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Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

ALDWYCH THEATRE


 CLICK HERE TO BUY THE
2006 London Aldwych Theatre Cast CD

DIRTY DANCING (musical)

1963. Teenager Baby and her family head for the hillside country hotel resorts that provided wealthy Americans with a programme of entertainment and relaxation back then. While her older sister as usual gets all the attention, a hunky dance instructor decides that nobody puts Baby in the corner... and teaches her about life, love and how to have the time of her life...

Adapted from the film, this features all the well known songs and promises to go further in evoking the era and drawing the audience in the action of Baby's best ever summer.

Click here now to view video clips from this show.

 

Theatremonkey Opinion:

This review may refer to performers who have now left the cast.
The time of your life? If you are not a regular musical theatregoer, then quite possibly. There is plenty to like in this film to stage translation - and that includes Josef Brown for the girls, and Georgina Rich (left the cast Autumn 2007) for the guys. The story is the familiar one from the film, with a few added details and the scenic projections (way ahead of "The Woman In White" in the monkey memory) keep the thing moving onwards.

The leads of Johnny and Baby would always be difficult to cast as Swazye and Gray are iconic, but Brown and Rich do fine. Brown is a totally obvious choice, all muscle and smooth co-ordination as you'd expect. Rich is a far more curious decision, but after a few moments it is easy enough to see why she was cast. There is something gawkily fascinating about her - exactly what you realise Baby should be.

So, strong leads, OK story and pretty good sets. What might a musical theatre aficionado quibble about? First, the music doesn't always move the story onwards, it is sometimes more a reverence to the film than anything else, which stretches the evening somewhat and distorts the speed. Second, though the cast are energetic, they occasionally seem surplus to requirements as you wish to concentrate on only a few characters. One reviewer complained the first thirty minutes aren't that clear to those who've not seen the film too - though the monkey disagrees somewhat, there is a grain of truth in it, something the director might tighten as time goes on.

Like the show itself, this review will conclude on a high note, if not an iconic moment. A much loved movie has made the jump to the West End fairly successfully, and this should be an enjoyable night out for many.

 

Your Reviews: Add your own by clicking here.
Important: Some reviews below can contain "spoilers" - please don't read if this bothers you!

The latest five reviews are below. For earlier ones, click here.

Some reviews below may refer to performers who have now left the cast. ______________________________________________________________________

It's simple. If you love the film you'll love the show. It is almost scene-for-scene and word-for-word the same, but with the bonus of extra bits to pad it out, which work quite well. Not necessarily the greatest show on earth, a little cheesy perhaps, but great fun for a girls' night out when you don't want to worry about thinking and just want to have fun. Everyone in the audience was singing along, and by the end were cheering every iconic line - the cheers to 'nobody puts baby in the corner...'nearly took the roof off!

I have to say the seats were good but then we were 4 rows from the front and just off centre; being short, it is not often I have problems with leg room - usually it is trying to see past the person in front! but at that distance it was not an issue! The water sold was of reasonable price for London theatres but it did get hot in the theatre and we went in February 2007.

I believe you should go to the theatre to see the show and if a famous person appears that night, it is a welcome bonus. In this there were no big names and the understudy took the male lead, quite frankly you would not have known, the performances were great.

During the show we saw, the interval was extended due to one of the actors being  taken ill and the cast having to re-adjust to cover the parts. The understudy stepped in beautifully and we amused ourselves trying to work out who had had to replace who, to allow the understudy to step up from the part he had previously been playing! sadly (and I'll blame the illness) the understudy who stepped in was better than the original actor.

The set was interesting and generally worked well. the water scenes were an effect  I hadn't seen before and was amusing but effective. Sadly with an audience of excitable females, the effect of the fallen tree being lowered into place (and raised back up again) brought about very juvenile, and extremely rude comments and sniggers (very phallic) and yes i sniggered along with the best of them!!

