Matinee Performance - 2nd April 2005

Our last visit to the Victoria Palace was a few months ago for the cheesy delights of Snow White and the Seven Dwarfs. Since then Lee Hall's been busy writing, Elton John composing and the theatre staff apparently hoovering and generally tidying the theatre up a bit in time for the long awaited 'Billy Elliot, the Musical'.

We were fortunate enough to have tickets for one of the few previews not to be cancelled and fortunate enough to have a good view of the stage (although with rather restricted leg room) from the front row of the dress circle.

The curtain is already up when the audience are seated (maybe this is only the case for the previews) and you are greeted by what appears to be a rather uninteresting looking set. The show's director was the first on stage to welcome everyone and thank them for attending and also to warn them that tonight was the debut of one of the three boys playing Billy, James Lomas, and of several of the other younger cast members. We were told that he would stop the show if he felt any of the children were 'in danger' (perhaps he thought the Wicked Queen from Snow White was still loitering in the shadows).

Not to give too much away for anyone off to see the musical but here's some of what you can expect ....

Music - if you aren't an Elton John fan and the fact he has written twelve songs for the show is putting you off going - don't let it - you'll never know he wrote them. After only one viewing, none of the songs seem particularly memorable ... 'Solidarity' will get stuck in your head, 'Mam's Letter' is poignant and moving and 'Goodbye Grandma' seems a tad callous (to Grandma at least) ... but the rest aren't the strongest of tunes. The singing is mainly very good although at times it's obvious that Haydn Gwynne and Tim Healy aren't naturals.

Plot - The story very much adheres to Lee Hall's original screenplay, often following it verbatim. Some scenes are a little over long (Christmas for one) and be prepared for a rather out of place and unnecessary bout of audience participation. The 'dancing dresses' scene compensates for some of the less interesting ones and is definitely one of the high points of the show. The first half suffers slightly from 'Acorn Antiques Syndrome' (and I'm not referring to Haydn Gwynne stepping into Mrs Overall's, sorry, Julie Walter's role as Billy's dance teacher) and is overlong at over an hour and a half. 

Acting & Dancing - James Lomas was wonderful, he did the role proud and didn't get a word wrong or a step out of place (hard to believe it was his stage debut), in fact the only line fluff was from one of the adult principals (no names - TH). The dancing again on the whole was very good, some of it could have been a little slicker but for a first performance there was no real cause for complaint. The actor playing Billy's cross-dressing friend, Michael seemed (rather worryingly) to take to the role like a duck to water. Some of the stage school kids in the ballet class were a little too obviously stage school at times ('eyes and teeth', 'eyes and teeth') but keep your eyes on Billy and they shouldn't unnerve you too much.

The show as a whole is worth trying out but probably not one you'll want to see more than once. From its rather uninteresting initial look, the set generally works well and has a few surprises in store. The language is a little strong especially in some of the songs so probably best not to take younger kids along. And don't go along if you are a particular fan of Maggie Thatcher....!

Finally, a word of thanks to the show's producers who realised that preview audiences are doing them a favour and provided free drinks in the interval and gave the whole audience a gift on leaving the show - if only more show producers valued the punters as much! Also another great move was producing a quality souvenir brochure at the bargain price of £4 (I'm not sure if that was just for the previews or will be the norm after).
___________________

As one of the songs in this musical aptly puts it - Billy Elliot "Shines". And so does Director Stephen Daldry who has another hit on his hands. Many have wondered and now it can be said - the stage version is every bit as good as the film.

For me it has been at least ten years since I’d heard such a great score from a British musical. The credit goes to Lee Hall who wrote the book and to Elton John who wrote the music (the perfect guy to write a song about dressing up). The score has me very excited for the release of the CD. 

I went to see the show on the 2nd preview night (1st April 2005). Liam Mower played Billy Elliot. He danced and sang throughout the whole show with such professionalism that it was hard to believe he is only 12 years old. I am sure the other two boys who play Billy - James Lomas and George Maguire – are just as good and I will be able to confirm that when I go back to see the show again and again. I am very proud of this new generation of performers who bring such promise of great things for the West End.

The entire cast is tremendous. Haydn Gwynne was brilliantly cast as the teacher Mrs. Wilkinson. Her acting is so touching and real, and she has such an amazing voice, that one wonders where she has been hiding all these years. Tim Healy was perfectly cast as Billy’s dad and proved a wonderful dramatic actor. Ann Emery played the Grandma. I am glad to see a musical giving more mature artists the chance to shine in solo spots. Grandma Elliot sang a very humorous song about her past and her husband (which tips you off as to where Billy gets his dancing genes). During Previews, changes often are made to the production. I can only say, please don’t cut Grandma’s song! Perhaps a bit of tidying up the last goodbye scene between Billy and Grandma might be in order though.

Another thing I like about the show is that everyone has a show stopper moment. Who can forget the cross dressing kid Michael (Brad Cavanaugh) whose comic timing and tap dancing are astounding for an actor so young - wow what a pro! 

Peter Darling, who choreographed the production, did so with pizzazz. There were so many wonderful dance scenes. I particularly liked the dream sequence of Billy and the grown up Billy ( Isaac James ). It has a little touch of ISO style with Billy dancing/flying up and down the stage. And the dance scene with Mrs. Wilkinson and all her plump little girl dancers in their tutus and feathers was quite funny and very entertaining.

Speaking of tutus, great costumes designed by Nicky Gillibrand; as well as marvellous lighting by Rick Fisher and a fabulous set by Ian Macneil. Every bit of the set design is just right, not a bit over the top. One favourite set piece of mine was the revolving stair case which I thought very effective and versatile.

One last note on the production – the £4 (now £5) spent on the programme is a steal. It’s mega-size and full of page after page of detail and fantastic photos of this unforgettable musical theatre experience.

I have a feeling we will all be seeing Billy Elliot many times and it is destined for a world tour. Just don’t forget it started here in the UK - 100% British made!

From a Chinese audience point of view 
www.londonupdate.co.uk 
_______________________

1st April 2005 (2nd Preview)

I Arrived at the Victoria Palace with great expectations to see how they had managed to translate such a fantastic film into a musical. 

The Set - Is simple yet technologically brilliant in its design. However there are times when the clunks and grinds of its motors interfered with poignant silences in the show - something that I would hope that they get sorted during its preview run. 

The Cast – Some superb castings especially in our Billy and his best mate who were played on this occasion by Liam Mower and Brad Cavanaugh. They were simply outstanding in both their acting and of course dancing abilities. 

Hayden Gwynne made the role of Mrs Wilkinson very much her own. Her scenes with Billy Elliot were particularly entertaining and enjoyable to watch. 

My only casting criticism has to be that of the Ballet class girls. You are left asking yourself "why did they put so much time and effort into creating such convincing Billy and Michaels and then forgot about the girls?" They are meant to be working class girls from North East backgrounds and yet all you can see is Middle Class Surrey. A little harsh I know, but I really hope they sort this out as I’m sure the press won't be as polite.

The Choreography – You simply cannot fault any of Billy Elliot’s dancing scenes. The musical truly comes to life when Billy is on the stage, you are constantly reminded just how amazing these kids are when they start dancing. There are moments when I physically got goosebumps watching Billy dance, you could really tell how much it meant for the boy playing the role.

I hate to give things away but there were two scenes that didn't quite work for me. 

The first scene was a rather disjointed ballet between the police and coalminers. You could tell the actors looked particularly uncomfortable doing it and it just didn’t quite work for me.

The other was a rather flat opening of the second half which almost had me running for the exit. All of a sudden an audience participation cue board is flown in and we were all expected to sing along as if we are actually at the Christmas party. What were they thinking? It took you so far out of the story you were almost across the road in "Saturday Night Fever". I appreciate that’s just my opinion but believe me I really wanted to enjoy every minute of this musical.

Overall I do really believe that Billy Elliot the Musical can become a fantastic long running show. All my criticisms are based on preview performances and I’m sure they will be ironed out in the next few weeks.

The show is almost 3 hours at present so it is inevitable that scenes will be cut - I only hope it’s the right ones. 

Well Done to Stephen Daldry, Lee Hall and all the cast. I think once they sort out the few initial problems they truly have a fantastic winning formula that will run for years worldwide.
____________________

I had the pleasure of watching one of the preview shows of Billy Elliot, I thought I knew what to expect having seen the film etc...(which I thought was slightly over-hyped), As I entered and took a look at the near empty stage with the Labour isn't working poster as a backdrop my original expectations were realised, I suspected I was about to see a Geordie version of "Blood Brothers"......this didn't last !!!! 

I have never been so moved emotionally by a musical, I can't remember how many times I pretended to rub my eyes as if there was something in them. The staging was unbelievable and the comedy was perfectly timed and placed. 

I know that the main cast will receive many plaudits for there part (i.e Liam as Billy, Tim Healy as The Father and Haydn Gwynne as Mrs Wilkinson) but a lot has to be said for the acting and performance from the rest of the cast particularly Anne Emry as the Grandmother, Trevor Fox as George and Stephanie Putson as Dead Mam, who's voice and tender performance had me once again rubbing my eyes.

If this was a preview and they are still working on it, all I can say is watch out West End, this show will be a monster!!!!!!!!
_______________________

Having read the preview reviews on site and reviews after opening night, I went to the show wondering what to expect. When booking for tickets, we were asked the ages of the accompanying children. To ascertain whether it was suitable for them. This was strange because the reason for the question was regarding the bad language - spoken by children - in the show. As it happened, our children were more shocked by 'smoking' on stage. That they thought was disgusting. Not the language. How times have changed.

