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Performance Times Ticket Prices Where to Buy Tickets   Seating Plan Seat Opinions Getting Here

QUEEN ELIZABETH HALL


See www.southbankcentre.co.uk for all the details.

Events include:

Spring Season 2013

Friday 31 May 2013, 7.30pm
MERYL TANKARD’S THE ORACLE – UK PREMIERE
£20, £15 £10
Southbank Centre will stage the UK premiere of The Oracle by acclaimed Australian choreographer Meryl Tankard, a long-time star of Pina Bausch’s Tanztheater Wuppertal. Inspired by the groundbreaking first performance of Nijinski’s choreography for Stravinsky’s The Rite of Spring, which caused an audience riot when first performed on 29 May 1913, The Oracle will mark this centenary when it comes to London direct from a US tour. This sensual and intense dance work, featuring soloist Paul White, explores the conflicting forces of nature and man, masculinity and femininity, violence and nurture, strength and vulnerability. Southbank Centre also presents the Philarmonia Orchestra’s Rite of Spring conducted by Esa-Pekka Salonen in Royal Festival Hall on Thursday 30 May. Tickets are available to members on Wednesday 6 February and go on general release on Thursday 7 February.
_________________________________________________

Wednesday 10th until Wednesday 31st July 2013
Press Night: Thursday 11th July 2013

Cirque Alfonse present:

TIMBER!

A circus show featuring a family from the remote forests of Québec, who juggle axes and perform daring aerial acrobatics and stunts with lumberjack saws, alongside clog-dancing, tight-rope walking, cooking, vegetable chopping and story-telling. Timber! is set to traditional music, with fiddles, banjos, a jaw harp and rowdy singing as the live accompaniment to this daredevil, heart-warming show.

Cirque Alfonse is made up of three generations of one Québecois family – 66-year-old Grandfather and amateur clown Alain Carabinier, his two children, Antoine, 32, and Julie, 29, who are a trained circus acrobat and a trained dancer respectively, Julie’s partner Jonathan, 32, a trained circus acrobat who has performed in Cirque Du Soleil’s Love, and their 2-year-old son, Arthur. The family are supported by live musicians, two of whom are friends of the family who grew up in villages nearby. Members of Cirque Alfonse have worked with some of the world’s most renowned companies including Cirque du Soleil, Cirkus Cirkör and les 7 doigts de la main.

The company hail from an area rich in roots music, call-and-response singing, fiddle and banjo playing and traditional dance. The show is steeped in the folklore, traditions and aesthetic of Québec’s lumberjack, logging and farming heritage. Music is at the heart of the show – with traditional songs mixed with new numbers composed by violinist David Simard and David Boulanger, of hit Québecois folk band La Bottine Souriante. The action is set in a lumber-camp, where there is merriment and mischief on an outhouse and the company juggle and chop vegetables at high speed for the family stew pot. Beards, muscles, checked lumberjack shirts and long-johns abound, and staying true to their roots, the axes, saws and knives used in the show are genuine and sharpened and the cast don’t wear steel toe-capped boots or any protection other than gloves. Taking authenticity to new heights, when Cirque Alfonse rehearse in their unheated Québecois barn, they saw wood as a warm-up to their rehearsals.

The story of how the family circus troupe was formed is a charming one. When grandfather Alain Carabinier was growing up in Switzerland in the 1950s, his dream was to run away with the circus. Instead he became a champion skier, then travelled round the world as something of a hippy, meeting and falling in love with his future wife when he was horse riding in Ecuador. The couple returned to her native Montréal and settled on a farm in the woods of rural Québec where they had two children; Antoine and Julie. Alain coached the local football team and the children grew up putting on little plays as fundraisers, eventually going on to train professionally in circus and dance.

