Ever wonder what the real Elphaba, the Wicked Witch of the West, was like?
Back before Dorothy's
house turned her sister into Yellow Brick Road-kill, and Dorothy gave her a
shower, Elphaba was a student just trying to do what was right.
This is the story of her college years,
meeting Glinda, the fact it is no fun being
green...and in love - magical or not.
The London production continues its
record-breaking run at the Apollo Victoria Theatre. It played its 3000th
performance at London’s Apollo Victoria Theatre at 2.30pm on 16th November 2013.
In August 2014, it surpassed the run of "Me and My Girl" to become the 14th
longest-running musical in West End theatre history.
Over the 2014/15 Holiday season, the show was seen by 45,000 people in the UK
(week ending 3 January 2015), grossing an incredible £2,160,377.50, at Box
Offices in London and Edinburgh and breaking its own previous records in both
the West End and on its UK & Ireland Tour: the London production set a new Box
Office record at the Apollo Victoria Theatre with 9 sell-out shows and a gross
of £1,023,819.00. Its previous record (of £1,002,885 for week ending 1 January
2011) - it also marked the first time in West End history that any production
had grossed over £1 million in a single week.
From 2 February 2015, the London production stars Emma Hatton (Elphaba -
pictured above, photo credit: Matt Crockett),
Savannah Stevenson (Glinda - above, left, with Emma Hatton as Elphaba - photo
credit Matt Crockett), Jeremy Taylor (Fiyero), Liza Sadovy (Madame Morrible),
Martyn Ellis (The Wizard), Philip Childs (Doctor Dillamond), Sam Lupton (Boq),
Katie Rowley Jones (Nessarose), Natalie Andreou (Standby for Elphaba) and Sophie
Linder-Lee (Standby for Glinda).
Discover more at:
Hear the show: a dedicated SoundCloud channel has been created to showcase
snippets of the incredible music by multi GRAMMY® and Academy Award® winner
Stephen Schwartz. You can take a look at the channel here:
for a taste of some of the show-stopping tunes from the musical?
Also, are the links to the individuals songs on the SoundCloud channel:
Also worth knowing is that WICKED, the global musical phenomenon that tells
the incredible untold story of the Witches of Oz, is now on a major tour of the
UK and Ireland. (Cast of UK Tour below. Photo credit: Matt Crockett, used by
Tour dates include:
Sunderland Empire Theatre (31 March to 25 April 2015)
Aberdeen His Majesty’s Theatre (5 to 30 May 2015)
The Lowry in Salford (3 June to 25 July 2015).
Tickets are now on sale at all venues.
The tour cast will be: Nikki Davis-Jones (Elphaba), Emily Tierney (Glinda), Liam
Doyle (Fiyero), Marilyn Cutts (Madame Morrible), Dale Rapley (The Wizard and
Doctor Dillamond), Carina Gillespie (Nessarose), George Ure (Boq), Jemma
Alexander (Standby Elphaba), Lee Bridgman, Chrissy Brooke, Richard Carson,
Harrison Clark, Jeanine Dinger, Tim Edwards, Howard Ellis, Natasha Ferguson, Zoe
George, Lia Given, Natalie Green, Charlie Harding, Katie Kerr, Robert Kershaw,
Will Knights, Sophie Leigh-Griffin, Candy Marriott, Oliver Metzler, Wendy-Lee
Purdy, Julienne Schembri, Grant Thresh, Ed White and Helen Woolf.
WICKED, the award-winning stage musical that tells the untold story of the
witches of Oz, is proud to announce the 5th year of the “prestigious Wicked
Young Writers’ Award” (The Times), with entries now open.
The Award was established in 2010, spearheaded by bestselling author Michael
Morpurgo, to recognise excellence in writing, encourage creativity and develop
writing talent in young people between 5-25 years of age from all backgrounds
and areas of the UK & Ireland. Previous winners pictured above (photo, left: Dan
Over 20,000 young people have since entered original and thought-provoking
pieces of writing that consistently reflect the interests, concerns and deepest
thoughts of young people, providing a first-look at the emerging voices of a new
Championed by Patron Her Royal Highness The Duchess of Cornwall, the Award this
year welcomes Cressida Cowell, the hugely popular author of the How to Train
Your Dragon series, to join the panel of judges alongside Michael McCabe, UK
Executive Producer of Wicked, and Jonathan Douglas, Director of the National
The 2015 Award also marks the launch of the Sugarscape Fan Fiction Award, a
brand new category created by teen entertainment website sugarscape.com to
celebrate the growing popularity of fan fiction amongst young people.
Cressida Cowell comments: “I am delighted to be asked to be a judge on the
Wicked Young Writers’ Award, especially in this 5th anniversary year. As an
ambassador for the National Literacy Trust it is wonderful to be involved in an
award which celebrates young people’s writing and creativity.”
Jonathan Douglas, Director of the National Literacy Trust, says: “I’m thrilled
that the Wicked Young Writers' Award is back for a 5th year and I can’t wait to
read stories and poems from some of the country’s most creative budding writers.
The National Literacy Trust believes that taking part in writing challenges and
awards can have a lasting impact on pupils’ attitudes, motivation and enjoyment,
which in turn can help to boost attainment and support them to reach their full
Wicked’s UK Executive Producer, Michael McCabe, said: “Wicked is a musical with
literary roots, based on Gregory Maguire's best-selling book that re-imagined
the fantastic characters first brought to life in The Wonderful Wizard of Oz. We
are delighted and proud that the success of Wicked has enabled us to support the
Wicked Young Writers’ Award for a 5th incredible year, and we are honoured to
once again be working with the next generation of writing talent.”