If I had one criticism of anything, it would be the microphones. First I thought the lead male had hair grips in as his hair kept doing weird flicks and stood out at odd angles, till I realised the microphone was around his head and should have been covered by his hair (fine until a character runs their fingers through his hair and dislodges it!) then, during the semi nude scenes, the discreet flesh coloured tape used to cover the microphone wire travelling up their backs needed more adhesive. With all the dancing, they had come unstuck and the characters looked like they had carry-handles, and someone could have picked them up and carried them off at any time! Not sure they can do much about it but it was distracting. Sometimes sitting too close to the stage highlights problems unnoticed by those further back.

Generally a good fun show, that has everyone humming , toe-tapping and reminiscing and walking out with a smile. Now that can't be bad.

Jos
________________________

24th December 2007: Well finally got to see it and my friend and I enjoyed it (apart from latecomers and a texter interrupting!).

Anyway apart from all that it was a good show – very entertaining. We both felt Johnny could have been a little more charismatic as a person – obviously a good dancer and good body but apart from that lacked a little something - Baby was great as were the rest of the cast and the girl who played Penny was a really fantastic dancer. The set was very clever and translated well onto the stage considering what is available to film producers compared to what you can do with a smallish stage.

A good night out for the girls and the children in the audience seemed to really enjoy it - but an expensive treat if you have to take 2 or 3 children.

A bit of advice - buy the Tshirts in Matalan and save yourself some money only £10 in there!!

Lizzie Loves Theatre.
_________________________

I have never waited so long (eight months) to see a show where it was such an anti-climax. As a regular theatre-goer and a 'Dirty Dancing' fanatic I can not put into words how disappointed I was. For my other half it was his first West End experience and the first thing he said to me was "are the actors not supposed to sing?" I ask the same question.... Baby and Johnny don't sing one song......Penny sings one at the beginning....... and some of the ensemble (which I had to look for) sang about two songs at the end! I have to say though, when the few songs were sung live it really gave a new feel to the piece -that spine tingling feeling you get hearing amazing actors belt it out on stage! Is that not one of the things we pay for as theatre-goers? I don't understand why they didn't do this through out the piece.

The relationship between the two main characters lacked life and passion. I thought Baby (Sarah Manton) did quiet a good job but Johnny (Josef Brown) was amazingly awful - he killed key moments and wrecked the key lines that the audience were waiting in baited breath for. He was like a Ken dol l- pretty, but nothing else.

I felt the dancing was OK but for a show already lacking musically, I felt the dancing needed to be amazing. It lacked pizzazz and chemistry. Penny (Nadia Coote) was the only one to really stand out.

We sat in the Upper Circle row G15 and 16. I have to say the view was great and it was raked so that not even the person in front could have blocked your view. HOWEVER, leg room is REALLY tight. I am 5"4 and I have never been so uncomfortable. We were packed in like sardines. I know they were the cheaper seats but for £35 we got fold down seats with not even an arm rest separating you from the person next to you.

If you are going to this show expecting a musical, you will be very disappointed.

Karen
___________________________

What a fantastic show (26th April 2008)! It was so good I've bought tickets to go again!

Word of warning though... this show is not your normal "Musical". Yes there are a few songs in it, but nearly all of the leads are omitted from the musical numbers (apart from the dancing of course). So please don't go to see this show thinking it's your run of the mill musical as you may be a little disappointed. If you go to the official 'Dirty Dancing' website you'll see that it's not being pushed as a musical - it's something very different in its own right.

The music used in this show was great, just like the film. The dancing was brilliant especially the lady playing Penny's high kicks - blimey! It's such a feel good show that you can't help but leave with a massive smile on your face.

It gave me goose bumps to see a film I love being acted out in front of me. Also, I noticed that they included a lot of the scenes cut from the original film which added to it's magic.

One poor point was the first half an hour - not because it was difficult to follow (as some reviewers have commented on), but I feel the microphones needed to be turned up slightly. I say this as there is "background music" playing in very energetic scenes so it was sometimes difficult to hear what they are trying to say. This however disappeared later when the show got into full swing. (Also worth noting that the show I attended had subtitles at the side of the stage for the deaf / hard of hearing which I thought was fantastic!)