As a 60th birthday present for their father, and as a thank you present for the hours he spent ferrying them to and from circus and dance school, the siblings created a circus show for Alain to star in, which was performed in 2006 under a big top in their local village. Alain finally got to run away with the circus in his 60s. He had never been on stage before in his life. As a surprise, all his friends and family travelled from Switzerland to Québec to see the show, and it was such a success that Cirque Alfonse was born. The family named the company after the village near their farm: Saint Alphonse-Rodriguez. The siblings’ mother, Alain’s wife, Louise Lépine, has also come out of retirement to look after the finances and be the tour manager for the company, and babysitter for Arthur.

Timber! comes to Southbank Centre after its world premiere at the Montréal Completely Circus Festival in 2011, and extensive touring in Québec, Switzerland and France. A programme of participatory workshops will run alongside the Southbank Centre shows.

Timber! is part of Southbank Centre’s Festival of Neighbourhood with MasterCard this summer from 4th May to 8th September. The festival will celebrate neighbourhood in all its meanings and explore what it is to have and be a neighbour. Communities who live close by and partners from across the UK and abroad will participate in creating the festival – from nearby Elephant and Castle in South London to young people from Pelhourino in Salvador, Brazil – with a diverse programme of events including poetry, discussion, visual arts, performance and art installations across Southbank Centre’s 21-acre site.

Suitable for ages 9 and over.

Cast and Crew:
Alain Carabinier, clown
Antoine Carabinier-Lépine, acrobat (Trained at Montréal National Circus School, Cirque du Soleil, Cirque Eloize, Les 7 doigts de la main/The Seven Fingers, Cirkus Cirkör)
Julie Carabinier-Lépine, dancer and singer (Trained at Montréal School of Contemporary Dance, Circus Knie)
Jonathan Casaubon, acrobat (Trained at Montréal National Circus School, Cirque du Soleil, Les 7 doigts de la main/The Seven Fingers, Circus Knie)
Arthur Casaubon, acrobat
Matias Salmenaho, acrobat (Trained at Kiev National School of Circus, Cirkus Cirkör, Cirque Aïtal)
Josianne Laporte, banjo-player, accordion-player, percussionist, jaw-harp player, harmonica player (Cirque Eloize)

André Gagné, guitarist
David Simard violinist, composer
David Boulanger composer
Alain Francoeur, director (Trained at Montréal National Circus School, Cirque Eloize)
Nicolas Descôteaux, Lighting and set designer (Robert Lepage, Cirque du Soleil, Cirque Eloize)
Lionnel Dechamps, sound and technical director
Jean-Louis ‘Jello’ Robert, lighting operator

 

 

Performance Times and Dates:
7.30pm: 10, 11, 12, 13, 17, 18, 19, 20, 24, 25, 26, 27, 30, 31 July 2013.

4pm: 14, 21, 28 July 2013.

2pm: 13, 17, 20, 24, 27, 31 July 2013.

Runs 1 hour 30 minutes approximately with no interval.

 

 


Seat Prices:
Tuesday, Wednesday, Thursday and Sunday: £30, £22.50, £15.

Friday and Saturday: £32, £24.50, £17.
 

Concessions 50% off (limited availability).
____________________________________________________

Saturday 10th August until Sunday 1st September 2013
Press Night: Wednesday 14th August 2013

ZooNation present the world premiere of a Southbank Centre commission:

GROOVE ON DOWN THE ROAD
written and directed by Kate Prince

Kate Prince and her award-winning dance company ZooNation return to Southbank Centre following their 2010 hit show Into The Hoods with the world premiere of Groove on Down the Road (10 – 31 August 2013). The company behind Some Like It Hip Hop give their unique twist to the classic story of The Wizard of Oz, which comes to the Queen Elizabeth Hall as part of Southbank Centre’s Festival of Neighbourhood with MasterCard.

Set in a fantastical urban world, ZooNation’s Groove On Down The Road tells the story of Dorothy and her adventures with Toto, Scarecrow, Tin Man and Lion on their journey to Oz. The audience join Dorothy, complete with ruby sneakers, and friends in this hip-hop dance production as they follow the yellow brick road in a quest to find happiness and family.

