentioned that row P (particularly the sides) suffer
badly from the same overhang.
Reader Nicky adds,
I paid full price for P7 in the Stalls and was a bit disappointed. The
overhang of the Dress Circle did not detract at all, but unfortunately I
had my view pretty severely blocked on the right hand side of the stage
by the gentleman in front. He didn't appear to be a giant and by no
means was sitting particularly bolt upright, but his head pretty much
blocked the bottom right hand quarter of the stage - particularly
pertinent in one scene. I'm not particularly short at 5ft 6ins, and so
can only conclude that the staggering of the seats is a bit off, as I've
never really had this problem in other theatres before. I would
certainly choose my seats more carefully next time." "I was sat in row Q in the stalls, and even though I had a perfect view
and adequate leg room, I couldn't help but think how I would've liked to have
been closer to the stage. I felt slightly out of the action so to speak. The
overhang does block a little of the top half of the set, but nothing to
ruin the experience." A fair summary, felt the monkey. You can see the
important stuff, but some of the scenic effect is lost. Possibly not for a
first-timer or special occasion. Someone else reports,
"We sat in the middle of Row R of the stalls after buying 'best available'
tickets off Lastminute.com for £29.50 + £1 booking fee. Legroom was ample, view
not the best - the Dress Circle overhang obscured some of the 'higher up'
action, and we felt a bit distant from the stage. That said, good value for what
we paid, would have been miffed if the tickets had been full price. "
another reader says of the same tickets,
"Got the middle seats in Row R through the TKTS booth for £27.50 + £2.50 booking
fee. As others have mentioned, this does suffer from the overhang but there is
literally only 10 seconds in the entire production when an actor is obscured.
You shouldn't panic when you can't see the '1815' projection which starts the
show and is projected so high you can't see it!"
Along the row, another reports,
"Seats R15 and 16 of the stalls offer a pretty good view with good leg
room, although sound not great in places because of the extended circle
overhang and no speakers under. The very top of the set was chopped off
from view in the initial Paris scene but nothing missed after that."
Whilst quite far back, the fact that Les Mis tends to use the entire stage (both
horizontally and vertically) means that you can take in the full effect of the
scenery even if the singers seen a little way off. No problem with legroom
either.
So, something to think about before buying - hence the "red" colour
on the seating plan...if you are paying a lot for your ticket, the monkey feels
you should think about things first before opting for these rows...it hopes it
can help you make an informed choice!
The ends of rows R to T are no longer cheaper to allow for the
overhang of the circle above...so perhaps consider these if having a side view
and the top of the stage missing is acceptable. NOT one for purists or a romantic evening, though - more for
fans happy with hearing and seeing most of the show for the umpteenth time...
From 30th April 2012, rows S to W are a little cheaper, if you can
accept the limitations, second time visitors might appreciate the
change.
Reader Jamie Coniam comments:
"row S, seats 24 and 25, are pretty near the back, but had a
great view of all the action. This is not a big theatre by any stretch of the
imagination, and even right at the back we could see well. There is quite a big overhang, but it
doesn't seem to matter as there was no
action at higher points of the stage anyway".
Rows T to W have about a fifth of the top of the stage not visible. The ends
of the rows suffer particularly. The monkey isn't keen, and a sound desk installed here makes picking seats tricky. Sit here if the
Upper Circle legroom does not appeal, though the Upper Circle is likely to edge
it on view alone. The restriction of losing the barricade top is allowed for in
pricing, so central T to W may be worth considering as an alternative to the Upper
Circle for vertigo sufferers.
Reader Jessica notes,
"We sat in the rear stalls and were very disappointed because we could not see
the projections properly, it cut off the top of the barricade and the sound
quality did not seem to match the wow factor it had had at the Palace Theatre."
In row V, another reader says,
"V22 and 23: Right at the very back of the stalls. A better view than I
expected; you can’t see the top of the stage, but apart from the stuff
on the barricade you don’t miss too much, and you are not having to keep
moving to let people in and out. I am a dedicated box user, and this
private little row was alright by me."
From 30th April 2102, extra seats are added beside these, to form a
group of five rather than a pair.