The high point was the scenery and scene changes! I loved everything they did from travelling to Kellermans to the brilliant water lift scene! WOW!

This production left me wanting to head towards the nearest dance class to have a go myself, but I think I'll have to console myself with my front room and the 'Dirty Dancing' DVD! ;o)

A great day out and heartily recommended!

 

 
 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Performance Schedule:
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

Monday to Saturday at 7.30pm
Friday and Saturday at 3pm and 7.30pm

Runs 2 hours 30 minutes approximately.
A reader in 2008 put it nearer 2 hours 45 minutes, though.

 

Ticket Prices:
View this information in diagram form

Until 18th October 2008 all performances:
Stalls:
Rows AY to Q: £60
Rows R to Y: £45
Row Z (restricted view): £28
 

Dress Circle
Rows A to K: £60
Rows L and M: £45
Dress Circle slips Row A 1 to 6 and 28 to 33 (restricted view): £28

Upper Circle
Rows A to D: £45
Row E: £38
Rows F to J: £33,
Row K: £28
Rows AA and L (restricted view): £15

Boxes £38 per seat.


 

From 20th October 2008 until 17th October 2009 all performances EXCEPT Friday 7.30pm, Saturday 3pm and Saturday 7.30pm:
Stalls:
Rows AY to Q: £60
Rows R to Y: £45
Row Z (restricted view): £28
 

Dress Circle
Rows A to K: £60
Rows L and M: £45
Dress Circle slips Row A 1 to 6 and 28 to 33 (restricted view): £28

Upper Circle
Rows A to D: £45
Row E: £38
Rows F to J: £33,
Row K: £28
Rows AA and L (restricted view): £15

Boxes £38 per seat.

 

From 20th October 2008 until 17th October 2009 all Friday 7.30pm, Saturday 3pm and Saturday 7.30pm performances ONLY:
Stalls:
Rows AY to Q: £62.50
Rows R to Y: £45
Row Z (restricted view): £28
 

Dress Circle
Rows A to K: £62.50
Rows L and M: £45
Dress Circle slips Row A 1 to 6 and 28 to 33 (restricted view): £28

Upper Circle
Rows A to D: £45
Row E: £38
Rows F to J: £33,
Row K: £28
Rows AA and L (restricted view): £15

Boxes £38 per seat.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here


Buying Tickets Through the Venue:

More Ticket Buying Options

Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems.
Theatre Box Office:
Telephone: 0844 847 2330
(0161 385 3211 if you cannot use the 0870 number)
Operated by Ticketmaster on behalf of the venue.

Online: www.ticketmaster.co.uk provide the service for this theatre.
If you are unhappy with the tickets offered, keep re-selecting using the "Back" button on your browser, NOT the "reselect button" on the page.

Other Online Booking Options: click here.

Booking fees per ticket for telephone and online bookings:
£62.50 seats attract a £1.70 fee from 20th October 2008 until 11th April 2009, then £1.95 from 13th April 2009 until 17th October 2009).
£60 seats attract a £2.40 fee (until 18 October 2007), then £1.70 from 20th October 2008 until 11th April 2009, then £1.95 from 13th April 2009 until 17th October 2009.
£45, £38 and £33 seats attract a £1.80 fee until 11th April 2009, then £1.95 from 13th April 2009 until 17th October 2009.
£28 seats attract a £1.30 fee until 11th April 2009, then £1.55 from 13th April 2009 until 17th October 2009.
£15 tickets have a £1 fee per ticket until 11th April 2009, then £1.25 from 13th April 2009 until 17th October 2009.
A £2.50 (£2.75 for performances from 20th October 2008 until 11th April 2009, £3 for performances from 13th April 2009 until 17th October 2009) transaction fee is added to the whole booking (not per ticket) above that. The same as by telephone. If you are unhappy with the tickets offered, keep re-selecting using the "Back" button on your browser, NOT the "reselect button" on the page. Note that the tickets offered may differ between phone and online sources.