Written and directed by Kate Prince and commissioned by Southbank Centre, the production will include music from the 1978 film The Wiz, re-mixed with current hits by DJ Walde. The Wiz starred Michael Jackson and Diana Ross, with Quincy Jones overseeing the film’s music adaptation including the tracks Ease On Down The and You Can’t Win. The film celebrates its 35th anniversary this year.

The cast of Groove On Down The Road is made up of young dancers from across the UK, all under the age of 19, showcasing the exceptional talent of ZooNation’s next generation of dancers. The role of Dorothy will be shared by two 11-year old dancers, Arizona Snow and Portia Oti.

Kate Prince said:
"Working with the ZooNation Academy of Dance is the highlight of my week. I oversee their training every Saturday and they never fail to amaze me with how much they know and are capable of at such a young age. They have been born into an environment where access to hip hop dance and culture is at the simple touch of a button and they are saturated with information. As a result they are a whole new breed of dancers who have a raw, authentic and fearless skill and passion for dance. They give our adult company a run for their money! We better watch our backs."

ZooNation Dance Company was founded by Kate Prince in 2002. They are the creators of the award-winning West End shows Into The Hoods (the first ever hip hop dance show to open in the West End) and Some Like It Hip Hop (about to open it's third season for 9 weeks at the Peacock Theatre). In 2010 ZooNation became a Resident Company at Sadler's Wells and Kate Prince became an Associate Artist. ZooNation Dance Company has performed at major events including the 2008 Beijing Olympic and Paralympic Handover Ceremonies, Nelson Mandela’s 90th Birthday Celebrations in Hyde Park and the 2011 Laurence Olivier Awards.

ZooNation also runs a youth company (ZYC) with dancers aged from 8 - 18 years and an academy, ZooNation Academy of Dance (ZAD), where over 150 students aged from 4 - 21 years train weekly. The dancers for the youth company are selected, through an audition process, from the very best students at ZAD. They come from many different areas of the UK including London, Stoke, Manchester, Norwich, Oxford, and Brighton.

www.zoonation.co.uk is the company website.


Tickets go on sale to Southbank Centre Members on 1st May and to the general public on 3rd May 2013.



Cast:
Dorothy - Arizona Snow and Portia Oti
Toto – Michael McNeish
Scarecrow – Jaih Betote Diptio
Tin Man – Michael Ureta
Lion – Corey Culverwell
Wicked Witch of the West – Annie Edwards





Performance Times and Dates:
7.30pm: 10, 13, 14, 15, 16, 17, 18, 21, 22, 23, 24, 25, 28, 29, 30, 31 August 2013; 1 September 2013.

2pm: 10, 14, 17, 18, 21, 24, 28, 31 August 2013.

 


Seat Prices:
Previews 10th until 13th August 2013: £27, £17, £10
Sunday to Thursday: £30, £20, £10
Friday and Saturday: £32, £22, £10

Concessions 50% off (limited availability).
_____________________________________________________

Saturday 4th May until Sunday 8th September 2013

SUMMER 2013: FESTIVAL OF NEIGHBOURHOOD

www.southbankcentre.co.uk/neighbourhood

A summer-long celebration of neighbourhoods and communities

The site transformed into a neighbourhood with allotments and fruit trees, a local pub, large-scale murals, flags created by Bob and Roberta Smith and a complete Beanotown.

Programme highlights include: the UK premiere of lumberjacks-inspired circus show Timber!; the world premiere of ZooNation’s Groove On Down The Road; Yoko Ono’s Meltdown; and the Hayward Gallery’s Alternative Guide to the Universe.

Themed weekends throughout the summer, from a celebration of street culture to a village fair.

What makes a good neighbourhood and what does it mean to live side by side? This summer, Southbank Centre’s Festival of Neighbourhood with MasterCard will celebrate the idea of neighbourhood and explore the concept of what makes a good neighbourhood and what it means to be a good neighbour. Local communities and partners from across the UK and abroad will participate in creating the festival – from Lambeth and Brixton in South London to artists and young people from Pelhourino in Salvador, Brazil – with a wide-ranging programme of themed weekends, performances, talks, outdoor art installations and urban greenery across Southbank Centre’s 21-acre site. The outdoor festival landscape opens on 1st June 2013.

