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Just thought I would say we saw 'Ghost' this afternoon (25th June 2011). I don’t
want to say too much about the show itself in case you haven’t seen it yet -
being only 3 shows in in London by now!
I don’t often get effusive about a show or come away from a musical thinking I
must see that again, but with the exception of one number this show is
excellent.
More often than not I watch a show like a detached observer, but right from the
opening this show really sucks you in. We left exhausted and emotionally drained
(and I’m not an emotional person either). The ensemble has been well used in a
way that tends to keep one focussed on the main characters, who are wonderful.
In particular Caissie Levy’s rendition of “with you” – Even I felt a certain
moistness around the eyes. It must be something of a change for Richard
Fleeshman to go from being “Warner” to “Sam”!
What’s the exception? A Vaudeville/tap number ”Ball of Wax” – there are plenty
of comments on the internet about it from Manchester – it’s still in the show –
dropping it would mean a character losing half his numbers I guess. Standing
alone it’s a good number and I think I can see what they are trying to convey
with it but it really does feel out of place and IMHO should be dropped.
Seats were stalls J20 and 21. Very good seats with one reservation especially if
these are bought at 'Premium' price (we didn’t pay this, luckily). Generally
this or a row or two back are my ideal position because I like to take in as
much of the stage as possible, but in this case, as I have said, one gets drawn
into the story so much and you focus on the main characters so much that I felt
it might be good to be a little further forward. One tip – in some scenes there
is a sofa stage right / centre right that blocks one’s view of part of the back
of the stage if you’re sitting left of centre in the stalls. A small amount of
action happens there and given a choice perhaps sit right of centre rather than
left. I am being picky here but if someone is going to pay premier price why
not?
See what you think when you go.
4 out 5 (5 out of 5 if they drop “Ball of Wax”).
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This is the first of the recent spate of film to stage musicals where I've know
the film quite well. I had never seen 'Legally Blonde' or 'Sister Act' on film.
Firstly, lets deal with the score. Mostly unmemorable, apart from the odd
singing of 'Unchained Melody,' which I think could have been better used. The
show takes a bit of time to get going and it's not until Sharon D Clarke bursts
onto the stage as Oda Mae Brown that it really takes off. But still, it was
waiting to see how they played out the scenes from the film that became quite
boring... then being mainly disappointed at the result.
The set was very high tec, which was often distracting. The special effects were
very good, but they don't really make the show. So all in all quite a
disappointing evening - but to be fair the rest of the audience seemed to really
enjoy it, so I guess it was just not my cup of tea. If I had to give it a score
I would say D+ for effort.
Taljaard
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We went to a preview of ‘Ghost – the Musical’ on Monday 4th July 2011, and
here’s our thoughts on this new show:
A great night out! A show that has it all; thrills, romance, emotion, and
comedy. We thought the main strengths would be the cast, but there was also the
remarkable staging, the music and the outstanding visual effects.
The cast were superb with Richard Fleeshman's voice simply amazing. Fleeshman
and Caissie Levy make the perfect pairing, but the outstanding performance must
go to Sharon D. Clarke – whenever she was on the stage she totally dominated it
and there was an extra charge of excitement and enjoyment from the audience. We
thought it would be difficult to find someone to equal the Patrick Swayze part
but almost forgot that someone had to be found to take on the great Whoopi
Goldberg film performance. Both have succeeded and in some ways surpassed their
predecessors.
The music complimented the visual elements of the show; very electronic which
gave it a very contemporary feel.
If there are any negatives then in some parts the music was so loud that it was
difficult to hear the lyrics especially when Caissie Levy was singing. The
famous ‘Potters Wheel’ scene was no big deal (as it was in the film) and hardly
seemed worth bothering with.
In fact it was a good all round show; the use of the electronic screens were
well executed, making the action feel modern and thrilling (especially on the
train!). The visual effects were literally breathtaking as we heard several
grasps from the audience as well as sobbing later in the show during some very
poignant moments.
The show is a great addition to the West End.
Lordship Theatregoers.
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6th of July 2011.
First the negatives. At £7 for a programme it was 'No thank you!' and £3.50 for
an ice cream makes it the most expensive ice cream I have ever had in a London
theatre.