 

For personal callers or by post: Aldwych, London. WC2B 4DF
No booking fee for personal callers. Note that the theatre release any extra tickets they have for the show at noon on the day of performance.

Special Access Needs Customers:
Wheelchair users and other registered disabled theatregoers can book their seats on 020 7379 3367 and enquire about concessionary prices that may be available to them. The wheelchair users line connects directly to the theatre box office in London. See Notes.

www.aldwychtheatre.com is the official theatre website.

 

More Ticket Buying Options: Using S.T.A.R. genuine ticket agencies.
Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems.

If the box office cannot help you, or you simply want to compare seat locations from another source before buying, the Theatremonkey Ticketshop is worth considering. It is a ticket agency, normally with some of the lowest service charges in the sector - from 24th March 2008 to 18th October 2008 the fee is £6 on £60 tickets (£6.25 on £62.50 weekend seats from 20th October 2008 until 11th April 2009). Note that for some "peak" performances the service charge is higher - up to £8.25 on top price tickets. This will be confirmed at time of enquiry. A little more than the actual theatre charges, but lower than other agencies. Simply select the show from the "drop down" menu in the centre of the page. Note that this system will confirm exact seat numbers prior to purchase.

Another alternative is www.seetickets.com / telephone 0870 830 0200 with offers seats at £50 or more with a £3.50 per ticket booking fee (£3 on £45 tickets, £2.50 on £38 and £32.50 seats) plus a £1.60 per booking (not per ticket) postal charge.

Encore Tickets offer £60 seats with a £15 fee per ticket (£18 on £62.50 seats, £11.50 on £45 seats, £9.50 on £38 tickets). An optional UK postage of £1 per booking, not per ticket, available if time allows. Meal and show packages may also be available.  Quality and Value hotel / theatre ticket packages are also available.

Other Independent S.T.A.R. ticket agencies may also offer an alternative choice of seats.
 

 
 
Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Theatre Seat Opinions:
Please remember that cheaper seats often do not offer the same view / location quality as top price ones, and that ticket prices are designed to reflect this difference.

Seating Plan Diagram

Stalls Dress Circle Upper Circle Notes
STALLS 
The Dress Circle overhangs the stalls at row H. The top of the stage is not visible from row L back. In fact, the view gets so poor that producers have been known to curtain off the rear rows to prevent embarrassment!

The stalls are split into front and rear halves by an aisle behind row H. The front block has seats across the entire width of the theatre, the rear block is split into three sections - a central and two side blocks, by more aisles.

Seats in rows AY to H are all fine. The rake from row B to H ensures particularly good views from these rows -  sitting in the central seats of these rows ensures maximum value for money. 

One reader says,
"We were seated in the stalls seats C 7 and 8 in the stalls. Although I could see the stage well I would say that it was a little to close to the action and would have preferred to be further back, certainly not any closer as I had to move my head from side to side to see all the action. However, the theatre is quite small so it did feel quite intimate and allowed the audience to feel like part of the action."

The front two rows are designated AY and AZ, before the third is designated A. This means the unwary will be seated three rows further back from the stage than the traditional alphabetical order might suggest. AY is the front row for "Dirty Dancing" (October 2006).

Rows J to Z are in the rear half of the stalls. The central block is acceptable if one can live with the very low ceiling and missing top half of the stage - though the monkey doesn't feel anyone will be totally unimpressed sitting here for "Dirty Dancing" (October 2007). Row Z are "flip down" rather than traditional theatre seats, without backrests, so are less comfortable - though fairly priced considering the view and position near an exit door.

A sound desk is positioned in the centre of the back rows of rear stalls, with five seats either side (3 on one side of row Y). The monkey is didn't think any of these were particularly awful - the desk was neatly a bit away from the seats. Purists will want to skip the seats around the desk, though.

The side blocks of rows J to X feel like satellite colonies for some reason, and the odd viewing angle is mildly irritating. For "Dirty Dancing" (September 2006), monkey feeling is that the extreme ends (first and last 3 seats in row O back) are the third choice of ticket, as there are more central seats for the same price, and the overhang is most noticed here.