Jude Kelly, Artistic Director, Southbank Centre, said: “Last summer Southbank Centre ‘hosted the world’ in order to celebrate the ideals of the Olympics and Paralympics. This year we focus on neighbourhoods; both our own – telling the story of Southbank Centre as a neighbourhood, a place of intimacy, friendship and community – and others farther afield. Festival of Neighbourhood will be a space for artists and visitors to ask what it means to live side by side and will explore if, why and how we want to support community endeavours and a sense of belonging. This exploration will be made possible through collaboration with hundreds of artists and organisations and thousands of participants of all ages. I’d like to thank all the partners who have this possible, in particular MasterCard for generously supporting the festival.”

From 1 June 2013 visitors will feel that they have stepped into a neighbourhood as Southbank Centre is transformed with neighbourly activity, greenery and colour. Neighbourly pop-ups will include a fruit and veg stall by The Cherry Berry Company, a traditional pie shop brought to Southbank Centre by Hartland Pies and designed by RIBA students, and the community-based cycling cafe Look Mum No Hands!, in addition to weekly markets. The riverside Queen’s Walk in front of the Royal Festival Hall will see the return of the popular urban beach – this year taking the shape of a miniature town in the sand – and be home to allotments created from reclaimed wood and windows in collaboration with award-winning London-based landscape practice Wayward Plants. The allotment project, Queen’s Walk Window Gardens, will provide opportunities for volunteers and communities to be involved in building and tending to plants. More areas of the site will be blooming with flowers and greenery and provide volunteering opportunities: the Queen Elizabeth Hall roof plants, created in partnership with the Eden Project and cared for by Providence Row, will be expanded to include a shade garden; the Festival Terrace connecting Waterloo with the river will be lined with more than 20 mature fruit trees in a collaboration with the National Trust; there will a trail of 60 wheelbarrows planted as mini gardens; and on the Riverside Terrace there will be a herb garden, with its produce being used in the food served by the Royal Festival’s Hall’s cafe run by Company of Cooks.

New outdoor art installations include Grow Your Own Ideas, a series of flags adorning the roof of the Royal Festival Hall by artist Bob and Roberta Smith, with questions that will encourage people to think about the meaning of neighbourhood; large-scale murals on the facade of the Queen Elizabeth Hall by acclaimed mural artists, including ROA, Bread Collective, Grems and Phlegm; the creation of large topiary-like figures – one depicting two people sweeping, a tribute to the volunteers who helped clean up London after the riots in August 2011 – on Jubilee Gardens and overlooking Waterloo Bridge by Pirate Technics, the artists who created Susan the Fox in 2011; the return of Jeppe Heine’s Appearing Rooms fountain; poetry installations across the site; and a Bell Tower created by architecture collective The Decorators.

Communities local to Southbank Centre will be celebrated as part of Festival of Neighbourhood, with an exhibition dedicated to Lambeth, created in collaboration with The Building Exploratory, in the Spirit Level of Royal Festival Hall (25 May – 8 September) and special weekends celebrating Lambeth & Brixton (13 – 14 July) and Deptford (27 – 28 July), as well as Vauxhall in collaboration with Vauxhall-based Duckie (10 – 11 August). Looking further afield and building on Southbank Centre’s ongoing relationship with artistic communities in Brazil, the festival will also include a weekend dedicated to the historic neighbourhood and UNESCO World Heritage site of Pelourinho in the city of Salvador, Bahia, which will bring a carnival atmosphere to the South Bank with Afro-Brazilian dancing and an all female drumming group (17 – 18 August). Prior to welcoming Pelô artists to London, Southbank Centre will in June be collaborating with the local artists to stage Southbank Centre in Pelourinho, a one day festival taking place on 15 June.