We were all 'blown away' by the show. We saw young Liam Mower in the title roll. We were expecting an announcement to tell us which of the 3 "Billy Elliots'" would be performing. This did not happen. Neither did it happen in the case of the wonderful youngster playing the part of Michael. This boy displayed such confidence and professionalism, and was a joy to watch. He really looked as if he was enjoying himself.

We sat in stalls seats C16, C17,C18 and C21. The people in C19 and C20 kindly changed with C21 so we could sit together. Most if not all of the action did take part on our side of the auditorium. So lucky us! The taking out of Row A caused no end of bother and entertainment before curtain up. People who thought they were in B actually sitting in C. The view of the stage was not too neck craning. In fact, I was pleasantly surprised.

Even though they were tall 11 and 13 year olds, the children still wanted and needed an extra cushion, as the front row filled with rather large people. Anyone taking children to see this show, should ask for a cushion for them. The disabled toilets need a key to open them. After hunting for staff I found them in a gaggle at the front of the theatre. So be warned, if you are disabled and it is urgent, you now know where to look for a member of staff.

I have the highest praise for all the actors involved in this classy production. The dancing, acting and attention to detail, make this show one of the most polished and professional I have seen. I am sure it has been tightened up since the preview. Haydn Gwynne, Tim Healy, Joe Caffrey & Ann Emery thoroughly deserve praise heaped upon them. I feel that they were rather eclipsed by the outstanding performances of their juvenile colleagues. 

What can I say about Liam Mower? He was wonderful wonderful. A born dancer. I am sure that the other Billy Elliots are too. The routine where he dances with his 'grown up self' is breathtaking. Elton John's music was adequate. With some numbers more memorable than others. But overall I felt he had captured the essence of the story and the times in which it took place. Lee Hall's lyrics married very well with Elton John's music. But I cannot say that any of the tunes 'stuck in my head'.

In all a very enjoyable evening out. Children said it was better than the film and the best show they had ever seen. You cannot get higher praise than that.

This is a show I would urge you to see and one to which I would gladly go again.
_____________________

This was the most incredible show I have ever seen. The script swung from being so poignant it made me cry, to be absolutely hilarious. The music was perfectly suited throughout (a pleasant surprise considering it was Elton John) and incredibly impressive. The cast were wonderful - not a single one at fault.

But best of all was the staging and the choreography. Stunning from beginning to end - especially the dream sequence, the police line at the end of the first act and the way all of Billy's world's and the people surrounding him intertwined and had an impact on his dancing. Wonderfully subtle representation and symbolism was threaded through the show.

Actually, perhaps I tell I lie. Best of all was Billy. We had Liam Mower - the youngest (at 12 years old - oh my god!). He could sing beautifully, his acting was so powerful and his dancing was astounding. Standing ovations all round.

I am full of nothing but praise for this show and it is an essential - a must see, especially while it is still 'young'. Don't you dare miss it. Even by Christmas nothing will beat it.

Word of advice - I did the day seats (row B of stalls at £25). They go on sale at noon - but to guarantee one (only 28 per performance, at each person in the queue can purchase 2 don't forget) you must be in the queue outside the box office by 10:30. I must say though that next time I go (and there will be many more times) I would pay the same money to sit in the front of the Upper Circle. You can't see the footwork of the dancers until you are in row G of the stalls or further back. I could, at most times, only see from their knees up because the stage is ridiculously high - so avoid the front 5 rows of the stalls. Besides, the theatre is very intimate so you wouldn't feel completely out of it in the Upper Circle.
________________

We were fortunate enough to get 2 tickets to see the show for Saturday 28th May 2005. Excellent seats C14 and 15 adjacent to the centre aisle, superb views

George McGuire played Billy on the night, and gave an outstanding performance along with all the cast, the show grabs you from the start and takes you through all your emotions, one minute your crying with laughter the next with sadness. Comedy one liners galore well written for the stage by Lee Hall, with great music by Elton John.

An amazing evening in a great little theatre, I would definitely go again and are at present booking another visit later in the year.
__________________ 

We saw the show Friday 3rd June 2005; Great seats, dress circle B 27 & 28.  George McGuire playing Billy, what a  beautiful voice and the tap dancing superb! The score was great and the songs very moving; some had me crying!

I loved it and it would be great to see each of the 3 Billys as I am sure they all have their own individual strengths which will bring something new to each visit.  what more can I say than GO AND SEE IT ! 

Celia Robinson, 
Ashford, 
Kent
__________________

The best show I've ever seen, musical or drama. The other reviews should give you an idea of what to expect so a few words on the various seats I've sat in (I've seen it 5 times). I've sat in two seats with restricted views, on the right in C1 and on the left in F32. You miss quite a bit in both of these but given the choice I'd sit on the right as more happens over to the left on the stage. Sitting on the left with a restricted view you'll miss Billy's first words as he started singing he was out of view and everyone around me was trying to lean across and see what was going on. The first few rows in the stalls are too low to see the feet but you are really close to the performers.

Leg room in the stalls is better than the Dress Circle so a seat on the centre aisle has the advantage of being able to stick your legs to the side (I do have long legs). By chance my first seat in the Dress Circle was C17 which is on the aisle and was my favourite. My first choice of seat at the top prices would be the first four rows of the Dress Circle i.e. A-D and seats 17 or 18 which are either side of the aisle.

My favourite Michael was Ashley Lloyd who was paired with James Lomas. He doesn't seem to have got the press attention that Ryan Longbottom did but I found his performance less "knowing" and more sympathetic. Ryan Longbottom certainly plays up to the audience but seemed to me to be aping an adult rather than being a believable boy who likes dressing up. There was more of the pantomime about Ryan than Ashley. I didn't see any of the previews but small things have changed since I first saw it three days after the official premier, one of which was a separate bow for Michael after the "Expressing Yourself" number which didn't happen the first time I saw it.

I can't end without a word about Liam Mower who is the best thing on the London stage at the moment. The drama is about a boy who wants to be a ballet dancer and Liam is so obviously the most balletic of the three that the drama works best with him in the lead. But James Lomas and George Maguire are both wonderful as well.

I've been lucky to see all three "Billys" without making any special attempt to do so. Actually I don't think it is possible to plan as they don't announce which actor will appear in advance. Even when they post the names of the three child performers in the theatre foyer (Billy, Michael and Debbie) it can sometimes change at the last minute as it did when I went into the theatre expecting to see James Lomas but actually saw Liam Mower. As they keep the pairings the same (i.e. Liam Mower always appears with Ryan Longbottom) a problem with any of the three actors can cause a change in the lead.

Jon B 
________________

My wife and I saw this show on the 16th June 2005. 

James Lomas was the in the lead (we think, judging from the photographs in the programme, although no official announcement was made. He was excellent and we particularly liked the fact that he did not appear precocious, but completely natural. With its high quota of child performers, this musical has the potential to induce "cringeville" and bring back some of the worst excesses of Opportunity Knocks. That wasn't there in this performance thankfully.

My wife enjoyed the show a lot more than I did and we both felt it was one for the women. (A lot of the men in the audience looked a bit bored). It was all rather predictable. To be honest I thought Elton John's music was very disappointing and the lyrics were pretty basic. I kept wishing the Willie Russell had done it instead. 
But ultimately the show is about Billy, and James Lomas was fantastic.

One other comment, we were in the Grand Circle - nothing Grand about it at all. I'm only 5'5 and my legs were struggling with the space, so an absolute 'no no' for a six foot plus person.

Ken
_______________

The consensuses that all 58 in our party seemed to agree on was that it was excellent, tremendous, moving, funny, wonderful, fast moving, emotional, and from many the best musical they have ever seen (and we have been to about 30 in the last 5 years). On a scale of 1 - 10 this a definitely a 10. It had us laughing and almost crying in just minutes. Liam Mower was just great and the young lad who played Michael reminded me of the young Jack Wild as the artful dodger in the original production of "Oliver", he almost stole the show with the 'cross-dressing' scene.

The infectious enthusiasm of the girls in the dancing class with Billie and the other boys was just magical theatre, and we even had a couple of men who had been dragged along by their wives and expected a "pansy type" show but loved the extreme of emotions with the contrast of the hard times for the miners and the lovely story line of a young lad breaking out of that life.

I can't wait to see it again in January.

Our day was really set up by 46 of us eating at 'Il Posto Italian Restaurant' in Vauxhall Bridge Road, no more that 100 yards from the theatre. The food is excellent and service second to none. I can thoroughly recommend it to anyone going to any of the Victoria theatres.

What a day!

(How can anyone write not liking this show - they must be very hard to please!)
________________________

I have seen the show twice, both Thursday matinee performances. The first was a preview performance on 28 April 2005 and the second show was on 16 June 2005. Both shows had George Maguire as Billy. There doesn't seem to be a fixed schedule as to which Billy you will see, it's just the luck of the draw.

However I didn't mind as I thoroughly enjoyed both shows. On both occasions I sat in row A of the Dress Circle in seats A9 and A1. Despite seat A1 being on the extreme right of the theatre, there was still an excellent view of the stage. Most of the action was visible apart from a very few scenes that took place on the right hand edge of the stage. My only real complaint with these front row seats is that leg room is very limited. I am only 5'8" tall and leg room was just about adequate. I had to stand up in the interval to stretch my legs.

George was outstanding as Billy with a clear singing voice and convincing Geordie accent. Watching him dance you are constantly praying that he wouldn't have an accident due to the energy he put into his performance. In both shows George looked as if he was really enjoying himself. Each time I hear Elton John's music, the more catchy and memorable the songs become. I can't wait for the cast recording to come out but I've heard it will not be until the end of the year.