Legroom throughout the stalls is excellent.


Stalls Boxes
Boxes C and F are directly beside the stage at Stalls level. They offer poor views - about half the stage is not visible, but good legroom. For "Dirty Dancing" (September 2006) they are not sold.



DRESS CIRCLE 
The Upper Circle overhangs the Dress Circle at row B. Clamps holding the lighting rail in place are in front of row A seats 12, 13, 20, 21, 23 and 24. These do not affect the view significantly.

The rake is steep, allowing a good view of the stage until row E. After this point the low circle above begins to restrict views of the top of the stage. The monkey is inclined to skip row M in particular at second price as it seems a bit overpriced.

The circle seems close to the stage creating an intimate atmosphere. No rail blocks the view (though there are short ones at the end of the aisles - pedants might want to sit one seat off the aisle in row A to avoid them), and only rows J back feel a way from the stage.

At the sides of the Circle, row A seats 1 to 6 and 28 to 33 offer a close up view of the stage with only a shallow triangle of the nearest side not visible. Expensive at second price for "Dirty Dancing" (September 2006), the monkey feels, though.

A wheelchair can go next to seat C1 and transfer to C1, 2, 24 and 25 is possible. The customer gets a fairly good view. See Notes.

Legroom throughout the circle is average, with slightly more in the last two seats at the ends of row B to M. Row A has less legroom due to a wall rather than seats being in front.

Dress Circle Boxes
Boxes B and E are on ledges to the corners of the Dress Circle. 

The chairs used in boxes B and E offer excellent legroom, though a very average view of about two thirds of the stage. A bar runs across the front of the box, adding to the problem.

Box D can house a wheelchair and companion. See Notes. Users should take Dress Circle C1 instead. 

Boxes A and D, between the circle and the stage; offer poor views, about half the stage is not visible, but good legroom. 



UPPER CIRCLE
Known as the GRAND CIRCLE in this theatre.

Notorious for being high and steep, the view none the less is generally good from most seats. Only rows G back feel, naturally, a little remote from the action.

A metal bar runs across the front of the circle cutting into the view from row A, which also has less legroom.

Row D is preferable to the rear stalls row Q back since more of the stage is visible from here. Legroom is almost equal to the stalls too. Note that the first and last four seats have a rail in view if you are shorter, and may be worth a miss, a reader in C1 noticed this.

In row F a reader comments,
"F 12 and 13: Excellent views for £33. I'm short so leg room was fine for me. But it was VERY hot up that high - one woman passed out!"

Reader James says,
"Sat in F20 - view was fantastic and really didn't feel a long way from the stage at all, could almost see all the action, rake very good. I found leg room fine, more of a problem was width - I'm not a large person at all, and neither were any of the people around me, but I was very cosy to the people on either side!"

Reader Karen reports,
"We sat in the Upper Circle row G15 and 16. I have to say the view was great and it was raked so that not even the person in front could have blocked your view. HOWEVER, leg room is REALLY tight. I am 5"4 and I have never been so uncomfortable. We were packed in like sardines. I know they were the cheaper seats but for £35 we got fold down seats with not even an arm rest separating you from the person next to you."

A reader also moans that seats in row L were pretty bad too with a view of the row in front rather than the stage - they are much cheaper now because of this, still maybe something worth knowing, though...

At the sides of the Circle, six slips seats are tacked to the ends of row A. Don't bother unless they are the only tickets left. Poor view (with bar in the way too) and uncomfortable.

Legroom is just adequate in all seats barring row A, with row D offering more due to a gangway running in front of it.

A larger reader opines,
"Strange seats at the side of the upper circle. at an angle... not a good view in my opinion but not uncomfortable."




Notes
Total 1176 seats.

Air-conditioned auditorium.

No food except ice cream and confectionery.