Legroom is adequate for all but the very tallest in all seats. The extreme ends of
row A are worth considering for a taller person as they have extra space to
stretch into a little more.
DRESS CIRCLE
The Upper Circle overhangs the Dress Circle at row C. The top of the stage is
not visible from row H back.
The curve of the Dress Circle makes the front corners of the stage invisible
from the outermost seats. At second price, though, the monkey liked row B4 and
23 for reasonably compensating for the view against price. One for a fan who
wants to see the show again and isn't worried about the small parts of the
missing view. A 9, 10, 26 and 27 are comparable too, but with less legroom.
Best value seats at top price are rows B back to J from 7 to 20, 22, 23 or 24
depending on row length. Oddly, though the view of the lighting is
great here, the monkey likes the mid stalls slightly better...for no good reason
at all!
Seats in the centre of the front rows are sold at
premium prices. The view is excellent from 16 to 19 here especially, whether you wish to spend the extra
is totally your choice, feels the monkey...
Reader Jon reports,
"A25:
Excellent View - lack of leg room. I'm "broad" and width wise was O.K. and seat comfortable, but at 5'11 leg room
was cramped as you have the wall in front so can't even get your feet under
as you might with seats in the stalls."
At 'premium price,' theatremonkey regular seat connoisseur James
remarks,
"B18 and 19: Superb – as they should be at that price!"
Reader Sharnie feels,
"Seats B21 and B22 (didn't pay full price). Was just as previously
described on this site. We were just 3 seats in from the end of the row
which curves. Not a problem as only a tiny bit of stage front left is
obscured. However in row A below they lost bottom half of stage due to
the wall in front, and consequently leant forward on the wall which
didn't help our view. Luckily my friend had an empty seat in front of
her. Determined not to have my night out ruined I asked the guy in front
to sit back in his seat and to give him credit he did manage to sit back
for most of the show. For this reason I wouldn't recommend the last four
seats at either end of row B and would avoid anything but the middle 16
seats of row A. No point paying top price for the rest of the row when
you will get a better view from the stalls. Seats comfortable enough
given the length of the show and plenty of legroom (I am 5' 8")."
Next to them, another reader says,
"B22 and 23: Were excellent. We had a clear view of the stage as the
people in front of us in row A didn’t need to lean forward (or were just
being courteous!) and leg room was pretty good too for a circle seat.
You perhaps miss a fraction of the action on the extreme left hand side
of the stage but it was certainly nothing to worry about."
In row C theatremonkey regular James comments,
"C18 and C19: Excellent view and good sound from here but I’m still
undecided as to whether it’s better to be in the Dress Circle in the
Stalls. Perhaps you feel more “involved” downstairs but I think the view
is possibly better slightly higher up."
A reader says,
"D6 and D7. They are both excellent seats. The legroom is adequate though. I am
5' 10" . Personally, I find the front of the dress circle is the best place to
be"
Reader Diego agrees, saying,
" We had seats D6 and D7, which are marked as good ones on the
theatremonkey map, and I can see why; stage view was great and I didn't
miss anything."
Further along the row, reader Felicity adds,
"D24 and 25: They proved to be brilliant! There was no one sitting to
our left which made everything a bit more roomy and the view itself was
fantastic. The dress circle is always my place of choice to sit and we
had got the tickets through an offer, so they were great value for
money. I even had a very tall man sitting in front of me and I could
still see everything. We could see everything perfectly, which is a
bonus for me as I am terribly short sighted but I felt very close to the
action. So all in all they were very good seats."
Reader Cathy comments that both E 18 and 19 and G 9 and 10 had a perfect view,
and reader Ali felt likewise for D16 and 17 - excellent... .
Another reader feels,
"seats E7 and E8, they were fine."
further along, reader Natalie adds,
"E20 and 21: recommended as full price seats. We had a fantastic view
and loads of legroom. Amazing."