I haven't seen the film and as it started I found myself thinking that I don't
think I am going to enjoy this. We sat in row P seats 21 and 22 which were left
of centre. plenty of leg room but the seat tilted forward and could have been
more comfortable and you are conscious of the circle overhanging although it did
not obscure any action on stage. I did think that at times the orchestra was
playing too loudly and even though Caissie Levy as Molly was belting out the
songs I couldn't actually hear the words much of the time. I felt it was rather
disjointed at the start but then Sharon Clarke as the Medium Mama Oda came on
and the whole evening lit up for me. She is just fantastic and adds very welcome
humour. The illusions are very well done and I agree that sitting nearer to the
stage would be good for this show to study them more closely.
The audiences spontaneous reaction with a full house standing ovation at the end
spoke volumes and far from wondering at the beginning whether I was going to
look forward to seeing this show again when I take coaches to see it in October
and November, I most certainly am looking forward to it. I just hope they bring
the volume down a bit so we can hear the words of the songs.
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Ghost the musical is ghostastic. It is one of the best musicals I have seen in a
long time. At the end it got a standing ovation from the whole of the audience.
The musical is based on the film 'Ghost.' The set/scenery was amazing with
moving motion pictures, the lighting and the props. Without giving too much
away, some scenes were a bit like magic - SPOILER ALERT like when Richard swiped
his hand straight through a Coke can and disappeared like a ghost. SPOILER ENDS.
Richard Fleeshman was excellent at playing the character Sam, and when he got
shot on stage it really did pull my heart strings - and many others'. Caissie
Levy has a outstanding voce. The other cast were also excellent, for instance
Sharon D Clarke - who played the Psychic Woman. She really was funny; she played
the character so well that in my personal opinion she is even better than Whoopi
Goldberg who played the psychic in the actual movie. Sharon made the scenes very
entertaining and funny. Adebayo Bolaji who plays the subway ghost was amazing
also, and his voice and acting reminded me a bit of Samuel L. Jackson. He was so
much better than the original man (Vincent Schiavelli ) that played the subway
ghost in the movie.
To sum the play up I would say it is a happy, emotional, funny and magical
musical. Highly recommend. Totally worth the full price.
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Took a group to see Ghost on Tuesday 5th July 2011. We sat in Stalls rows L, M,
N, O, P seats 4 to 11 on each row. Everyone said they had a good view of the
stage and saw all the special effects. All had enough leg room and no one's view
was restricted by someone tall impeding their view. The only criticism was that
the theatre is very warm as no air-con and the seats were under padded and
therefore quite uncomfortable.
Now to the show. Quite hard to take an iconic film and create a spell-binding
musical, but this has been achieved - and in bucket loads. The script is well
paced. The special effects are extremely clever. It has enough humour to break
up the heart wrenching moments. The music is very good. Casting is well done and
acting is very believable. Some excellent stand out moments that will ensure the
show is remembered for a long, long time. It certainly is a show that a lot of
people have said they would definitely go back and see again.
I do agree with other reviewers that have said that the orchestra is too loud at
times drowning out the singing, which is a shame because all the singers have
excellent voices.
Highly recommended.
Gill Gill.
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Seated in the Grand Circle E15 I was a little bit huffy, because nobody told me
that there is a safety railing next beside me!
The railing was in my view but didn't bother me during the show. The sound was
crystal clear and really loud. Sometimes quiet a bit to loud for my taste (and I
love it loud). You won't miss any of those wonderful special effects they
created for the show. It's a fair offer for a very good new show no one should
miss.
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I had my annual trip to London, and this time went to see 'Ghost The Musical'
(30th July 2011, Afternoon performance). All I can say is 'OMG!!!'
First of all, the staging is amazing. It's almost like you are watching the
movie, and the special effects leave you breathless!! I won't spoil it too much,
but SPOILER ALERT he does walk through a door SPOILER ENDS. Sharon D Clarke was
amazing - and what a voice this lady has. The two leads, Richard and Caissie,
were just fantastic; and the rest of cast played so many parts it was
unbelievable! It's not 'till the curtain call that you realise how small this
cast is.
We sat in stalls row P seats 21 to 24 and, although the overhang from the dress
circle is there, it does not spoil any of the show and you see everything. The
leg room is amazing in this row as well.
The theatre was packed, and there was a lot of sniffles at the end (including
me). I also loved the music and the songs, and still listen to the cast
recording on the way to work and back LOL.
I cannot recommend this show enough and I hope it plays for a long long time. It
also looks like they have sorted the sound level out that other reviewers have
commented on, as you can now here the singing over the music. I was so surprised
about how good a singing voice Richard has; and as for Caissie, well, she has
one of the most amazing voices I have ever heard.
I think I have now said enough - but please, please, please go and see this
show!!
Oh, one more thing: the box office staff were so helpful and friendly it was
beyond belief, and the theatre staff as well were fantastic and made the
experience so much better.