Three bars one each at the back of the Stalls, Dress Circle and Upper Circle

Occasional signed performances, hearing loop. 1 guide dog per performance allowed in box D only. Wheelchair users (non-motorised chairs only) must use the fire doors but have a level access to the Dress Circle box D. Row C seats 1, 2, 24 and 25 are available for transferees. One adapted toilet has been fitted. Fuller details from the theatre on 020 7379 3367 or Artsline on 020 7388 2227, e-mail artsline@dircon.co.uk.

Nine toilets. Foyer 1 ladies with 9 cubicles, Stalls 2 gents 1 cubicle each, 2 ladies one with 1 cubicle, one with 5 cubicles. Dress Circle 1 gents 1 cubicle, 1 unisex disabled. Upper Circle 2 gents 1 cubicle each, 1 ladies 2 cubicles.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Getting to this Theatre
Find this theatre on a Street Map
Nearest Underground Station Buses Car Park
Nearest Underground Station:
Covent Garden - Piccadilly Line (dark blue).

Plan your tube journey to this station using the button below:

An ILLUSTRATED PHOTOGRAPHIC version of this route is available by clicking here.

For mobility impaired audience members, the Society of London Theatre provide a "photo map" - illustrated walking route to this venue from a near landmark and also Waterloo Station (the nearest fully accessible station) on their website www.officiallondontheatre.co.uk, via the theatre's listing page on that site.

On leaving the station, turn right and walk into the large pedestrian plaza that is Covent Garden. If you see a long road with cars in front of you, wrong way.

On entering the plaza space, turn to your left and walk along the collonaded area. If you see Tesco Metro Supermarket or a bank, Wrong way.

Keep walking ahead as far as the collonaded area will allow (it forms the outer part of the market Square). Follow it to the right. At the end of the building is Russell Street.

Walk along Russell Street, crossing one road, until you reach a street corner with the Fortune Theatre to the left and the Drury Lane theatre ahead of you on the opposite side of the road. Take the road to your right, Catherine Street and walk on past the entrance of the Drury Lane theatre. If you do not pass the entrance doors, or pass the Fortune theatre, wrong way.

Pass the Duchess Theatre. Cross to the other side of the street and come to the Strand Theatre. 

Turn to your left and walk across the front of the Novello Theatre along the curved road. Pass the Waldorf Hotel doorway and the Aldwych Theatre is ahead of you on your left at the next corner. If you come to a bridge or the Lyceum theatre, wrong way.
______________________

An alternative worth considering is that also close to the theatre is Temple Station - Circle Line (yellow) and District Line (green). This is closed on Sundays and some other times, so check before using. If it is open, then leave the station turning left. If you see the river, wrong way!

Plan your tube journey to this station using the button below:

A photographic version of this walking route is available by clicking here.

Go up the steps and cross the road ahead of you. Keep walking straight on up Arundel Street (the road sloping upwards ahead of you).  Make sure you are on the right hand side pavement.

At the top of Arundel Street is "The Strand" and The Aldwych", a busy road intersection and cluster of buildings. Cross the road so that you are on the curving street ahead of you.  

Follow this street as it curves to your left. Keep going and cross "Kingsway" - a busy multi-landed street. The Aldwych Theatre is ahead of you.

 

Buses:
1, 6, 9, 11, 13, 15, 23, 26, 59, 68, 76, 77a, 91, 168, 171, 172, 176, 188 and 341 all stop outside or near the theatre.

 

Car Park:
Parker Street, under the New London Theatre. Exit the Car Park and stand with your back to the main foyer of the theatre. Cross the road ahead of you and turn to your right. The street corner is there ahead of you. If not, wrong way. At the corner of the street, Turn left into Drury Lane and walk along it. If you pass the New London Theatre, wrong way.

Walk straight on, crossing Great Queen Street, Kemble Street and Kean Street on your side of the road. At the end of Drury Lane is the Aldwych. Without crossing any roads, turn to your left. The Aldwych Theatre is ahead of you on your left. If you see the Novello Theatre, Wrong way.


 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

 

 

 

 

 

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