Scott Wilson, 18, explained of winning the 15-17 year old category: "I was
pretty insecure about my writing and didn’t show it to anybody and this
competition gave me such a confidence kick. I’d tell anyone that loves to write
to enter, […] it really is such a confidence boost and I think that I write more
than ever now because of it.”
Sophie Max, 17, who has been a finalist three times, and once a winner,
exclaimed: “Being a finalist spurred me on and gave me confidence in myself as a
writer. Having my writing published in the Anthology each year is a prized
memento that I am so proud of; what an opportunity to get my stories in print!"
Pieces of writing can be submitted, either individually or as part of a school
group, until Midnight on Friday 17th April 2015. A shortlist of 100 entrants will see their
poem or story published in the Wicked Young Writers’ Award Anthology and will be
invited to a very special prize ceremony at the Apollo Victoria Theatre in July
2015. The overall winners from each category will win a VIP family experience to
Wicked London, including an exclusive backstage tour and cast meet-and-greet,
£50 worth of book/eBook tokens, plus £100 worth of books for their school
library donated by Hachette Children’s Books.
The winner of the Sugarscape Fan Fiction Award will see their work published on
Sugarscape.com and will be treated to lunch with the Sugarscape editor before
their special Wicked experience.
The school with the highest number of entries will receive a bespoke writing
workshop at their respective school.
Get involved today at
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(Seen at the Evening performance on 11th February 2015). Some actors have
since left the cast.
There's a reason the monkey is able to re-visit this show after 9 years... it
remains a (pure) waterproof hit, as slick as its first night.
After all these years, it's very clear just what a well-constructed piece it
is. Memorable songs, satisfying story that makes its two and three-quarter hours
fly by like a magic broomstick.
Best of all, at the performance the monkey saw, a prediction it made back in
September 2011 came true. With regular Emma Hatton unavailable, Natalie Andreou
stepped in at the shortest notice as Elphaba - just as Ms Andreou did in
September 2011 for Amy Pemberton in "Rock Of Ages." The monkey said then that
"Ms Andreou isn’t known – but should be, and soon. A leading lady who producers
should be falling over themselves to sign to whichever musical takes her fancy."
The monkey is so glad the producers of "Wicked" took its advice.
At the risk of channelling its "Wicked inner fangirl" Natalie Andreou smashes
her role out of the ballpark. The monkey was almost in tears with her "I'm Not
That Girl," and "Defying Gravity" is a triumph. If this is her third
performance, her 103rd will be something. Andreou is someone special in musical
theatre. If you can catch another of her nights "on," do.
Savannah Stevenson (Galinda) and Martyn Ellis (The Wizard) are the other
stand out performances, both managing engaging performances. The ensemble too
put in a fine effort on a "double performance" day, taking the show at a slower
pace which helps the narrative.
This show remains the perfect teen treat as an introduction to musical
This review refers to the original cast. Casting has now changed.
"Lyrics and music and book, oh my!" Proof, if proof were needed, that the
old-fashioned Broadway musical isn't dead. The story is basically the
traditional "green girl wants boy, boy wants yellow girl" ending with green girl
turning boy yellow, and yellow and green girl settling their differences - with
some animal rights stuff and zingy one liners thrown in. The satisfaction is in
the neat dovetailing with the classic film - find out how the well loved
characters became what they are; the downside is overlong sequences that look
great but add twenty minutes of ballast to the proceedings.
This is very much a show of two halves. The first has Winnie "My So Called
Life" Holzman channel female adolescence with acuity once again. If business
starts to slip, producers should re-paint the theatre walls powder pink,
replace seats with furry-toy strewn beds and provide free popcorn, cosmetics and
a pizza delivery service. Very much attuned to the sleepover crowd, the fun
"Popular" and 'I wish' numbers "The Wizard and I" and "I'm
Not That Girl" are
arrows to teenage hearts. Once the director realises "Popular" works way better
with an American air-head accent than it does with a British spoof-Sloane one,
it'll be the perfect "DVD night in" substitute. That isn't to say Helen Dallimore
should be upset by frank analysis, but the director should consider the show in
need of personality dialysis and restore it to the original (United States)
state at the next cast change. Oh, and that line is probably the "wittiest" in the
show - you can almost hear Sondheim scream as it is sung.
Act two grows progressively darker, and the resolutions come late into it.
Tighter than act one, and noticeably more adult, it eschews the clumsy shifts of
place for a smoother cinematic feel but feels rushed to ensure the show comes in
at the sub-three hour mark. The searing "As Long as You're Mine" and insightful
"For Good" deserved time that "Wizomania" pointlessly occupies and could have
turned a good show into an unforgettable one. Time to contemplate motives, cause
and effect are limited, and the monkey would have appreciated more of it spaced
through the production.
Expensively staged, occasionally buckling under its own spectacular mass,
set (Elphaba could perhaps have flown properly had there been space) and a
desire to give the audience every penny of the production costs in spectacle
over substance, this is the golden era of musicals brought into the 21st
century. Those old musicals had their faults, as does this, but ultimately a
show succeeds on how deep its songs and images engrave themselves in the memory.
Probably too crass for the current "post war" musical lover (though Schwartz
produces some of his best work here), Wicked will still worm its way into the
affections of many - younger people especially - perhaps ultimately ending up as
a "standard" in fifty years time. As the dragon signifies, it is time that
tells, and this show is mostly worthy of the audiences' hours.