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2026 Olivier Awards
 
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2026 Olivier Awards

Theatremonkey
(@theatremonkey)
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Posts: 102
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Some really close ones this year, but given that we all know the Oliviers are now decided mostly by the producers themselves, so are not really a test of critical or public opinion, but how influential some are at keeping their shows in the limelight, I’m taking a look at what I think should and what probably will win, in the theatre categories.

Best New Musical 
SHOULD: The Unlikely Pilgrimage Of Harold Fry
WILL: Paddington The Musical

Best Musical Revival
SHOULD: Evita
WILL: Into The Woods

Best New Play 
SHOULD: Punch
WILL: Inter Alia

Best Revival
SHOULD AND WILL: Much Ado About Nothing

Best New Entertainment or Comedy Play 
SHOULD: The Comedy About Spies
WILL: Every Brilliant Thing

Best Actress 
SHOULD: Rosie Sheehy for Guess How Much I Love You?
WILL: Rosamund Pike for Inter Alia 

Best Actor 
SHOULD: David Shields for Punch  
WILL: Tom Hiddleston for Much Ado About Nothing

Best Actor in a Musical 
SHOULD: Jamie Parker for Into The Woods
WILL: James Hameed & Arti Shah for Paddington The Musical

Best Actress in a Musical 
SHOULD AND WILL Rachel Zegler for Evita

Best Actress in a Supporting Role 
SHOULD: Lucy Karczewski for Stereophonic
WILL: Julie Hesmondhalgh for Punch 

Best Actor in a Supporting Role 
SHOULD: Zachary Hart for Stereophonic
WILL: Paapa Essiedu for All My Sons 

Best Actor in a Supporting Role in a Musical 
SHOULD: Jo Foster for Into The Woods
WILL: Tom Edden for Paddington The Musical

Best Actress in a Supporting Role in a Musical 
SHOULD: Kate Fleetwood for Into The Woods
WILL: Victoria Hamilton-Barritt for Paddington The Musical

Sir Peter Hall Award for Best Director 
SHOULD: Jordan Fein for Into The Woods
WILL: Luke Sheppard for Paddington The Musical

Gillian Lynne Award for Best Theatre Choreographer 
SHOULD: Fabian Aloise for Evita
WILL: Ellen Kane for Paddington The Musical

Best Costume Design 
SHOULD: Linda Cho for The Great Gatsby – A New Musical 
WILL: Gabriella Slade (Costume Design) & Tahra Zafar (Paddington Design) for Paddington The Musical 

Best Set Design 
SHOULD: Paul Tate dePoo III (Scenic & Projection Design) for The Great Gatsby – A New Musical
WILL: Tom Pye (Set Design) & Ash J Woodward (Video Design) for Paddington The Musical

Best Lighting Design 
SHOULD: Jon Clark for Evita
WILL: Aideen Malone (Lighting Design) & Roland Horvath (Video Design) for Into The Woods 

Best Sound Design 
SHOULD: Adam Fisher for Into The Woods
WILL: Gareth Owen for Paddington The Musical

Outstanding Musical Contribution 
SHOULD: Will Butler (Original Songs & Orchestrations) & Justin Craig (Orchestrations) for Stereophonic
WILL: Matt Brind (Orchestrations & Arrangements) for Paddington The Musical

Best New Production in Affiliate Theatre 
SHOULD: The Shitheads by Jack Nicholls
WILL: The Glass Menagerie by Tennessee Williams



   
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Theatremonkey
(@theatremonkey)
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Posts: 102
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So, not a bad guess. 15 totally right out of 21. 3 that I really hoped would win (but thought would be beaten) also won.

Only 3 totally wrong guesses.

So, first, we need to remember that there is a fair amount of commercial and vested interests in who wins.

That accounts for trade-offs like "Evita" - closed and thus not going to make money for anyone in London now - not winning, over "Into The Woods" which now has multiple awards on its strapline for the West End run later this year. Certainly not saying ITW isn't a worthy winner - it is an amazingly good show - but "Evita" was an event on its own.

So, Zegler was the only possible winner of Musical Female lead, no other without every theatreland person screaming "fix," but a trade-off is in other categories.

Moving on to the 3 I hoped for: thank goodness the wildly over-praised "Inter Alia" didn't get it. "Punch" deserved both that it won. If for the first time in 45 years of theatregoing I needed the "chill out" offered, it says it all. Dame Julie needs to be on the cards. And "Evita" of course had way better choreography than the Beary tale.

Of those I got wrong: Jack Holden was off when I saw "Kenrex," so he must have made it work far better than his alternate. Wasn't even close on that one, but then the data wasn't really there, I guess. Also, when voting, a bit of a "let's keep it looking even" card for commercial interests.

Totally out on "Entertainment / Comedy Play." Really pleased for "Oh, Mary!" Can see why it edged "Spies" but it is close-run. Again, a running hit may have edged things with an eye on the commercial, despite an upcoming revival.

Also complete miss on "Best Revival." Very surprised "Much Ado" got nothing... "All My Sons" was pretty good, but didn't tingle in the same way.

Anyhow, well done to all who won.

 

 

 

 

 



   
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 Nic
(@nic)
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Joined: 3 months ago
Posts: 9
 

Commercially savvy because I brought 'Into The Wood' tickets for September (DMT Members pre-sale). And Paddington will run for a billion years - and ,imo, rightly so. 



   
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Theatremonkey
(@theatremonkey)
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Joined: 1 year ago
Posts: 102
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@nic Yep, have to agree. Bought an ITW ticket the same way. Paddington, I do expect the bear to last as long as Cats too. At least I personally don't have to go again, but that's me.



   
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