Finally I must mention the Souvenir Brochure. There is no separate programme, all information is contained within the brochure. It is a huge size printed on very high quality paper with 48 pages (including a centre gatefold) of colour photos, scenes from the show, interviews, cast biographies, song lyrics and even a guide to the Geordie language! A friend of mine who worked in the printing business said it would cost at least £6.00 to produce each copy. However they were being sold for just £4.00 (now £5). A bargain! This makes up for the rather high ticket prices. Most seats are £50.00.

David
___________________

This was a birthday present for my birthday (that was all the way back in February!) with row P being the best tix my girlfriend could get for us at the closest time to my birthday - and it was worth the wait.

It was a hot summer's day, we had been in London since lunchtime and was feeling very hot ( "BigUns Ribs" down the road was good for a pre-show dinner if you need somewhere to eat) and the sight of the words "fully air conditioned" was a pleasant one. However the theatre was still quiet hot and worth noting if you plan on seeing this show during the summer months.

The overall view on this show was "Fantastic". We had George as our Billy for the night. He's from Essex (like myself) yet you would never guess this, he plays the part very well. I have not seen the other two Billy's but I hear they are all very good.
It follows the film close with just a few changes to allow it  to move across to the stage and become a musical.

All the cast play the parts very well, you can not fail to enjoy this show if you like musicals. You do not need to be a Elton John fan as the music is not typical of him. But I will say there's one part in there with a dancing dress (say no more) that I'm sure he had something to do with, LOL.

It does contain some strong language (of which a lot of this comes from the children) but it sound funny, not so rude, due to age of the kids saying it and the way it comes across. Unless you are very against this sort of use of the language don't let it put you off seeing this very good show. It's strange because there are two "known" stars in this show yet to me the kids are the stars, not just Billy, but Debbie and Michael are great too.

This show will run for a long time. If it's full today don't miss out tomorrow - book it now! I feel this will not be on the half price booth for some time.

Our seats were good in row P. No real overhang, and back far enough that we could see the whole stage. And about 6 rows in fount of us was the one and only Roger Moore ( Bond 007) with his wife. He signed autographs for anyone wanting it. So if it's good enough for Bond, it must be a good show!

Programmes are just £4 for the large glossy that includes the data on all the actors etc. Good value and maybe this should set the example to other shows/theatres as a fair price to set.

GO see it now!!!!!!!!!!!

Alun Moss
Basildon Essex

Performance Date: 18th June 2005
Seats Stalls P17 and 18
_________________

I thought this production was sensational. I could watch it again and again - and I will! I wasn't convinced I would enjoy the stage show as much as the film without the delights of T-Rex blasting out but I did, Elton John done a great job with the score and lyrics. I cried at least 5 times and some of the performances i.e the ballet scene and the frustrated tap scene gave me goose bumps.

Billy Elliot played by George Maguire was outstanding. He was adorable to watch and had so much energy. His dancing ability blew my mind.

I recommend anyone go see this show, it had everything - comedy, emotion, drama, energy and outstanding talent. This is the best show I've seen in a long time and I've seen them all!

I can't wait to see it again.
_________________

I went to see this in April 2005 for my birthday with my 7 year old son. We both thoroughly enjoyed it. The music and songs were O.K. but what really won our hearts was Billy, he was absolutely breathtaking. 

We were right up in the last row of the circle but the view was fine and you got to see the mechanics of how the sets worked as well as all the dancing. I'm looking forward to going again.

Debbie, 
Greenford
__________________

HELP !.. this show is costing me a lot of money !

I have just returned tonight (28th June 2005) from having seen Billy Elliot for the 4th time!, and it has only been officially running for just over 6 weeks.

I originally had tickets for the opening preview night on 24th March, 2005 - which I had booked when I first heard about it in August, 2004 - as a present for a friend's birthday. We were therefore so upset when a week before we were told the previews had been put back a week and our tickets would receive a full refund - I felt really cheated!

I managed to book more tickets for 20th April 2005 but at the last minute I had to work and couldn't get back in time but found someone who could use them.

Not to be deterred, I got tickets for Friday 13th May 2005 via the internet in the Dress Circle. It was just after the official opening night and we weren't sure who we would see.... but it was James Lomas as Billy and he was OUTSTANDING! He even "ad-libbed" a 'Happy Birthday mate' to another cast member in the finale, and seemed to be so happy and really enjoying just being where he was!

Having been so moved by that first performance, we found out that the front row of the stalls could only be purchased on the day from 12:00 and so only a week after our first show, we managed to get tickets for 20th May 2005 and saw Liam as Billy and the most amazing performance of Ryan, in the role of Michael.

The challenge had been set as we felt that we now really needed to see how the other set of "youngsters" played the role but - as someone else mentioned in an earlier review - it is not really decided who will be on and so you have to just book and see who you get!

Thus, on 18th June 2005, we decided to queue and get the day tickets and ended up seeing the matinee - once more with Liam and Ryan. They were superb and to see the show from the front row - with a slightly restrictive views - gives a very different perspective.

By chance, some tickets for the Grand Circle, on 28th June 2005 suddenly appeared and so we were able to get to see the show for a 4th time, with some other friends. George played the role of Billy in this show and so it was so good to have completed the task of seeing all three 'Billys'.

As has been said by the director, all 3 of them bring their own style to each performance. It would be wrong to rate one against the other - as they are all so very good - but I know who my favourites are.... for both Billy and Michael.

It is a must see show and if you want to get the full benefit, you must see all three 'Billys'!

But that is only for six months.. they are then intending to change the cast - of the younger members - and so there will be more to see!

Oh yes, there are some adults in the show as well.. and they are excellent too! The lead characters provide some great performances and the ensemble are superb. The music is very emotive and it would be great for the cast CD to be released - but there must be a dilemma as to which of the 3 "casts" will be part of it.

I hope this review has been useful.. I am biased because I think the show is great, but if you are able to book tickets I am sure you will really enjoy it... as I am sure I will be doing again very soon!

Brian Cantwell
Brncntwll@blueyonder.co.uk 
_______________

WARNING SPOILERS Click here to skip this review

Two weeks prior to this performance (27th June 2005) I rolled up to the box office wanting a single ticket to complete my weekend of musical mayhem and amazingly I managed to get one up in the Upper Circle seat E 29. The view was fine, full stage in vision minus a little set of steps at the front which are only used twice, I think. The legroom is poor but this is O.K. due to the seats being of a design that makes you sit up so the knees can perch on the rears of the seats in front of you. 

Also in the Upper Circle the seats are perfectly arranged (a bit of a strange obsession of mine) so that every seat is between the two in front of it thus giving everyone a pretty much uninterrupted view of the action. The only gripe I have about the Upper Circle (and it's a very small gripe that will only annoy rather fussy people) is the set is not very tall so you can see a lot of the movement behind the set - but this doesn't matter too much as this show is a corker and the set is perfect for the show, simple yet clever, a bit noisy but I don't mind. 

The night I saw Billy Elliot he was being played by a young lad called James Lomas. One word: Outstanding!!! His command of all dance styles was a pleasure to behold and his acting too was superb, methinks he may be coming to the end of his treble life though as some of his top notes were sounding like mine used to as my voice gradually began to break but he compensates as a true professional would with a little lyrical licence making sure the top notes are there but not of the greatest quality, but who cares this boy can dance. 

His mini partners in crime were also a revelation, Michael his cross dressing buddy played by Brad Kavanagh was hilarious, a show stealer if there ever was one. His tap abilities were superb and his acting so fresh and non laboured it was a dream to watch. Debbie the naughty little daughter of the dance teacher was wonderful, played by Lucy Stephenson. Hilarious one liners, great stage presence, and an expert wall climber. Add to these three a bunch of brilliant little tutu wearing ballet girls and you had a children's cast to be proud of. The ballet lessons in the hall are hilarious to watch with each girl having their own little character which is subsequently highlighted and used to great comic effect by the marvellous Haydn Gwynne playing the dance teacher. With some truly nasty spandex outfits and a tongue that could pierce a coal miner's helmet, Ms Gwynne carries the role of Mrs Wilkinson perfectly; she eschews all Walters-esqe characterisations and makes the role her own. She is crude, rude but always loving and hopeful in her mission to get Billy to London. 

Billy's Family are brilliantly portrayed by Tim (what a voice) Healy as 'Dad', Ann (wash your mouth out woman) Emery as 'Grandma' and Joe (chip on large shoulder) Caffrey as 'Brother Tony'. All make Billy's life hell in different ways. I loved Ann Emery as the slightly senile but lovable, foul mouthed pastie hoarder, she can dance quite well too ha ha. 

Tim Healy is wonderful, perfect casting in my opinion, he sings just like I imagine Billy's dad would sing and has some great comic moments especially with a rough as boots Glaswegian ballet dancer. 

For those who are fans of the film you will notice some differences in the story, these work wonderfully. Now I come to the ensemble, wow, great voices, big bellies and fantastic dancing, one thing that was telling of just how good this cast is, is the ending with all the cast doing the same amazingly difficult tap routine with the big burly men and the little tiny girls all on an equal footing. 

Ok guys time for the highlights. Billy and his mum conversing via the letter was moving and yes I did cry on about 8 occasions (god I was in floods at the end), the Michael dress dance had me in stitches (well Michael in general did that), Debbie asking Billy if he wanted to look at a certain part of her anatomy had the whole audience howling and then falling over with laughter at Billy's response. As far as big numbers go they are in abundance, a constant onslaught of raw emotion and talent and some fantastic writing both lyrics and music. With dancing miners, coppers, tutu girls and loads more the dancing in this show is second to none and credit must be given in a huge way to Peter Darling! The man has triumphed with this show. 

The writing too shows the pure hatred towards the government of the day with some cracking lines that will kill you during 'Merry Christmas Maggie Thatcher' not to mention the alarmingly huge effigy. 