Celebrating the 75th birthday of The Beano, Festival Village in the undercroft of the Queen Elizabeth Hall will be transformed into Beanotown - an imaginary neighbourhood – in a collaboration of The Beano publisher DC Thomson and HemingwayDesign. The fictional home town of Dennis the Menace will feature a museum showcasing, for the very first time, The Beano’s archive and previously untold stories dating back to wartime Britain. There will be opportunities to get creative with comic drawing sessions expertly lead by The Beano’s illustrators and to visit the ‘Prank You Very Much’ stage where you can learn the history of The Beano pranks before unleashing them on your unsuspecting mates or parents. The Beano Social Club will host fun and games including ‘Table Dennis’, our very own version of Table Tennis, and themed food including ‘The Beano Breville Bar’ where you can make your own toasted sandwiches.

Other Festival of Neighbourhood programme highlights include:
· Chorus (4 – 6 May) – a mass-sing of Jerusalem (4 May at 1pm) will ring in the festival with more than 120 events exploring how signing brings communities together.

· Udderbelly (until 14 July) – the purple cow is back for its fifth summer with a programme of comedy, circus and family shows, and this year featuring The Neighbourhood Arms on its pasture.

· London Wonderground (6 May – 29 September) returns for a second summer of circus, cabaret and sideshows, including LIMBO (10 May – 23 September), a new show of scintillating circus and wondrous illusion from the creators of last year's smash hit Cantina.

· London Literature Festival (20 May – 5 June) – with more than 100 events, it is the largest to date, and this year London will take centre stage through a special series of events, including London walks (and runs), writer Craig Taylor returning with One Million Tiny Plays About London, and award-winning author China Miéville unearthing some of London’s lesser known literary visionaries. The start of Festival of Neighbourhood will be marked with a keynote conversation with Richard Sennett, examining the art of cooperation and living side by side.

· The Alternative Guide to the Universe at the Hayward Gallery (11 June – 1 September) presents maverick creations by outsider artists. This major summer show brings together contributions from self-taught artists and architects, fringe physicists, street artists, dreamers and visionary engineers. Eccentric and inspiring, their work ingeniously departs from accepted ways of thinking in order to re-imagine the rules of culture and science.

· Worldwide cultural icon Yoko Ono brings a lifetime of achievement in music, visual art and peace activism to Southbank Centre. Yoko Ono’s Meltdown (14 – 23 June) will be led by the artist’s dedication to music across all genres, environmentalism, feminism and peace, and feature iconic names from the world of music and arts, including Siouxsie, Peaches, Reggie Watts, Patti Smith and Iggy and the Stooges.

· Differently-themed weekends throughout the summer, including Inbetweeners (10 – 13 July), focusing on the sub-cultures and tribes who live on the outskirts of society curated by drag artist Dickie Beau and featuring Le Gateaux Chocolat; and Urban – A Festival of Street Culture (3 – 4 August), exploring the world of skateboarding, BMX, parkour, street dance, graffiti and basketball.

· A number of shows across the summer, including the UK premiere of Timber! by Cirque Alfonse – three generations of a family circus troupe from Québec (8 – 31 July); the world premiere of Groove On Down The Road by Kate Prince and her award-winning dance company ZooNation (10 – 31 August) and L’Orchestre d’Hommes-Orchestres perform Tom Waits (2 – 7 July), a colourful tribute spectacle to the world of Waits using 100 objects and invented instruments.

· One Bowl Feast (7 – 8 September) – marking the grand finale of Southbank Centre’s Festival of Neighbourhood, Clare Patey will curate a weekend of sharing food, dancing and making merry. In 2011 Clare Patey curated ‘Feast on the Bridge’, which transformed Southwark Bridge into a giant banqueting space.