Towards the end of that row, though, a reader remarks,
"We sat in E1 to E3 of the
dress circle, having purchased 'Best available' tickets from
Lastminute.com, at £35 + £1 booking fee per ticket. Whilst this was
reasonable value, I wouldn't buy these seats at full price. E1 in
particular had a slightly restricted view, and you couldn't catch some
of the action going on in the far right of the stage."
Another remarks in November 2007,
"F4 to 7. The seats were perfect for sight lines and comfort, but alas
on this my fourth visit, we all found most of the first act very heavy
going. The sound was very loud were we were sitting (louder and shriller
than it seemed from the front of the stalls about a year ago)"
another reader in the same row adds,
"F 8 and 9. Leg room is quiet snug, however it offers a overall good
view of the stage, maybe a bit far back to be classed as top price
seats. However, during the barracks scenes this must be seen as a bonus
as it allows you to take in the whole of the force of the staging."
Behind them, another reader comments,
"G1 and 2: I notice from your seating plan these were highlighted in
RED. Well, I can honestly say from our experience these were both
comfortable seats and had a good overhaul view of the stage. I think it
is so easy to be picky with any seat you have! Be happy with the price
you pay and enjoy this Fabulous Show!!!!!"
Reader Ali goes on to say (of another visit):
"Row G 10 to 13 - seats had a good view, obstructed only by the very tall man in
front!"
From the same seats, reader Ashley reports,
"G12 and 13. These were probably the best seats I've ever had in either theatre
for 'Les Mis.' As the website says, the top of the stage is obscured from row H
backwards, and so the Upper Circle bordered the stage perfectly at the top."
With another reader opining, beside these,
"G 14, 15, 16: Paid full price for these. Great seats, plenty of legroom
and a central, uninterrupted view of the action. Wouldn't have wanted to
be any further back, though, as the overhanging upper circle cuts off
the top of the stage after row H. Daughter said she couldn't see the
performers' legs from her seat - but not too much of a problem
as not a single one of them sang through their legs."
Reader James adds,
"Sat in Dress Circle G10 the first time I saw "Les Mis" in it’s new venue. It
was OK, but I feel that Les Mis’ new home is slightly more intimate and requires
you to be a little closer to the action. I subsequently sat in Dress Circle C8
and felt much more involved. However, from previous visits to the show at the
Palace Theatre, I find the show is best seen from the Stalls."
On a later visit he says,
"Sat in Dress Circle E17 to E20 - great view and good sound."
Back to row G, reader Brian S records,
"G20 and G21 in the Dress Circle priced at £56.50 – a good value price.
These seats are in the ‘good’ zone as per the seating plan on this
website and I would agree with that analysis. We could see the entire
stage and all the associated special effects."
Wheelchair spaces are available in the loges either side of the circle, or a
seat in row D can be transferred into.
See notes.
Rows K and L at the back of the circle are worth considering only if stalls
at the same price are not available. Row L rests on the back gangway of the
circle so you will feel and hear those escaping early, but you get a head start
to the exit.
One reader reports of row K in November 2004:
"We were in K row and although at first I thought we would be too far away
it was not too bad and we had a clear view. What we all felt was that the
sound was not good - whether the overhang of the Dress Circle was the cause or
not I don't know but to me it did not have the same feel to it as when it was at
The Palace."
In January 2006, reader Ali reports this sound problem not noticeable any
longer - good news, felt the monkey.
Reader Sam says:
"Dress Circle L1 and 2: The view is clear, and you don't feel far from the stage. However, you can't see very well the top of the stage. The stars are not seen during "Stars". Good legroom as well. I agree with
the theatremonkey assessment, and I would even upgrade them to green if you can get them at good
discount!"
Another reader says of row L,
"These seats were on at the very back of the Dress Circle. Plenty of
legroom - although the view was obscured by the upper circle overhang,
making it difficult to see the top gantry of the set, also felt slightly
removed from the "action". Not helped by having our backs to the
doors. I'm sure there are better available for the same price."
Reader J. Hockley agrees,
"Row L seats 7 and 8: Not a bad view but not great. I couldn't see the
first line of the words on the back drop, and when people stood on the
top of the gantry I could only see legs. Even Gavroche, the boy, had his
head missing."