One thing I am so pleased about is that all lyrics are in the book together with some brilliant piccies and all the biogs, best value in London at £4. However all my previous wonderment pales into insignificance at two moments in this production. Firstly when Billy dreams of himself as a dancer and is joined onstage by the lovely Isaac James. What follows is a lesson in synchronicity and the most beautiful aerial dance number one will ever see (I cried again but that's due to the music). Secondly and most impressively is what I call 'the anger dance' i.e. the one when Billy is rather annoyed at not being allowed to audition in Newcastle. I cannot think of the word to adequately describe what James Lomas does in this scene, suffice to say it's unbelievable and better than anything I have ever witnessed in my entire life. As the music grows stronger and louder (dear old lady next to me had to cover her ears at moments but she still loved it and gushed praise all thru the interval whilst we shared a bag of minstrels) so does the energy of little Mr Lomas the boy is a star!

Right, I am in danger of rambling now so I shall stop. One more thing to add. GO AND SEE THIS SHOW. I shall be trying to find out when the other two child casts are performing and endeavoring to see them do their stuff as well. This show is going to run and run and run. I expect Victoria to be a very popular destination in the coming years. Gosh just imagine if they get something GOOD in the Apollo Vic too, ha ha.

Chris May
Performance seen: Monday 27th June 2005.
(With thanks to Brian Cantwell for the small edits).
________________

We saw "Billy Elliott" on Monday 4th July 2005, and I must say I thought it was splendid!

We saw James Lomas in the title role and he was everything the role demanded, and the rest of the cast was flawless.

I liked a great majority of the writing, although the father's pivotal song in Act Two left me a bit cold. "he could be a star" or something liked that seemed off the mark as opposed to Billy doing what fulfilled him regardless of being a star. Also, I thought the lyrics in that song were particularly pedestrian when something more poetic would've been wonderful.

But apart from that, I quite liked it. Oh, and the pas de deux between the young Billy and grown up Billy was just brilliant, both in conception and in execution, although I thought the flying part was actually less effective than the dancing part. Perhaps sitting where I was, the harness and cable were more noticable and detracted from the overall effect. I would've been happier just with the soaring lifts they did in the dance.

I'm so glad I did decide to book tickets as far in advance as I did. Stalls D16 and 17 turned out to be third row centre and I was very happy with the location. The only thing is, a shorter person would have more trouble seeing the upstage portion at foot level, so a few rows back would probably be more ideal, as I think is stated in this web site.

It was a magical evening!
_________________________

Up to last Saturday (July 9 2005) I had seen Billy Elliot seven times. I usually see shows I've enjoyed a couple of times with my previous maximum for any show being 4. So obviously I enjoy this one the most of all I've ever seen.

I wasn't going again yet but the terrible terrorist attacks on Thursday 7th July 2005 made me anxious to show, at a very personal level, that it was "business as usual" and to add my own very small show of defiance to those of many others who are going about their normal lives and who are not going to let these people put them off from visiting the capital.

I got a last minute ticket and went to the Saturday matinee. I was delighted to discover the "House Full" sign as usual so it was obvious that people are not going to be intimidated from travelling.

I know it might seem an odd response to the outrage to visit a musical but it made sense to me.

The service on the Underground is restricted but a short walk from Kings Cross to Euston was all I needed to do to connect with my usual route on the Victoria Line.

Except for a brief hiatus when a prop was mislaid the performance was as wonderful as ever. George Maguire was Billy and he keeps improving each time I see him.

Any activity in London at the moment has to be overshadowed by thoughts for the victims and those affected directly. It seems to me that the best tribute to them is not to let the terrorists achieve their goals and to carry on as near normal as possible. Everything I've seen in the last two days in London has shown me that is exactly what Londoner's are doing.
Jon

P.S. Liam Mower, James Lomas and George Maguire were willing to sign autographs. The contrast between their characters after a performance was fascinating. 

Liam: Calm, polite, happy to talk.

George: Totally 'Hyper' running on adrenaline. Would sign anything put in front of him but was fairly oblivious to what was going on.

James: Surprisingly subdued and perhaps the least comfortable with signing although he seemed quite happy to do so. Is it a coincidence that his signature was the smallest and least flamboyant of the three I wonder?
____________________________

My sister and I took our mum as a birthday treat on 9th July 2005 for the matinee performance and we were spellbound. We saw George Maguire in the role of Billy and he was magical. He made us laugh and he made us cry and at the end he made us feel really good about ourselves (which was just the tonic needed after the atrocities on Thursday in London). We would recommend this show to everyone and encourage people to make the effort to see it. 

After the show we saw Tim Healy outside the theatre and he autographed my programme - what a lovely bloke he is! 
____________________________

We have just returned from London having travelled down this weekend (23rd July 2005) with children family and friends of NAPA (Northern Academy of Performing Arts). Our mission: to watch our own Liam Mower (Ex NAPA) playing the lead role as Billy in the new musical Billy Elliot at Victoria Palace.

Even though recent events in London made us a bit apprehensive on travelling down, all this was forgotten as all the children/adults including Liam’s mother and father, made our way to the theatre.

The Show itself was incredible. It swung from being so poignant it made us cry, to be absolutely hilarious. The music was perfectly suited throughout and incredibly impressive. The cast were wonderful - not a single one at fault. But best of all was the staging and the choreography. Stunning from beginning to end. 

Liam a year ago had never done any real acting or singing but had this unbelievable dance talent. To hear him and see him perform a year on was nothing short of incredible. He could sing beautifully, his acting was so powerful and his dancing was astounding.

The show was an emotional rollercoaster it had you in tears of laughter one minute the next tears of sadness. On leaving the theatre there grown men and women including myself emotionally wrecked. The reaction of people from all over the world was sheer delight and admiration for the show and Liam. My own daughter and her dance friends wept uncontrollably outside the stage door. Liam appeared smiling and waving, seeing his friends from home brought on more emotions from all concerned.

Liam gladly signed autographs for his friends and other admirers. He spent the night with his mum and dad in the hotel where we all stayed, the following morning it was lovely to see Liam playing as any other normal kid with his friends from Hull.

12 year old Liam does not seemed phased with all the overnight stardom he is a pleasant happy young man that seems totally at ease with the present situation. He is credit to his parents and family and the people at NAPA who have nurtured his talents. Without any doubt Liam Mower will go on to greater things within the entertainment business.

Liam has put Hull and NAPA on the entertainment pedestal for young performers and I am sure this will enhance and produce more future talented stars from our region.

Thanks Liam. It was truly a magical night which we will never forget.

All friends from NAPA XX
____________________

I've just read the review posted above by the Northern Academy of Performing Arts, I also saw this particular performance by Liam Mower. It was the fifth time I'd seen him and it was the best performance I've seen him give. I wonder if the presence in the audience of so many friends from his own area inspired him? His acting and singing have improved a lot since the beginning of the run while his dancing has never faltered and is incomparable.

I find Liam's performance the most satisfying of the three Billys as the dance and his own character are so seamlessly integrated and one grows naturally out of the other which is exactly how Billy Elliot should be. His acting is less powerful than James's and his performance is less exuberant than George's but I still prefer Liam's interpretation.

I've now seen the show enough times to have seen most of the main leads played by understudies which can throw up some interesting comparisons. I've felt all along that Joe Caffrey looks too old to be a believable Tony (Billy's elder brother) so I actually prefer Chris Lennon playing the part as the age difference between him and Billy looks more realistic as does that between him and 'Dad'. When Daniel Coll understudies as Dad it just makes the age difference even worse as you can't believe that there is meant to be around 18 years at least between them.

Tim Healy does play Dad as a bit of a standard 'Northern type' but he has a power in the more dramatic scenes and a natural humour in the lighter moments that Daniel Coll just can't match. I miss Tim Healy's presence the most of all the leads if he is not performing.

Tessa Worsley as Grandma doesn't quite bring as much humour to the part as Ann Emery but her 'We'd go dancing' number is still an audience pleaser.

From the audience's reaction I would have to say that Alex Delamere as Mr Braithwaite actually produces more laughs than the regular Steve Elias. I hope Alex Delamere won't mind if I say that he is somewhat 'larger' than Steve Elias which does emphasise the humour of his dance with Billy and Mrs Wilkinson.

I've only seen Haydn Gwynne as Mrs Wilkinson who's performance is remarkably consistent so I can't say what impact it has if she is not performing.

Trevor Fox as George can adlib to splendid effect at the beginning of the second act although Phil Snowdon isn't far behind when he understudies.

The situation with the characters of Michael and Debbie is rather different as you never see an understudy just an alternative performer. If I had to choose my preference would be for Ashley Lloyd as Michael and Lucy Stephenson as Debbie who don't actually appear with Liam Mower.

So I'll never actually see my ideal cast together in one performance of Billy Elliot but all the points I've made are minor and I'd rather see any performance than any other show around at the moment.
___________________

I recently (July 2005) went to see Billy Elliot at the Victoria Palace Theatre and it is, without a doubt, a must see!! George Maguire was playing Billy and I instantly fell in love with him, he is an amazing performer and very good looking ;-)

The music in the show is spectacular and includes Elton John's "Electricity", which was sung beautifully!! The whole performance is eye opening and there wasn't one part for me which made me feel bored!

Well done George you were really magical!!!!!!!!!!!!

After the show I went to the stage door where I met many of the ensemble, Tim Healy and (of course) George Maguire. They were all very nice; I got autographs from all of them and a photo of me and George together!! :-p I also wrote him a letter saying well done and hope that he will reply soon!!

Hollie Dewhurst, 14
___________________________

We saw the show Friday 3rd June 2005; Great seats, dress circle B 27 & 28.  George McGuire playing Billy, what a  beautiful voice and the tap dancing superb! The score was great and the songs very moving; some had me crying!

