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London Palladium Theatre

8 Argyll Street, Soho, London W1F 7LA 020 7087 7755

London Palladium
  • Synopsis
  • Theatremonkey show opinion
  • Reader reviews
  • Performance schedule
  • Ticket prices

Previews from 4th December, opens 9th December 2021. Ends 9th January 2022.
Signed performance: 31st December 2021 at 1pm.
Audio described performance: 6th January 2022 at 7.30pm.

The Christmas Crazy gang - Julian Clary, Paul Zerdin, Nigel Havers and Gary Wilmot - return for a second attempt at bringing this Christmas show to the Palladium.

Donny Osmond, Charlie Stemp, Sophie Issacs and Jac Yarrow join them in a tribute to the best of panto in a show devised by Michael Harrison.

From the previous run. Some actors have now left the cast.
(seen at the preview performance on 12th December 2020)

Last year the monkey praised “Goldilocks and the Three Bears” for taking panto back to its variety roots, with hoards of speciality acts interspersed with the usual Christmas Crazy Gang antics.

This year, we are lucky to get any sort of Christmas entertainment at all – and at the time of writing it could be closed at any moment. For those who can grab the chance, necessity has provided something remarkably interesting.

“Pantoland” is mostly a compendium of the best routines from previous shows, held together by the usual foolery we’ve come to expect of the resident Christmas Crazy Gang.

There’s no story, no huge ensemble dance routines or giant special effects. Even the scenery and costumes are from “Cinderella” and “Dick Whittington” and the wonderful handbills of yesterday proscenium is a delight.

A sequence of set pieces demonstrate exactly how the great tradition of pantomime works. We get much loved routines like “The 12 Days Of Christmas” from their award-winning “Dick Whittington,” Gary Wilmot’s stellar “Underground Stations” and a short act two appearance by Elaine Paige’s Queen Rat.

Paul Zerdin produces the same act as usual, but luckily, he does the hilarious “ist” routine and breaks some new ground as Sam sings with the breathtakingly brilliant Beverley Knight. How the lady keeps a straight face is anyone’s guess – but it’s that “worth the price of the ticket” moment on its own.

Charlie Stemp and Jac Yarrow are a little “before” and “after” demonstration in themselves as the more experienced former shows what time and practice will mould the latter into. A pair worth retaining in the core company.

Julian Clary is his usual “over the heads of children” self, deciding the monkey was “chatty” before moving on to other front-row victims.

“Diversity” provide two energetic sequences which probably work better viewed centrally and further back than the monkey was sitting, but it was good to see a couple of new female members in the team.

Nigel Havers also appears. Mostly in weird costumes. As usual.

For a show that had to come together in a few weeks, Michael Harrison and his team really pull off something quite unique and rather special. The show may not be nearly as glossy as usual, but it is served with a good deal of hearty tradition demonstrating just why the art form is so British it defies comprehension by anyone not in on the joke. Also, a proof that the strong resident company is – staged “corpsing” and scripted errors included, one that must be kept together at all costs. They close with the promise of all meeting again next year for a proper Christmas panto. The monkey will hold them to that.


4 stars.

The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

Tuesday to Saturday at 2.30pm and 7.30pm
Sunday at 1pm and 5pm

No performances on 25th December 2021 and 1st and 4th January 2022.
No 2.30pm and 7.30pm performances on 24th and 31st December 2021. 
No 2.30pm performances on 10th December 2021 and 6th and 7th January 2022.
Extra performances at 12 noon and 4pm on 24th December 2021.
Extra performances at 1pm and 5pm on 31st December 2021.
Extra performances at 2.30pm and 7.30pm on 27th December 2021 and 3rd January 2022.

Runs 2 hours 30 minutes approximately with one interval.

Theatres use "dynamic pricing." Seat prices change according to demand for a particular performance. Prices below were compiled as booking originally opened. Current prices are advised at time of enquiry.

To enable "social distancing," locations may vary.


London Palladium Pantoland prices seating plan


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