New raised seats cut views a bit, apparently.
Row A slip seats 0 to 7 and 29 to 35 are in the corners of the circle with a view
obscured by the boxes next door. One third of the rear stage is not visible. Sit here
for a cheap but uncomfortable night out.
From April 2012, prices in this row are more proportional to view. If paying
£45, though, the monkey would take central seats in the centre upper circle,
rear dress circle or stalls before these.
Reader Kirsty notes,
"Seats A1 and A2: These seats are in red according to the plan, and
deserve to be so, based on the view that you get. You cannot see much of
the stage on the far side unless you lean over the bar which is what my
friend and I did, along with the other people in our part of the row.
The seats were quite comfortable, and for me personally were worth the
£15 I paid for them using an offer (however, I am easily pleased lol)."
Slip seats row A 0, 1, 35 and 36 are being sold exceptionally cheaply due to the
same restricted
view. Very close to the stage, with a pretty good view for the money, these are
a possibility for those willing to endure VERY - and the monkey MEANS very -
cramped conditions. If you are less than 5ft or so tall, with weight in
proportion, sit here. Most others won't stand a chance of surviving until the
interval, though, feels the monkey. The 2011 refurbishments should improve this,
though...
Slips are joined by two sets of three "loge" seats. These are primarily inserted to allow wheelchair users
to sit with friends as seats can be removed and replaced by
these.
A reader says,
"I purchased my ticket only four hours before the show started and chose
to sit in A36, Dress Circle for £20, and let me just tell you that the
seat is perfectly fine, I could even see more than the ones to my right
on seats A29 to 35. Yes, you miss the first ten seconds of two
entrances, but that really is all - and you still feel part of the show
(maybe even more than on the more expensive seats on Dress Circle and
definitely more than everyone on the Upper Circle)."
At the other end of the row, another reader adds, from a visit in
early June 2011,
"A0: Having seen 'Les Mis' multiple times before, I wanted a cheap(er)
seat that wouldn't break the bank, but would offer an amazing view and
sound quality. At £20, this seat was amazing! Although the ticket said
slight restricted view, you don't miss any of the action whatsoever. The
seat is so close to the stage, I felt more in with the action than I
ever have sitting in the stalls or main section of the dress circle.
Also, as for limited legroom- I am 6ft 2, and yes it is a bit tight, but
it doesn't affect the enjoyment of the show whatsoever! I have
thoroughly recommended this section to friends and family, and is worth
well in excess of the £20 price! Amazing seat, amazing location, will
definitely be booking seats here in the future."
Legroom is tending towards uncomfortable in all seats, poor in row A, dire in
the slip seats (especially the ends). Choose end outer aisle
seats in rows B to L for space to stretch one leg.
Reader Ashley, in G12 and 13 feels,
"Legroom was ample - I'm 6'1" and my girlfriend is 5'10" and neither of us were
uncomfortable at all."
Dress Circle Boxes
Not sold as the new set is built over them.
UPPER CIRCLE
Through 2010 and early 2011 extra seats
have been added to the venue since the monkey's last visit. It is
waiting until the full changes are competed in late 2011, to then carry
out a full re-assessment of all new seating in this area.
A very wide wall at the front of the Upper Circle may restrict the view
of the front of the stage for the shortest people in row A. It has been
lowered so that most can see over it without leaning forward, though.
A large rail at the front of the centre aisle also intrudes into the view of
those in the aisle seats of the front three rows. On the plus side, it seems to
be protecting a steel gherkin, so have fun guessing what that really is!
Metal posts at the ends of each row do
not affect the view significantly - though purists will want to know about them
and take evasive action.
The Upper Circle is split into two by a central aisle. A good rake and not
being too high above the ground make most seats except row AA and the first and
last two or three in rows B to G at least fair value. You don't feel far from
the stage anywhere, and even if the curve of the circle cuts off the edges and
very front inch of the stage, the overall view of the show is rather pleasing
felt the monkey.