MERYL TANKARD’S THE ORACLE: UK PREMIERE
Friday 31 May, 7.30pm, Southbank Centre’s Queen Elizabeth Hall, £20, £15 £10, concessions 50% off (limited availability)
Southbank Centre stages the UK premiere of The Oracle by acclaimed Australian choreographer Meryl Tankard, a long-time star of Pina Bausch’s Tanztheater Wuppertal. Inspired by the groundbreaking first performance of Nijinski’s choreography and set to Stravinsky’s The Rite of Spring, which caused an audience riot when first performed on 29 May 1913, The Oracle will mark the centenary when it comes to London direct from a US tour. This sensual and intense dance work, featuring soloist Paul White, explores the conflicting forces of nature and man, masculinity and femininity, violence and nurture, strength and vulnerability. There is a post show discussion after the performance. Southbank Centre also presents the Philharmonia Orchestra’s Rite of Spring conducted by Esa-Pekka Salonen in Royal Festival Hall on Thursday 30 May.

ALEXEI SAYLE
Thursday 4 – Friday 5 July, 7.30pm, Southbank Centre’s Queen Elizabeth Hall, £22.50, £17.50, concessions 50% off (limited availability)
Alexei Sayle, the self-styled ‘inventor of alternative comedy’, has burst back onto the comedy circuit with his first full-length solo stand-up show in over 16 years. After his hit come-back performances at Soho Theatre, Sayle brings his infamous and irreverent blend of political vitriol to Southbank Centre.

STANDARDS BY PIERRE RIGAL
PART OF URBAN ARTS WEEKEND
Sunday 4 August, 7pm, Southbank Centre’s Queen Elizabeth Hall, £20, £15, £10
Following his performances of Game Over in May 2012, Pierre Rigal returns to Southbank Centre with a stunning piece that uses hip-hop to examine the concept of national identity. Performing on a stage bathed in the red, white and blue of the French flag, like urban warriors, eight dancers, krump, lock, pop and break, exploring the many meanings of this powerful symbol of identity and how a person can remain individual in a society that asks us to conform. Driven by the intense energy of his brilliant young hip-hop dancers, Pierre Rigal has created a compelling dance theatre experience.

RIME OF THE ANCIENT MARINER BY TIGER LILLIES
Thursday 5 – Sunday 8 September, 7.30pm on 5 – 7 September, 6.30pm on 8 September, Southbank Centre’s Queen Elizabeth Hall, £30, £25, £20, concessions 50% off (limited availability)
The Tiger Lillies’ genre-defying brand of other-worldly vocals and unnerving performance style has carved them a unique niche in the cabaret and musical theatre scene. After a hit run of Hamlet at Southbank Centre in 2012, the cult creators of the award-winning Shockheaded Peter now stage another adaptation of a macabre classic. This visceral repackaging of The Rime of the Ancient Mariner takes Coleridge’s tale of the sinister and supernatural and adds its own dash of music-hall panache and sometimes shocking perspective. The band’s flamboyant live performance is enhanced by large-scale virtual sets designed by visual artist Mark Holthusen that create an immersive and highly atmospheric environment. Across 25 songs and interludes, the legend of the Ancient Mariner unfolds as uncompromising musical and visual melodrama. The performances at Southbank Centre follow the UK premiere at Brighton Festival on 23 May 2013 and the release of their The Rime of the Ancient Mariner album to accompany the show.

 


 

Top Performance Times Ticket Prices Where to Buy Tickets   Seating Plan Seat Opinions Getting Here

Performance Schedule:
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

Varies by event, see www.rfh.org.uk for details.
 

Ticket Prices:
Varies by event, see www.rfh.org.uk for details.
 
Top Performance Times Ticket Prices Where to Buy Tickets   Seating Plan Seat Opinions Getting Here

Buying Tickets Online:

Other Box Office Information

Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Venue Box Office:
www.rfh.org.uk. Their own site provide the service for this venue.
A brilliant box office system lets you select the actual seat you require AND see the view from it before you confirm! If only all systems were like that, thinks the monkey...before realising it would become redundant..

Booking fees per ticket for online bookings:
A £1.75 per booking, not per seat, fee is charged.

Other Online Choices (with S.T.A.R. genuine ticket agencies):

Independent S.T.A.R. ticket agencies may also offer an alternative choice of seats.
 