I loved it and it would be great to see each of the 3 Billys as I am sure they all have their own individual strengths which will bring something new to each visit.  what more can I say than GO AND SEE IT !

Review number 2!
I queued for the day tickets 15th August 2005, got my chosen seat of B17. A couple of understudies: Mrs Wilkinson the dance teacher was played by Gillian Kirkpatrick and Tony was played by Chris Lennon.

First the seat/view. Given that I only paid £25 for the seat, I thought it was absolutely brilliant value for money. I previously paid top price for the dress circle back in June and whilst being further back does give you a better overall view of the action and you can see feet! the benefits of being in the front row (row A is removed on that side) are that in addition to fabulous leg room, the actors are right in front of you and you pick up on all the emotion and fun.

Right at the beginning of the show, the lovely lady sitting next to me asked, "is it going to be the real Billy tonight?" pointing to the photo of Liam Mower in the programme. Having already asked at the box office, I knew that it was due to be James Lomas and also having had the benefit of seeing George Maguire in June, I was able to reassure her that whoever we saw would be absolutely great. James didn't let us down, his acting was sensitive and expertly timed and his dancing and gymnastic antics, terrific. My neighbour was thrilled and said she couldn't imagine any of the other Billy's being as good as James!

Michael was played by Ashley Lloyd, Debbie by Emma Hudson who I hadn't seen before either the combinations worked just as well with these different young actors as in the June performance with Brad Kavanagh and Brook Havana Baily. I don't think you can compare or say who is best, they are just different and every bit as talented and special as each other.

I have read with great interest the comments of others who have been lucky enough to see all three combinations of the three main child parts and various understudies, I have to say that I thought both Gillian Kirkpatrick and Chris Lennon gave accomplished performances. In some ways it's probably much easier to step into the role of Tony than it is to take over from Haydn Gwynn as Mrs Wilkinson and I did feel that Chris Lennon really made it his own, you would never have guessed that he was the understudy. That's not to say that Ms Kirkpatrick was in any way lacking at all, far from it, its just that Haydn Gwynne does have a sort of presence!

So having had a brilliant time once again, my mission is to get to see the third Billy before the cast changes....................

September 15th 2005: Mission accomplished, all three original Billys now seen!

Saw today's matinee performance from seat B22 in the stalls, still good value at £25 but a little too much of a side on view for my liking.

As this is my third (and final time - honest - until there are 3 new Billys!) of seeing the show, I have now seen all three combinations of Billy's, Michaels and Debbies and a number of understudies for the adult parts (Alex Delawere as Mr Braithwaite today).

For anyone concerned about which boy they might see playing Billy, don't worry, I can tell you quite honestly that they are all marvellous and in my ideal cast I would have all three of them doing different bits! The choreography for each Billy is different, playing to each individual boys strength which works really well.

I'm not a spoiler so won't go into any detail other than to say that Liam Mower played Billy this afternoon and was given a standing ovation and I cried !

I went round to the stage door and Liam was very happy to sign autographs, James Lomas and Ashley Lloyd were also there and signed my programme, Stephen Daldry came out of the stage door with the boys, I expect he is here for James last show and Leons first !

Celia,
Ashford, Kent
_____________________

Visit number 5 ! - at long last.

Having not been able to get to see the show for a few weeks, we decided that it was time once again to join the early morning queue outside the Victoria Palace Theatre. Thus, getting to Victoria Station at 09:57 on Saturday 20th August 2005 meant a quick walk across the road for a couple of hours wait.

It was a surprise to see so many people already there and a worry as to whether we would indeed get the day seats but, being a Saturday at least meant there was more chance as there are the two shows, matinee and evening. As the doors opened, a few people in the queue made their way to the main box office for the 'full price' tickets, which left about 20 people ahead of us. As each person is only allowed to purchase 2 tickets for the day seats, the odds were looking good that we would be able to get to one of the performances that day.

A young Japanese lady in front of us asked if we knew who would be playing Billy that day and so a quick enquiry at the box office yielded the information that Liam was performing for the matinee and George for the evening. She had in fact been at the evening performance the night before and seen James and had immediately come back to queue again to see another show.

Our choice was for the matinee as we think Ryan's performance as Michael is unbeatable and so we hoped - subject to what would be available when we got to the front of the queue - to get tickets for the afternoon.

About an hour into the wait, a taxi stopped at the front and a family emerged, Mother, Father and son and the son was none other than young Liam himself, looking just like any other 12 year old in London with his parents. A treat for him as they are not always able to be with him and have to 'entrust' him to the chaperones that do such a wonderful job looking after the young cast.

Eventually the clock opposite The Victoria Palace chimed 12 and the day seats window opened. Watching the people in front purchase their tickets, we tried to estimate what our chances were for the matinee and when we got to the front were able to choose the seats we wanted, B20 & B21 (the front row on the stage left). This is, in our opinion, the best side for where a lot of the main 'action' takes place and is ideal when the 'shadow dance' is performed in the second act, as you have a good alignment between the two performers.

Once we had our tickets we decided to go for a quick drink in one of the pubs near the Theatre and again encountered Liam and his family and friends passing the time before the show. It was so strange to see this young 'boy' socialising in a pub, knowing that he was the star performer in a production about to take place just across the road. Many people came in and out and appeared oblivious to who he was.

The show itself was again superb and we felt that the whole cast seemed to put on an outstanding performance, which was very well received by the audience. Liam surpassed himself and we did wonder whether knowing his parents were in the audience would affect his performance but felt that maybe it gave him an added lift. It was also interesting to note some of the minor 'changes' that seem to have appeared since we last saw the show, but it is still an excellent one to see.

After the show we were able to glean some 'insider' information that produced the shock news that one of the original "'Billys" would be leaving next month! It was always known that the 'boys' would have a limited run of about 6 months, but it was sad to see that one of them would soon have to be replaced.

The other news was that - at last - the Cast Album is in production and should hopefully be released in October! It was great to hear Elton John's version of Electricity recently released, but the cast version - which Billy will have the honour of performing it though ? - will hopefully be a great reminder of that, and the many other great songs the show produces.

Finally, a trip to the stage door to meet and congratulate the young cast members, heralded the surprise that not only had Liam and Ryans' parents been part of the matinee audience but also Stephen Daldry had been present, so maybe that was the answer as to why they all seemed to be on their "best behaviour" !

Once again another very worthwhile experience for a great London show and also discovering the dilemma of who will be the next "Billy" and how he will match up to the ones that have gone before... and when we will get to see his performance !

PS: I know other people have asked before about who is playing at each performance and the box office said that they didn't really know until the day. It does seem, however, that the 'rota' is James, Liam and George in that order, for evening and matinee performances. However this cannot be guaranteed as I believe they are subject to change, but may be a useful guide if the performances are consistent.

Brian Cantwell
Brncntwll@blueyonder.co.uk 
_____________________

Awesome, brilliant, superb. See it.

Saw the evening performance on 18th August 2005. Sat in seats D21 and 22 in the stalls. Excellent view, no neck ache but you cant see the performers feet.

This is just the best. I haven't seen the other two original Billys but if they are anything like George Maguire you will not be disappointed. This kid ran the show from start to finish. He was the star and the audience roared him back on the stage at the end.

The whole thing takes a movie and a piece of modern British history and fuses them into a theatrical experience which will make you laugh, gasp and cry. It is hard hitting, emotional and at times the collective gasp of the audience made you realise you were seeing something special.

Tim Healy as Billy's Dad and Haydn Gwynn as the dance teacher both banish their movie counterparts within seconds and deliver wonderfully observed and passionate performances. Ann Emery as Grandma - what can I say, perfect. Billy's best friend, the extravagant cross dresser who helps Billy close the show, was hilarious.

You really have to see this kid dance (and I mean kids because the other two must be as good). You really have to see this show. It should be compulsory viewing.

Loved it.
__________________

I have seen the show TWICE and have already booked it again. It was superb and had every emotion in it possible. All the talent was superb my favourite part of the show being the tap dance with Michael and Billy. The whole thing was absolutely fantastic.

Normally when a show is done after a film it is never as good, but in this instance although the film was great, I think the show is actually better for several reasons - more dancing, more comedy and of course, singing. I would recommend everyone goes to see it if at all possible.

I have to admit I wasn't sure which two Billy's I actually saw but they were both different and both just as talented as the other and a great performance. Thanks to to all the back room boys and girls who contribute a great deal to the shows - without them it wouldn't have the same effect - well done to everyone involved in it.

Ms Christina Brooks
___________________

I've been very lucky to have seen four boys play Billy. Firstly, let me go back to 22 September 2005's Thursday matinee performance. I was sitting in seat A9 of the Dress Circle and the view was excellent, although, as mentioned before, legroom is poor. Billy was played by newcomer Leon Cooke, and I think it was only his second show. Leon has replaced James Lomas, although I understand he has been in rehersals since May. Well, I think we have another star in the making! His performance is definitely in the Liam Mower style with the emphasis on ballet rather than street dancing. The programme notes say he a Mid-Associate with the Royal Ballet at Birmingham and his ambition is more ballet orientated than with other types of dance. He did not appear nervous at all and certainly became more confident as the show progressed with a good clear singing voice and, of course, superb dancing.

There were a couple of fluffs, neither of his making. First, after summersaulting off a piano during one scene, he nearly collided with Mrs Wilkinson, the dance teacher, and they both ended up on the floor, intentionally I think (!), and secondly when he went to pull a letter from his pocket towards the end of the show to read to his dead mother, it wasn't there! But he covered up magnificently. Well done, Leon! Incidentally, Billy had a new "Michael", well played by Joey Phillips. Talking of Mrs Wilkinson, this brings me to my second point about this particular performance.