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We had a group visit this show recently which was, of course, much enjoyed,
however some comments were passed to us about some Dress Circle seats.
We sat in Row A 1 and 2 and we’re surprised they aren’t rated as ‘obstructed
view’ for this show. We couldn’t see the top of the fridge, where action takes
place, and also couldn’t see clearly the flat door where an important illusion
occurs. For this reason we think you should consider rating them red on your
website.
Lordship Theatregoers.
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I took a punt on lastminute.com’s £25 Upper Circle lucky dip that was running at
the time, and was rewarded with B24, which proved to be an excellent seat with
unhindered sight lines, even when one of people directly in front of me started
leaning forward towards the end of the show.
The production is very impressive, and all the scenic and technical effects are
terrific, not to mention Paul Kieve’s unbelievable illusions. I have to confess
that the songs for the two leads are absolutely not to my musical taste,
especially for the girl, whose voice as amplified tonight (23rd August 2011)
could cut an iron girder in half. If only they had just stuck to ‘Unchained
Melody’ I would have been perfectly happy! I did however greatly like the songs
for Oda Mae Brown and the train ghost’s rap!
Now to the disappointment, or was it? I refused to pay £7 for the only
‘programme’ on sale, and I didn’t notice any signs up in the foyer that any of
the principals were off. But when Oda Mae Brown first appeared I thought to
myself that she didn’t seem to be Sharon D Clarke. But as the performance went
on, I was totally knocked out by her and she was so good that I assumed it must
have been Sharon. But on the way out after the show I spotted a slip of paper on
the floor and guess what it said? ‘At this performance the role of Oda Mae Brown
will be played by Miss Lisa Divina Phillip and the role of Clara will be played
by Miss Yemie Sonuga.’
So, to sum it all up, I think 'Ghost' is a highly successful and technically
amazing transfer to the stage of a popular film which, for my personal taste,
would have been better without most of the romantic ballads. The final scenes
were particularly well staged and the audience seemed extremely happy at the
end. I couldn’t see the stalls and circle, but the vertiginous upper circle was
totally full.
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Was keen to see this last minute, so not much of a choice with
seats - good to see something selling reasonably well.
Rather than sitting at the rear of the stalls I opted for circle
B1. Not a great seat, as the view was restricted and I couldn't see
the action towards the back of the stage in some scenes.
There were some stunning effects, again I wasn't able to
appreciate these fully because I was sitting too far to the side.
I do think this show could be tightened up, however I still loved
it and the cast recording is playing daily in my car!!
Have booked centre near front stalls for return visit in
December!!
Celia.
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I saw this production on Thursday 25th August 2011 at the
matinee.
Seat: Upper circle. L14
Firstly the seat. I was really pleased with this seat (apart from it
not having much padding and made my posterior numb!). A good view
(you can just about pick out the actors’ facial expressions without
a telescope!); obviously looking down greatly - with only very
slight obscurities where the safety bars (which are split) infringe
into the line of vision to the left - but this really does not cause
much of a problem. Average leg room, being 6ft 3,” but much better
being end of aisle. Thankfully the ‘lean-forwarders’ had either been
Velcro-ed to their seats or warned they may be shot if they did
engage in such SELFISH behaviour! However the ‘Minstrel / Malteser /
Pringles brigade’ were out in force and appeared not to notice or
care that their rustlings and chewings etc may actually be affecting
other people’s enjoyment of the show. If I was a West End theatre
manager I would place signs everywhere warning people not to lean
forward and to eat all their junk food BEFORE the show or at the
interval! As I was always a 'stalls only' person (I’m a mere Public
Sector NHS nurse) before having to cut out/back/down-grade most
things I enjoy doing that cost money (for obvious reasons), I hadn’t
experienced the differing behaviours that occur in each area in the
theatre…. Interesting!
Anyway, on to the show...
As always I had bought the cast CD and really enjoyed it. It takes
quite a few listens to get into but is almost a pop album in itself
being produced by Dave Stewart formally of the Eurythmics. One
stuffy theatre critic (NOT the Monkey I hasten to add, his reviews
are never in that category!) stated that there is not one memorable
song in the show. I disagree totally. All the songs are musically
contemporised and absolutely memorable; he must be suffering from
Korsakoff’s disease from too much red wine before and during each
show he reviews! Another part of my research was to watch the DVD
again. I had seen it many years ago when in my late teens - with an
ex girlfriend who now looks like Bella Emberg on a recent sighting
(lucky escape I had there - no offence to Bella look-alikes – just
not my type!) so needed to refresh my memory. The film version is
obviously a classic and is very emotive.