A reader in row AA warns,
"Row AA: These front row seats are so restricted in leg room. I'm
only 5ft 2 and by the interval I was in agony being so cramped and had
to move! For the small extra price, I would far rather have the cheap
slip seats in the Dress Circle. Much better all round - so involved with
action and room to move!"
another reader comments,
"Row AA13 to 15: These are listed as having a 'slightly restricted
view'. We were a little concerned when booking as we weren't sure what
exactly constituted 'slightly restricted', but they were £10 cheaper
than others in the row and they were right in the centre of the row -
and at the front - so we took the risk.
Yes, they do have a restricted view insofar as you have to lean
forward to see the very front of the stage. There is a lighting rig just
in front of these seats which is why they are sold at a reduced price,
however, I looked at the people sitting in the dearer seats on either
side and they were also leaning forward so we felt the £10 saving per
ticket was worth it. Granted on a couple of occasions we may have leant
forward very slightly more than the others in the row, but I really
didn't feel it was a problem.
You also cannot see the orchestra pit from these seats (because of
the lighting rig), not sure if this would be an issue for anyone other
than those with relatives in the orchestra?? I am sure the rows behind
us must have had a restricted view to some degree too (especially with
row AA all leaning forward on the balcony wall), however I don't know
this for a fact.
The balcony wall has a velvet padded surface, so was very comfortable
to rest arms/elbows on, and isn't too high. My husband said his back was
aching a little from leaning forward throughout, but I loved the show
and was so engrossed that I didn't feel uncomfortable (we're in our
40s). My mum was with us too (in her 70's) she didn't complain that her
back ached, but did say she kept getting pins and needles in her hands
from leaning forward on her elbows. This wasn't an issue, she just moved
her arms now and again. I imagine the seats may not be suitable for
those with any kind of back problem. There is no extra legroom for being
in the front row. None of us have long legs, so this wasn't a problem.
For theatre goers with long legs, it may prove uncomfortable by the end
of the three hours!
The seat/bottom part of the seats themselves are angled very slightly
downwards. I'm not sure why this is, unless is allows a little more
legroom? It wasn't enough to be obvious. If you sit back in your seat,
you probably lose the front third of the stage. For those familiar with
the show, you can see from the about drain/manhole cover and beyond
(depending on your height I guess!).
I would be happy to book these seats again, we felt they were good
value for the price."
At second price choose row B first then move alphabetically back. Row A
seats 9 to 18 are not a great choice due to the gherkin, though - further back
just edges them for view.
Avoid the ends of the row, though, as reader Felicity says,
"B18 and 19: The seats cost quite a lot of money for their position and
the barrier in front completely cuts off the downstage right corner of
the stage where an awful lot of the action happens. The barrier also
makes the people in row AA lean forward which causes a domino effect for
everyone behind. Apparently they're not classed as restricted view seats
because the producer feels they give a good clear view of the stage,
which is not true at all. My view was further hampered by a very large
man sitting in front of me who blocked most of the stage and spent all
of the time leaning forward as the people in front of him were doing the
same."
Reader Tim Holloway feels,
"D 17 and 18: Slightly disappointed by the view. Even though I
could see everything (despite the best efforts of those in row A to obstruct
the view by leaning over the balcony) it wasn't the best angle to watch the
show from".
At
third price Row G seats 9 to 17 are first choice, though remember that aisle
seats have a metal post next to them - some purists may quibble - and Row J is a little
overpriced (one row back has the same view and is much cheaper).
Reader Sam feels of F19,
"It is little bit high, but good view. Good legroom. However, I think the final battle is affected. You can actually see the lights that give the illusion of fire, and
I could also see someone (supposedly dead LOL!) descending the barricade to arrange
himself. For someone who saw the show so many times it doesn't really matter that much, but
I wouldn't recommend it for first timers, unless they are really poor
students".
The edges of the rows are all considered restricted view, and have been
priced accordingly. The thin strip of lower price seats offers reasonable value - the
monkey would choose row J first, then go forward from there when buying as the
circle angle improves the view the further back you are. Do remember, though
(for knee fetishists) that row BB of the stalls is the same price...take your
pick.