This was the only show (out of the five I have seen) that understudies played two of the main characters. Mrs Wilkinson was played by Gillian Kirkpatrick, and Billy's father was played by Daniel Coll. Ms Kirkpatrick was a very creditable substitute for Haydn Gwynne, though not as tall (!), but I'm afraid Daniel Coll was a disappointment for me. He didn't have the presence of Tim Healy, and I felt his performance was rather understated with little emotion. Also I felt his diction was poor at times, leaving aside the Geordie accent! Perhaps I'm being a little unfair as I'm comparing him to Tim Healy who is superb in the role, but I noticed that another reader had their misgivings as well.

I knew that the contracts of the three boys' who play Billy would expire sometime in September, or perhaps October, and so I wanted to see if I could see a different Billy, excellent though George Maguire is, before they all 'retired'. I had the opportunity to see the show on Tuesday 6 September 2005, again Dress Circle seat A9. My wish was granted with Liam Mower playing Billy. I didn't recognise him at first as he seems to have grown a little since the publicity photographs, and his hair was lighter in colour, but as soon as you saw his cheeky smile and dancing, you knew it was him. It was certainly interesting comparing him to George, as his interpretation was much more ballet orientated than George's modern dance movements. I loved them both. Liam was everything I expected and Leon has a hard act to follow.

Finally to James Lomas. I hadn't intended to see the show again so soon, but on Thursday 15 September 2005 in the early afternoon I received an email from the Billy Elliot website saying that Leon Cooke would be taking over from James on Monday 19 September 2005. At that time James was the only Billy I hadn't seen. I was on holiday from work that week so I rang the theatre's box office to see if they had any unsold tickets. This was about 4pm and I got through to the box office straight away (my call wasn't diverted to an outside agency). They were incredibly helpful and polite - and the Gods must have been smiling on me as she had a good seat available for that evening, stalls J13, which I snapped up immediately. It turned out to be a very good seat with a clear view of the whole stage, although this depends on the size of the person sitting in front of you, and much better leg room than the front row of the Dress Circle. This seat is in the "green" recommended area of the theatre and I'm sure that other seats in its immediate vicinity are just as good.

The show was brilliant with James doing some superb street dancing, a complete contrast to Liam's and Leon's ballet. You can see why he and Ashley Lloyd (the boy who plays Michael opposite James) were leaving the show a little early. Both boys' voices had broken and they had grown a lot in the last six months, looking like 15 year olds rather than the 11 or 12 that Billy and Michael are supposed to be. Needless to say James got a standing ovation at the end, and I still can't believe my luck that I have managed to see all three original Billys (and their opposite Michaels, Debbies and ballet girls) plus Leon.

An interesting point comparing seats in the Dress Circle to the Stalls: I found the overall sound slightly better in the Dress Circle. The music seemed more dramatic and had greater impact. The difference was small, but quite noticeable to me. It could be due to the fact that you are physically sitting in the middle of the theatre in the Dress Circle (three dimensionally speaking) where the sound is not absorbed as much as if you are sitting at the bottom of the theatre in the stalls.

I normally go for the front row of the Dress Circle -A9 /10 /11. I've mentioned before that leg room is poor, but I'm willing to forsake this for the brilliant view. I am very fussy about peoples heads in front of me blocking my view, even slightly, especially as I'm not very tall.

The closest I've been to the stage has been stalls E17. Here, you are right up there in the thick of the action and are that close to be able to take in the banter between the performers, study their facial expressions and be part of their act, feeling breathless one minute and wiping the sweat from your eyes another. However, in this row, I could not see the actors' feet all the time. But, again, even though you are looking up at the stage, your view could be obstructed by people in front of you.

Possibly the least successful seat I've had was in the back row of the Dress Circle. The view is O.K, although I feel it's too far back to clearly take everything in. Also the Upper Circle does obstruct one scene where Billy, dancing with his older self, disappears up out of sight. The sound is not nearly as good up here, and it does get very hot, even on a cold December evening! What it must be like in the height of summer, I hate to think!

March 2006: Well I'm not ashamed to say but I've been back to the show several times since, and been lucky enough to have seen six different boys play Billy, the only exception being the new Chinese lad, Matthew Koon. The last time, I had the American boy, Colin Bates, and even though it was only his second show, he completely blew me away with his performance. The best Billy so far? Quite possibly.

I normally book seats through See Tickets and have been very pleased with their service.

David.
________________

For the first 20 minutes or so I thought this was going to be a leave-at-the-interval job. The sound balance was OK, but there was no clarity. I was struggling to understand the dialogue.  But once we got into Billy-as-dancer the show took off. There are flaws. The whole thing's 30 minutes too long.  Elton John was not feeling inspired on the afternoon he wrote the songs. But it works, and the concluding megamix rescues the show in much the same way the car rescued "Chitty".

The orchestra worked hard, but a few more players and less reliance on synthesis would have been nice. Considering the show is a dancing school night out, I think the "effing and blinding" was too constant.   And wouldn't it have stolen the show if Grandma could have contributed to the megamix!  There is no shortage of actresses of that age who can still manage a bit of spectacular hoofing!
________________

Young Liam Mower as Billy was EXCELLENT. To be this good at the age of 12 bodes well for the future.

Great show - what I could see of it. We booked last minute tickets for matinee on Thursday 5th January 2006, in Box 2 of Dress Circle. I spent the first half only able to see one third of the stage, and second act able to see about half. The biggest problem was the huge speakers situated at the side of the stage. This blocked the right hand side of the stage completely. If we'd been warned at booking that there was restricted view I wouldn't have had much to complain about. But we weren't given warning, yet we were charged £50 per seat. Full price and no warning did NOT prepare me for the appalling view we had. We only suffered it because there is little chance of being able to return to see the show again as the cost of travelling to London to see musicals is high - thus we are unlikely to be able to return to see the show from a better seat. I am understandably very disappointed..

Please warn Theatre Monkey readers that box seats are not worth full price payment.

Musicals Fan in Scotland
__________________

In an attempt to get to see all the Billys, I went again on 6th February 2006 and was well happy that I finally got to see the Original Billy - Liam Mower.

I've sung this shows praises ever since I went to see it when it opened last year. However, last night was one of the most emotional and moving things I've ever seen when watching a show in London. Due to (I later found out) a bad cold, little Liam's voice seemingly broke live on stage and the poor little guy was left standing mid-song after his voice started to change pitch abruptly before it eventually cracked.

The audience were fantastic. They quickly realised, and just basically gave the poor little thing a standing ovation. He's the original Billy and notably the best dancer.

Billy Elliot the Musical remains hilarious and beautifully touching. You cannot fail to laugh your socks off or shed a tear. As a musical it's very near absolute perfection and the whole cast thoroughly deserved the ecstatic standing ovation they received - three times.

The only slight disappointment is that I didn't feel Ryan Longbottom was as good as his predecessors - playing Billy's cross-dressing buddy Michael, but hey, that's just a minor niggle.

Seats were Circle - Row A, 5 and 6 which were fine with no need to lean forward - as many people do at the front of Dress Circles.

Kevin in Maidstone
____________________

Recently attended, with a companion, a matinee performance of Billy Elliott. What a fantastic show!!

Highlighted within the show was the dance routine between Billy and Michael. A strong storyline encompassing family, politics and warring factions was ably dealt with by a strong cast.We were spellbound throughout and talked much of our enjoyable afternoon journeying home.

We sat at the rear of the stalls in adjoining seats to the centre aisle T 18/19. The view was all one could have wanted in a packed house.

Would recommend the show to anyone.

Thanks to See Tickets for their prompt attention in both gaining tickets and their prompt receipt.
Would use See Tickets again....having done so already!!

Alan
Eastbourne, England.
________________

Saw "Billy Elliot" on 26th August 2006 and it was brilliant!

Fortunate for us we had row F in the stalls with perfect view of the stage. Billy was played by Colin Bates and he was superb. Also Michael (played by Shaun Malone) was the funniest thing I have ever seen. Philip Whitechurch and Sally Dexter were outstanding. Looking forward to seeing it again.

Kev, Kathy and George,
London
_________________

WARNING TO ALL THOSE GOING TO SEE THIS SHOW!

As many others mention, a proportion of the seating is appalling. Leg room and view not good.

The swearing is also too full on. I know at least five other couples that were quite uncomfortable listening to children swearing.

I would seriously never take children under 13 so beware!

Otherwise a great show.

David,
London.
__________________

I went to go and see Billy Elliot on the 30th March 2006, and it was the best show ever. This is the first musical I had ever seen, but that is the only show for me. I have seen musicals since and they are nothing compared to Billy.

I had seen Liam Mower that night, he was absolutely fantastic - the best dancer I have seen, ever. The scene when Michael and Billy were dancing together was brilliant, the best scene in the show

The seating was a little cramped but the pain soon went away after the show began. Overall, it was the best show ever and I am going to see the end performance with all the other Billy's together, and Haydn Gwyne and Tim Healy.

Luke, Aylesbury
____________________

Recently (October 2006) attended a Thursday evening performance of the show, with Travis Yates as the lead. This was certainly one of the best musical productions I've had the pleasure of experiencing in London or Broadway. While excellent singing and choreography were expected, good acting was a pleasant surprise, as was the comedic value of a number of the lines.

Also great value are the "restricted view" seats available on the day of the show for £25. From B6 (now bookable in advance - editor), I was able to see virtually all of the action. Only at the very rear of the stage did I miss footwork at ground level. However, much of this took place on chairs or risers. In addition, seats in this area benefited from Billy's solo dance and scenes with his mother taking place on this side of the stage. Good leg room here as well.