I was very much looking forward to seeing Caissie Levy’s
performance, as I had seen her in “Hair” last year (I hated that
show with a passion, but that’s another story!) and thought she had
a wonderful voice as is displayed on the cast CD. She did not
disappoint, a truly wonderful voice and actor, she has the whole
package. To her part as Molly she added warmth and sincerity. I
would happily pay good money to see her sing as a solo performer.
The male lead, Richard Fleeshman did not hit the spot for me. I had
seen him before as Warner in 'Legally Blonde' and was distinctly
underwhelmed then. I don’t mean to sound mean, I’m just giving my
opinion as a hard working punter who loves musical theatre with a
passion and sacrifices time and money to do this. When I first
listened to the cast CD I wasn’t impressed with his voice, and
realised who it was on Googling. I don’t watch soaps so was not
familiar with him in his previous roles. His portrayal of Sam lacked
warmth for me and as he is not a natural singer his voice translates
into a shout with a bit of a warble added to the end of a note.
Although it does have a nice tone. His USA accent was good and he
put his all into the job in hand. I can’t put my finger on it but I
just didn’t care about his character, whereas in the film I did, so
it’s not about the writing either. There is an arrogance in his
portrayal of Sam whereas in Patrick Swazey’s this was not evident .
Maybe it is because he is young and this part needs a slightly older
guy, I don’t know. I wanted to connect with his character but
couldn’t and I don’t think it was anything to do with being so far
away from the stage either. I have to say that I can think of a load
of West End actors who would be a dream in this part, but I guess
the producers have to think of what will bring in the bucks instead
of anything else.
The story is exactly as the film. No diversions or re-routing here,
bang on the original, which isn’t a bad thing if the two main leads
are of the calibre of Moore and Swazey. Of course the other major
part goes to Oda Mae Brown. Now, you would think Whoopi couldn’t be
beaten and she isn’t, but she is almost matched by the performance
of Sharon D Clarke. Having seen her before in productions such as
Lion King, Hairspray and Chicago I knew what to expect and she
certainly didn’t disappoint. Outstanding voice and acting mixed with
warmth and personality. The only thing I couldn’t quite grasp was
why she was wearing white socks and men’s sandals to start with,
very strange. It didn’t fit with the character as she is exuberant
and almost manic and then onto yet more flat yet shiny shoes! I just
thought she must have an injury and that’s the way they had written
it in!
The Guy who played Carl was outstanding and he would be a far better
Sam in my opinion. Amazing voice and great characterisation. Bravo
to him!
Overall it’s a good show. Slightly over-hyped I would say, raising
expectations to an impossibly high level which aren’t reached. Very
good effects and staging with optical illusions in buckets. The
stage is small however and it all does look a little crammed in.
Some of the props / doors / scenery are a bit school play tacky, but
this can be forgiven on the whole.
A fantastic orchestra and brilliant amplified surround sound. Not at
all too loud as one reviewer said, just right for this type of play.
Superb choreography and first class supporting cast. As I said, it’s
the film on stage so if you didn’t like that then don’t go! It is
emotive in parts and I had the odd full eye moment or two. That
wasn’t due however to my connection with the relationship between
Sam and Molly as I already explained. That was more related to my
experience of loss in my own life, as I think those who were crying
would agree with too.
It should do OK on Broadway I would imagine and will probably look
better with a bigger stage.
I will be seeing this again, hopefully in the stalls when Get Into
London Theatre comes round again and would recommend, but I do feel
it could be better with the right male lead as it’s such a major
part.
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Ghost The Musical - O14-16 (Stalls) - 26th August 2011 - Evening.
This was a surprise birthday present from my two best friends.
The seats were £65 each and the view was amazing. I felt as if the
view I got was faultless and, from where we sat, we could see
everything. This is the only theatre that I've been into that I can
say the sound is 100% perfect and completely loud enough to fill the
theatre. We were central in the stalls and I would say just behind
mid way back and everything was perfect.
This now is my favourite show to date because Caissie (Levy) and
Richard (Fleeshman) have such great chemistry that I have never seen
anywhere before. Would DEFINITELY recommend this show!
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Firstly, the seats (D17 and 18 in the stalls) were excellent – as
you would expect for £65 each plus a £5 booking fee. At the time I
went (2nd September 2011) there were no discounts whatsoever, yet
the theatre seemed very full despite that.