Box Office Information:
Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Venue Box Office:
Telephone: 0844 847 9911
Operated by the venue itself.

Booking fees per ticket for telephone bookings:
By Telephone: A fee of £2.75 per booking is added to the total cost of tickets for telephone bookings. The Royal National Theatre next door charge less - the Royal Festival Hall must have their own postal zone to account for the difference.

For personal callers or by post: South Bank Centre Ticket Office, London, SE1 8XX
No booking fee for personal callers.

By post, an "Upper Limit" cheque should be mailed to the box office. They do not want credit card details sent to them.

 

Special Access Needs Customers:
Wheelchair users and other registered disabled theatregoers can book their seats on 0844 847 9911 and enquire about concessionary prices that may be available to them. The wheelchair users line connects directly to the venue box office in London. See Notes.

www.rfh.org.uk is the official theatre website.

 

 
 
Top Performance Times Ticket Prices Where to Buy Tickets   Seating Plan Seat Opinions Getting Here

Venue Seat Opinions:
Please remember that cheaper seats often do not offer the same view / location quality as top price ones, and that ticket prices are designed to reflect this difference.

NOTE: This advice is based on "First Impressions" and readers are asked to contribute their own opinions in order to build up a comprehensive picture - contact us. Extra detail will be added over the next few months after events have taken place and views assessed.

www.ehouse.co.uk/virtualtours/ has a "virtual tour" of the auditorium.
 

Seating Plan Diagram

Choir

Stalls Rear Stalls Notes
CHOIR 

Layout:
These seats face the rest of the auditorium, behind the orchestra.

Divided into centre and two side blocks, all seats offer excellent sound and a good view of the conductor, but the backs of the heads of his orchestra.

Rows are stepped.

Seats here are sold only if choir or stage performers do not need the space.

Legroom:
G
ood in all seats for all but the tallest.

Row A usually has most space, as it is on stage level with nothing in front of it.

Choosing Seats in General:
Sit here for a cheap and good value concert experience - front and centre first.

General Hazard Notes:
The rest of the audience is facing you.

You may see only the backs of the performers.

Changes for the current production:
None.

Reader Comments:
None.
 

STALLS

Layout:
Divided into a central and two side blocks by aisles.

The front section has a gentle rake (seats on steps to help see over rows in front) between each row.

Legroom:
Good in all seats for all but the tallest. Most in central row B (for non wheelchair users) and side row A when there is nothing in front of it.

Choosing Seats in General:
All seats offer a good view of the stage and good sound.

Choose seats in the centre block, numbered 14 to 26, before the side blocks when all seats in a row are the same price this maximises value for money.

Wheelchair users get prime room at the front of the stalls.

General Hazard Notes:
None.

Changes for the current production:
None.

Reader Comments:
None.

 

REAR STALLS

Layout:
Divided into a central and two side blocks by aisles.

Steep rake, with steps between each row.

Legroom:
Good in all seats, best in rows A and AA.

Choosing Seats in General:
Rows BB to DD offer the best value.

Rear rows LL to QQ are some distance from the stage and are better value for orchestral concerts than ballet or other visual events. For the latter, pay the extra for the best view.

General Hazard Notes:
None.

Changes for the current production:
None.

Reader Comments:
None.

 

 

Notes
Total 880 seats approx.

Air-conditioned auditorium.

Guide dogs welcome, hearing loop, all documents available in large print. Wheelchair access via stage door to decent seats in auditorium. Bring your violin and steal the show. Users get free car parking in centre car park. Unisex disabled toilet and two cubicles with handrails in the ladies too. Fuller details call the venue on 0844 875 0073 (select option 2) or Artsline 020 7388 2227, see www.artslineonline.com, email artsline@dircon.co.uk, or call the venue direct. A "venue access guide" from the team who created book "Theatremonkey: A Guide to London's West End," is available to download in PDF format by clicking here.