The only distractions in B6 were the periodic rumbling of the floor from the Underground, and the falling of fake snowflakes on the audience. This was well-worth the price to be in the 2nd row at a £30 discount over the 3rd, while really feeling a part of the action and seeing every facial expression of the actors.
_____________________

I saw the Saturday, 25 November 2006 evening performance. I had seen the film and loved it. Unfortunately, I did not love the musical. While the film had universal appeal, the musical focused too much on the miners' strike and Thatcher.

As the Theatremonkey suggested, the political and social effects of Thatcherism was not terribly interesting to this non-Brit. There were no great voices in the cast, but that may not have mattered because there were no songs worth hearing. Elton John "phoned this one in." Admittedly, the dancing was great and, since I had half-price day seats, the dancing alone may have been worth the price of admission.

Charles
Princeton, New Jersey
_____________________

I booked for this show in September 2006 on e-bay and tickets were advertised as stalls L11 and L12. Feeling chuffed at the quality of these seats I was pleased to win the auction. On receipt of the tickets they were dress circle L11 and L12. Never liking to be this far from the action I was able to exchange these for stalls tickets J33 and J34. I then read some of the views expressed on this site and by other reviewers, and turned up for the show on 23rd December 2006 with some apprehension. I should not have worried. The seats were close to the end of the row but visibility was excellent and comfort good (being 6'2"). There were many quiet moments disrupted by the rumbling underground trains but everything else was spot on.

Travis Yates put in an excellent performance and "filled up" at the end as many people stood up at the ovation. Credit also due to the unusual beginning of Act 2, with an impromptu appearance from Santa and an elf.
______________________

Went to see "Billy Elliot" last night (27th March 2007) – great show. Leon was superb in the lead and thought all the children were exceptionally good.

Had seats in Row C 7 and 8 of stalls. Not bad but ideally you would want to be a few rows back. Not overly generous with the leg room either.

There were a lot of children in the audience but I do feel that the amount of swearing in the show, not only from the adults but the children too, means you should think about taking too young a child along - can’t see that it is entirely necessary after all we do get the point! However, as there wasn’t so much in the film it could be that a few parents might be in for a surprise when they take little Johnny along not to mention Auntie Joyce!!!

Anyway, would certainly recommend the show.

Lizzie still loves the theatre.
_______________________

Saw show 7th April 2007. Seats N27 and N28 Stalls. Paid full price, as gift. Seats were good, leg room adequate (we are tall) and we could see whole of stage. Tube rumble only felt once. Over hang of balcony no problem. Not enough ladies loos - get there quick at interval - second half is as long as the first half.

Not much to add to already extensive reviews. We felt the story had transferred well from film to stage, which is not always the case. The music is easy to listen to, adds to the atmosphere but is not memorable.  The dancing/stage sets are slick and you can see why the show has staying power.

Billy's "Gay friend" deserves a particular mention, a challenging role for a youngster, as does the role of the dance teacher. From a female perspective, I greatly appreciated the "male ballet dancer!!" and would liked to have seen more of him......acting, of course!

The part of Billy is very challenging. He rarely leaves the stage & is very energetic. My only minor irritation would be the ending (not quite the same as the film) which seemed to involve Billy doing more somersaults then seemed necessary! He didn't appear at all tired but I felt exhausted watching him.

Go see and enjoy.

Ali P

Was that you sitting in front of us TM? (No! - TM) If it was, you were making a lot of notes!
___________________

I sat in stalls seats B31 and B32 and yes you do miss a lot of the action happening at the back of the stage and miss out on some of the footwork, but wonderful position to see the actor's faces and of course loads of legroom too!! Now this show is right up there with 'Wicked,' I absolutely loved it!!!

There are so many great moments in the show, and memorable characters portrayed by the fabulous actors within the large cast. We saw Leon Cooke as Billy, and my God is there anything that boy can't do?!!!! He sings, acts, does fouette turns like a spinning top and then goes and somersaults off a piano!!! Not to mention the running up the wall!!!! He was truly amazing, can't even imagine how proud his parents are!!!!

 I do like the film but wouldn't say I got too excited about it, hence the reason it took me so long to go see the show, but I really thought it was just as good as 'Wicked,' and I am obsessed with that show!!!!

We went on Tuesday 8th May 2007 and sat in stalls seats K11-14. We were very fortunate as the people in front of us didn't turn up so we had an uninterrupted view of the stage - although I think the view would have been ok anyway as the stage is raked and the seats are slightly offset in each row. Leg room was adequate. Could feel the rumble of the tube trains below but it wasn't off putting.

The show is rather slow to get moving and there is some unecessary padding - but enough griping - the dancing is spectacular - Leon is out of the world, truly gifted with a pleasant voice (almost about to break maybe), easy charm, natural gymnastic and balletic ability. He was energy personified - he fully deserved the standing ovation at the end - a great future ahead of him no doubt. Kate Graham (alternate) played Mrs Wilkinson and was excellent too - I wished she had been written as just slightly softer though.

There are some laugh out loud moments and some very sad tear inducing moments too. The flying ballet, electricity and the finale are worth the price of the ticket alone.

The music is ok - but I didn't feel the need to rush out and buy the CD. There was only one size programme on offer at £5 - nice pictures but would have preferred the option of buying a smaller £2-3 version.

We had taken note of the unsuitability of the show for under 12s and had only brought our 13 year son along with us - thank goodness - the amount of swearing is excessive - as a previous reviewer put it - ok we get the point - after the first ten different swear words the shock factor has gone and it just becomes boring and washes over you - the second Act seemed to have slightly less but was it necessary to have four young teenage girls dressed as angels singing swear words as well ?? .

I would go and see the show again but wish they would do a child friendly version of it - what happens at matinees I wonder - some very bemused children with their blushing parents now doubt !!

Worth a visit - 4 out of 5 stars
_______________

I didn’t really know what to expect from 'Billy Elliot' before we went as it was a bit of a snap decision to go. It turned out to be a very enjoyable evening.

My parents and I sat in the Upper Circle seats F15 to 17. They give you a good overview of the action and you can see everything on stage. The sound levels for the most part were fine, but I did miss the odd line in some of the songs.

The seats themselves were comfortable, but there isn’t a huge amount of leg room. My dad, who is 5ft 11 was fine, but he does have short legs (by his own admission, I’m not being rude). I wouldn’t go with them if you are really tall (or wearing a very short skirt as the unconventional leg arrangements I found myself in did mean my pants were fairly often on show)!

I didn’t realise quite how much the character of Billy would carry the show. Leon Cooke was a brilliant and did so well, especially considering his age. An absolutely unbelievable dancer and came out with an excellent performance. Ryan Longbottom was very funny as Michael, and all the other kids performed with huge professionalism and were clearly enjoying themselves. All the adult performances were strong too, with particular mention going to Grandma who was very funny.

The songs are average, with a few very good ones thrown in. This isn’t to say they are bad, just not the sort of tunes you will be humming at the end or rushing out to buy. They do however, set the tone of the show beautifully giving it a real British feel, and the lyrics are very witty and highly amusing in places. They all fit very well into the plot and none feel particularly crowbarred in.

It did have its weak points. The very beginning whilst solid, was a little underwhelming, but soon picked up. The start of the second act, when two cast members come out in front the curtain and act like the audience are at the local Christmas party, was also rubbish! It breaks the spell by referring to Tony Blair (who is at fault for lots of things, but the pit closures is not one of them), and is totally unnecessary as we are all already aware of the political leanings of the piece.

This is salvaged by the genius that is “Merry Christmas Maggie Thatcher” that follows. Totally silly, but very funny and much better at poking fun of idiotic politicians that the awful dad jokes that precede it. I am always inclined to enjoy a song with lines like “we all celebrate this day because it’s one day closer to your death!” Banter.

It’s a wonderful story, perfectly complemented by the music, strong and funny script and uniformly good performances. But most of all its British! Not one to usually come over all patriotic, it is nice to see something on the West End that has come from UK as opposed to have being Anglicised from an existing US script. Definitely worth a watch, and people clearly agree with me as the house was absolutely full, even though it’s several years into it’s run.

Hannah M

P.S. - The swearing didn’t bother me or my parents one bit, and unlike other reviewers I didn’t think it was unnecessary. However, if you are taking little kids bear in mind there is a lot of it (mostly from the small children on stage!)
____________________

I am more that happy to report that all is extremely well at the Victoria Palace. 'Billy Elliot' tonight (Tuesday 22 May 2007) was top class, even thought there were two covers on in secondary roles. I was excited and moved by it, probably more than on first viewing, and my only quibble is that despite what the ticket says: BILLY ELLIOT THE MUSICAL, I think it is more a very effective and powerful play in which music and dance contribute enormously, but it's really not a musical in the conventional sense of the word.

But, semantics apart, tonight's Billy was Travis Yates and he was just perfect. His acting was disarmingly natural, and yet he sang and danced sublimely in a way that belied the entirely convincing character of an uncertain and confused young teenager that he presented so effectively. The rest of the cast was magnificent and all aspects of the staging were terrific. I was especially impressed by the scene where Billy danced to the Swan Lake music with an adult male ballet dancer. This I found heart-stoppingly beautiful, and totally exhilarating when Billy started to fly with such beautiful dives and spins and attitudes indeed 'en l'air'. Totally magical, unlike 'Defying Gravity' in another London theatre not a million miles from the Victoria Palace!

Anyway, I cannot recommend 'Billy Elliot' too highly to anybody looking for a musical or, better still, looking for a memorable theatrical experience. Am I getting a bit carried away? Probably, but 'Billy Elliot' warrants it! It ran for just over three hours but the time sped by and it made me more cross than ever that 'Mary Poppins' has been so drastically cut from three hours to two-and-a half, very much to its detriment!
______________

I saw this show for the second time, the first being at the beginning of its run. My feeling is that it has got a little ragged with the passage of time. The score is passable if uninspired and many of the lyrics trite, but the dance routines featuring the young cast members are as exhilarating as ever and contain some really moving sequences such as Billy's pas de deux with the adult dancer. The feel-good factor is still working its magic and the cast is strong.