A reader comments:
"G3. It is restricted view, and the Monkey gives it red. I certainly wouldn't
advice this seat for first timers. But, if you are a regular, and on tight
budget, then it is not bad seat. True, you see all sorts of things you are not
supposed to see :), and you are little bit far, but on the other hand, the
restriction is minimal, especially if you know what is going on, and it is only
£12.50. So, it is red in absolute terms, but it could be seen as white for "les
Miz" regulars, or even green if you are high in desperation for your fix, but
very low on money, lol"
At bottom price, the angle affects many seats. Row J 1 and 2 are little
affected, though, and are particularly worth considering felt the monkey. Row H
are almost as good too. For the rest, at bottom price, the curve loses the edges
of the stage - a good fifth of it. First timers in particular should consider
spending a little more, perhaps, though former Palace balcony dwellers will be
quite pleased with these seats. No great bargain, but somewhere to hear the show
from (if you've seen it before) and less metalwork to get in the way. From April
2012, new pricing puts more end of row seats forward of row J at this price.
Monkey advice is to go for the seats as close to the more expensive ones as
possible in all rows.
A reader in row J says,
"Seats 7 and 8. Perfect view, perfect price, very comfortable (I didn't
have to fidget once). However the arm rests are quite small and as both
people on either side of me used them, my arms had to hang and I got
pins and needles in them! Maybe it's just me, but just in case you're
prone to pins and needles, it's something to look out for."
More centrally, another reader, Emma, feels,
"J 9 and 10 sold at £32.50 each aren't very good at all. I felt, all in
all, the Upper Circle is very over priced with the front rows being sold
at £42.50. The 2 rows behind J are sold at a 'restricted view' price of
£21, but your view is restricted in row J. Marius' head was cut off when
he first appeared on stage, and so was anyone else's when they stood on
the bridge. I had to lean so far forward throughout the entire
performance that I got back ache. I could not see over the woman's head
in front of me and she wasn't even very tall. I was extremely
uncomfortable and just wished I'd paid the extra to sit in the Dress
Circle or Stalls. I personally feel they are overpriced for how far back
you are. Maybe they should also be reduced to £21. I would avoid these
seats again."
From row L another regular visitor to the show, Taljaard, says,
"L1: Very good view, excellent sound and at only £20 quite a bargain.
Legroom is tending towards cramped in all seats, worst in rows AA and A. Centre and end aisle seats
allow one leg to stretch (no centre aisle seat in rows AA to C).
Upper Circle Boxes
Not on sale as the set is built over them.
Notes
Total 1065 seats.
Air-conditioned auditorium.
Infrared headsets available, Upper Circle gets least good reception. Guide
dogs allowed in boxes otherwise dog sitters available. One transfer seat in
Dress Circle row D accessed by fire door over a 5-cm step. Seats in the loges
are removable for wheelchair users.
Adapted toilet in foyer corridor. Specific information can be obtained from the
theatre group dedicated phoneline on 0844 482 5137. The "registered disabled"
concessionary price policy here is generally (though can be subject to change)
for a quota of accessible best seats to be made available at the lowest regular
price charged. This quota is increased for designated performances such as
signed / audio interpreted. Check with the box office at time of booking. A
"venue access guide" from the team who created book "Theatremonkey,
A Guide to London's West End," is available to download in PDF format
by clicking here.
No food except Ice cream and confectionery. Bar snacks also available.
Three bars; Stalls, Dress Circle and Upper Circle.
8 toilets; Foyer 1 ladies 3 cubicles, Stalls 1 gents 2 cubicles, 2 ladies 3
cubicles, 4 cubicles; Dress Circle 1 gents 2 cubicles 1 ladies 3 cubicles; Upper
Circle 1 gents 1 cubicle 1 ladies 4 cubicles.
A reader notes in July 2011,
"The toilet facilities at this theatre
are abysmal. The queue for the 'ladies' in the dress circle was
ludicrously long. My wife and daughter joined it at 2 o'clock and
got to their seats at 2.25. I gave up queuing for the gents after
about 20 minutes, but did manage to get in three hours later after
the show!"
The monkey thanks David and his " box office crew" Francesca and
Steve for their help in compiling this information.
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