Café, Bars and toilets shared with the Purcell Room

 

Top Performance Times Ticket Prices Where to Buy Tickets   Seating Plan Seat Opinions Getting Here

Getting to this Theatre
Find this theatre on a Street Map
Nearest Underground Station Buses Car Park
Nearest Underground Station:
Waterloo - Bakerloo Line (brown), Jubilee Line (silver gray), Northern Line (black). Also a main line station.

A PHOTOGRAPH ILLUSTRATED VERSION of this walking route is available by clicking here.

This station has multiple exits, not clearly marked, so be careful! The best route is as follows:

Follow the exit signs marked "South Bank" and / or "Shell Exit" and / or "York Road Exit" from the platform to the surface. All lead to the same place! Leave the station and you will be on York Road.

Turn to your left, and walk past the Lloyds / TSB Bank. Ahead to your left is a huge silver steel rectangle. No, the monkey does not know what it is either. To the left of it, and behind, is a pedestrian passageway called "Sutton Walk"; which goes under a bridge. Take it, at the end is a fountain ahead of you. 

You are now on "Concert Road Approach". Turn to your left. The Royal Festival Hall is ahead of you. Walk towards it. Go to the right hand side of it.

You are now in an area of grey concrete.

 The Festival Hall is to your left, a mass of balconies with open space below them to your right. On one of the balconies, words spell out the Queen Elizabeth Hall and Purcell Room.

Look to the left below them. Amongst the pillars are a pair of grey doors. Cross the area to them and go in. Up the stairs is the foyer of the venue.

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If you have the misfortune to leave the station by the "Waterloo Road" exit, fear not. You can either walk through Waterloo Station to the York road exit, or take this alternative route - CONSIDER YOUR PERSONAL SAFETY if you do so.

On leaving the glass doors, turn left. Walk to the corner, and turn left into "Mepham Street". Walk all the way to the end of it, avoiding the temptation to go under any bridges.

At the end of the street is York Road. Cross it. Ahead of you, to the left, is "Sutton Walk", the pedestrian road under the bridge. Take it.

At the end is a fountain ahead of you. You are now on "Concert Road Approach". Turn to your left. The Royal Festival Hall is ahead of you. Walk towards it. Go to the right hand side of it.

You are now in an area of grey concrete. The Festival Hall is to your left, a mass of balconies with open space below them to your right. On one of the balconies, words spell out the Queen Elizabeth Hall and Purcell Room.

Look to the left below them. Amongst the pillars are a pair of grey doors. Cross the area to them and go in. Up the stairs is the foyer of the venue.

_____________

Another visitor suggest this route: Take the tube to the Embankment station and walk across the Hungerford  footbridge to the south bank, then walk  past the Festival Hall complex. Take the next staircase leading up. The foyer entrance is at the top, to your right.

Noted are the "Gorgeous views both up and down river on a good day or evening.". The monkey endorses this comment, especially at twilight!

 

Buses:
1, 4, 68, X68, 168, 171, 176, 188, 501, 502, 513 to Waterloo Bridge.

Get off on the Bridge and look for the triangular neon sculpture on the roof of the Hayward Gallery, and the glass front of the Festival Hall. Take the stairs on this side of the bridge down to the first level, not the ground. A safe crossing of this bridge can be made by taking the stairs down to first level and walking under it on a walkway linking the staircases either side of the bridge.

On the correct side staircase, leave it, turn to your left and left again for the combined entrance of the Queen Elizabeth Hall and Purcell Room just along the walkway.

 

Taxi:
A rank for Black taxis is at Waterloo Station - a fair distance from the venue. Best chance of hailing one in the street is on Waterloo Bridge.

 

 

Car Park:
Belvedere Road or The Hayward, both just next to the Festival Hall. Follow signs to the left as you leave the car park. Take the stairs to the left up to the first level, turn left at the top, you will be facing the side of the Festival Hall. Follow the walkway around the side of the building. The Hayward Gallery is ahead of you. If you see a railway bridge with pathways leading under it, wrong way.

Remember to get your ticket validated at the venue box office for a discounted parking rate in these car parks.

 

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