Demand for tickets has slackened. I bought a ticket three hours before curtain - £25 concession for top-price £59 seat (not always available - editor). In row B of the dress-circle the position and comfort was excellent. Hopefully the ticket price revisions will encourage a new audience who could never go to the theatre at the currently exclusive West End rates.
Thursday 24th May 2007.
______________

We saw Billy Elliot on May 30th 2007, evening performance. After many hours scouring theatremonkey and other websites for the perfect seats ( which to us means close enough to feel we are a part of the show, preferably on the aisle, ) we booked Stalls F17 and 18. I would not hesitate to book F17 to 21, or even row E17 to 21, also great view. Our seats were GREAT, close enough to see well and feel all the energy from the performers! Travis Yates, as Billy, was excellent, and as our seats were on the centre aisle, at one point during the show he bounded up the aisle right past us. We are both tall and the legroom was surprisingly ample, more so than in some other London theatres. We were close enough to feel as if they were performing just for us!

As for the show, we were absolutely thrilled, and left the theatre shaking our heads at the amazing talent and energy of all the performers!. Since we had seen the movie countless times we knew the story, so knew what to expect.

Billy Elliot is not the type of musical you go home humming the tunes as in 'Phantom' or 'Mamma Mia,' and it was never intended as such, the story and the dancing are more important parts of the play. Nevertheless, all the songs were very enjoyable.

We would absolutely love ( and hope!) to see it again, like the man from New York who was sitting directly in front of us and was seeing it for the 32nd time!!

George and Natalie,
from Vancouver, Canada
________________

This evening (Saturday 15th September 2007) I went to see Billy Elliot again for the SIXTH time. I was lucky enough to get a ticket again. It was nine months since I last went. What can I say that hasn't already been said? This show is phenomenal - I wouldn't go that many times if it wasn't!!!

Obviously the cast has changed several times since my first visit and they are every bit as good. I don't know the name of the boy who plays Billy this evening, but I can only describe him as a very young Michael Jackson. He was phenomenal a lovely dancer in every shape and form - a delight. He was brilliant at all the dances and shone like a true star!

I can only reiterate on what most people say; the choreography in this is outstanding, as is all the dancing, singing, the humour, the slickness, the story and the whole package. It all comes together and there is not one second of boredom for me whatsoever. Even though after so many times of going I know it almost off by heart it still never ceases to amaze me. This is one heck of a show and one no one should miss!!!

The behind the scene "lads" should be very proud also as there is a great deal of craftsmanship and skills gone into the designing - well done!!!

Christina Brooks
Highgate
London
__________________

In my attempt to get to see every Billy, I went again on Wednesday 10th October 2007. However, the turnover of Billys is becoming more and more regular, so I'm pretty sure I'll have to knock this habit on the head. 'Billy School' in Leeds is still churning out some fantastic little multi-talented child-actors though, and the show is as good now as it was on day one.

The thing I like about the current production team on Billy Elliot the Musical is that - 1000 performances on - and they're still tweaking bits to make it even better. Every time I go back, there are small changes which have turned this show from being 100% brilliant to 110%.

I frequent some geeky forums for people interested in stage design and production, and on Billy Elliot the Musical I've often said..... I wish they'd crank the volume of the orchestra up at certain parts of the show to create a more euphoric feeling. Hey presto, I went back this week and it had all been done. The ending of 'Electricity' has been hugely increased in volume and helps put some emphasis on Billy's 'show-stopper' pirouette at the end of the song. It's refreshing to note that they do listen to constructive criticism.

If I had to be Mr Nasty and find something wrong with the show I'd cite the over-strong Geordie accents as being a bit of a struggle at times. Often the dialect is so incomprehensible that some of the shows best one-liners get lost in translation. However, I'm really in back-seat-directors mode there.

So, is Billy Elliot the musical still wowing audiences two and bit years on? You bet it is. As the huge advertising board which becomes visible as you step out of Victoria station proclaims...This is not a time to beat about the bush. Billy Elliot strikes me as the greatest British musical I have ever seen - and that was written by Charles Spencer - one of the harshest critics around.

James
Maidstone
_____________________

Finally got round to see this show last night (22nd January 2008) and came away with mixed feelings.

'Billy Elliot the Musical' is a very different beast from the film version. It has none of the latter's subtlety and as a result feels very uneven as it veers from high camp to gritty realism. Neither is an issue in itself and the choreography and staging of almost every number is a joy - witty, balletic and with attention to detail. Yet somehow, as a package it all felt a little flat. Maybe, as a previous contributor commented, it's got a little ragged around the edges.

The Victoria Palace is a large and unforgiving auditorium and from two thirds of the way back in the stalls we felt disconnected from the action and longing for a more intimate space. The kids were all enormously talented but the demands on them - particularly Billy - are huge and we were not convinced they could hold the show together especially in this vast theatre. There were moments of near magic - like Billy's pas de deux with an adult dancer but then it (literally) spiralled out of control and was lost.

The biggest disappointment is the sets - and they are truly awful. It's not so much that they look bad, they just don't make sense. There were perfectly good elements of a 'back to back' (small terraced house characteristic of northern mining towns) yet much of the action in Billy's house appears to take place in something akin to a church hall and therefore loses the claustrophobic nature of Billy's home life. The revolves were simply distracting and the stairs to Billy's bedroom (apparently a different era from the rest of the house) saw more action than a well used elevator. In this case, less would have definitely been more.

It's an evocative show for anyone who recalls the Thatcherite era and the Miners Strike in particular. The sound of truncheons against riot shields, the 'Spitting Image' puppets and the newsreel footage all provided excellent material for an impromptu history lesson for the kids! It certainly got us talking all the way home!

Despite the fact that this is promoted as a 'family show', you probably need to think about your tolerance for some pretty ripe language (from the mouths of the child actors). The accents are all over the place and last night's young Debbie's seemed about the most authentic - and therefore unintelligible which was fortunate given some of her lines(!). And if you're taking youngsters (or tourists) some background is fairly critical.

All in all, it's a show worth seeing - you'll smile and you may even weep - but it didn't quite have the sparkle or the coherence we were expecting given the hype.

Finally, if you want to see the show it's no longer the 'hot ticket' and there were swathes of empty seats in the stalls. If you're fast you could pick up a £35 tickets on the 'Get Into London Theatres' scheme running until the beginning of February 2008, or hustle for a ticket elsewhere.
____________________

My boyfriend and I went to see it on Monday 28th January 2008. We were seated in the Dress Circle, Row F, seats 31 and 32. The theatre is beautiful and the seats were very comfortable. Having read a few negative reviews about the lack of legroom, I was apprehensive as my boyfriend is 6'4" and I am 5'8," but we had plenty of room and were very comfortable with no complaints at all. We had an unspoiled view of the stage and were very happy with our seats.

The show itself is breathtaking and I would definitely go and see it again. The performances are outstanding and several scenes stand out for their brilliance, particularly the scene where Billy dances with his older self. There is humour and sadness which is touchingly done and not in a slushy way. All the performers should be congratulated for making this an outstanding production to be proud of.

The brilliance of this show (for me) can be measured by the response of my boyfriend who is not a theatre fan at all and was not happy at the prospect of seeing the show, particularly as it was about ballet dancing. He was completely "wowed" by it and we haven't stopped talking about it yet!

Nicky
_____________________

Last night (5th June 2008) I went along with my friend Winston to see Billy Elliott. It was my second time to go to see this show and Winston’s first. The last time I saw the show was Easter 2007 and I was completely blown away by the sheer energy and performances of the cast. In particular Layton was excellent as Billy. So last night I had much anticipation and my friend was very excited too coming to the see the show I had recommended so highly.

However what we saw last night was a very pale reflection of the first time I saw this show. The whole performance lacked energy and enthusiasms’ and really I had the feeling that the cast were just going through the motions.

The actor who played Billy didn’t sing very well and the dancing was just OK. I felt he had little stage presence and quite often I found my concentration drifting and confusing Billy with other members of the cast. I think also the whole show look dated and really I am not sure I felt very connected to the miners struggle and the Thatcher era.

There were still some great performances in this show namely the Ballet teacher (perhaps you can fill in the actor’s name - Jackie Clune, Editor).

All in all a very disappointing evening for me and my friend couldn’t really understand why I had raved so much about this show but only if he had seen the show the first time I saw it with Layton.

I would also like to mention that a few times the cacophony of crisp bags rattling and munching overpowered the music coming from the stage. I really wonder why the theatres allow people (mostly children) to eat crisps and take in noisy packaging to the theatres. I think its an insult when you pay £60 for tickets and then you cant hear the show as the audience cant making loud noise and really the theatres encourage them to do this by selling Walkers and Pringles in the foyer kiosks.

We sat stalls row M35 to 36 and these weren’t great seats for this price as we were looking form left to right and could only see the right side of the stage properly and mostly we were looking at the gaps behind the performers.

All in all not great value for money and please can we have no crisp packets in the auditorium.

Matthew Rodgerson
_______________________

Matthew - I advise you take your friend Winston with you to the show when Joshua Fedrick's playing Billy Elliot. I saw him earlier this year and had goosebumps right until the end of the show. He was incredible. Please go see him while you can to have him restore your faith in 'Billy Elliot - The Musical. '

We had understudy Mrs Wilkinson, Grandma and Dad and all three were fantastic - wouldn't have noticed they weren't principals if we hadn't checked our programmes at the interval. We particularly loved Kate Graham who played Mrs Wilkinson.

Agnes
_______________________