I’m 6 foot 1 and I must say that the leg room was probably the best
I’ve experienced in London this side of a box or aisle seat. It is
helped too by the seats in front being staggered, meaning no
interference with your view.
On the downside, the bars and toilets in the stalls area of the
Piccadilly Theatre are very congested. Unusually, the queue for the
gents was much longer than the ladies, prompted I suspect by the
fact that the gents is both tiny and awkwardly laid out. The bar,
even by West End standards, was expensive – over £11 for an
alcoholic ginger beer and a G&T.
On to the show and I thoroughly enjoyed it, despite the lead actor
being off ill. During the show I really enjoyed the much-criticised
music, so much so that I ordered the CD of the cast recording online
(for half the price the theatre was charging!). On listening to the
CD, I think the music lost some of its lustre and I’d suggest that
the music is certainly best enjoyed in the context of the show.
On other aspects of the show, the acting was OK, but I think the
staging and the special effects surpass anything else I’ve seen in
the West End, good enough to raise the show well above the ordinary
it could have been.
One other point - It took us over 20 minutes to leave the theatre
because everyone in the stalls was inexplicably made to file out
through a narrow and poorly lit alleyway – not a nice end to a night
at the theatre.
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My £20-off a second top price seat for ‘Ghost’ tonight (13th
September 2011) from
Lastminute.com (price £35 - offer now expired) was meant to
be L26 in the back row of the dress circle (a red one on your
seating plan) but, without my saying a word, the friendly man in the
Piccadilly Theatre box office swapped it for H20 in the stalls,
which is green one! The seat was in fact perfect. On second viewing
I still didn’t like most of the music, or the singing of the leading
lady, but I was even more impressed by the production than when I
saw it from the second row of the upper circle, and I did get to see
Sharon D. Clarke, who was superb, but in all fairness I have to say
that the cover that I saw on my previous visit was actually funnier
in the scene at the bank, and yielded little to Sharon D in the
singing.
As before, I found the final scene riveting in its brilliant
staging, jaw-dropping illusions and the apotheosis of the love
between the two young people. The theatre looked fairly full, but
presumably something had happened with some of the central stalls
seats for me to land H20. There were several empty seats in G row as
well and I happened to notice that the two young people directly in
front of me had tickets that said ‘Something Circle’ but as the
Piccadilly uses ‘Royal’ and ‘Grand’ instead of ‘Dress’ and ‘Upper’ I
didn’t quite catch which one it was, but I assume they were put
where they sitting by the theatre staff because nobody came to turf
them out!
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I saw 'Ghost' at the Piccadilly in September 2011, and sat on the
Grand Circle, L22. For this production (which I thought was very
strong), which is filled with projections, this offers a really
great view of the stage action. None of the illusions (except some
in the subway sequences) were obstructed or lacklustre on this
level, and the strength in the physical movement of the actors and
scenery is all clearly viewable. Plenty of legroom for the 6-ft tall
fellow. I find that there is zero reason for anyone to be leaning on
the Grand Circle for a better view (which always hurts the view of
those behind), so do not be afraid to tell someone to sit back, as
they'll actually get a better view if they sit up straight! The rake
is perfect!
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Thursday 20th October 2011: 2.30pm.
"WOW!" That is the first word I can think of to describe 'Ghost.'
I went to the box office on Thursday morning as a day-seater and was
the first person there when the box office opened. The days eat
policy appears to be, 'whatever are unsold seats;' and, lucky me, I
was able to purchase C14 of the stalls for £25! I couldn't believe
my luck, right bang in the middle! The rake meant that I had a great
view. My row seemed to be about level with the stage, so I was able
to see clearly with no annoying large heads in the way.
When the show started, I was wondering what was going on as the
video projections made me wonder if we were all just about to watch
the film. However the screen lifted and I was soon mesmerised by
Caissie Levy belting out 'Here Right Now.' Her chemistry with
Richard Fleeshman was amazing, they worked so well together I could
see them as a real couple in Brooklyn. Richard has a good voice as
Sam and acts it well though some of his facial expressions were a
little off putting and a touch over acted.
I had Paul Ayres on as Carl Bruner, instead of Andrew Langtree.
He really was very good at playing the double crossing 'snake in the
grass.' He seemed to work really well with everyone and I totally
believed in his portrayal. Jaygann Ayeh was another understudy I had
on as the Subway Ghost, and he really frightened me as he was so
crazy. But I think the show really belongs to Sharon D. Clarke. In
the role of Oda Mae Brown, she is hilarious yet touching and she
just owns the stage, i couldn't keep my eyes off her. I'm so pleased
she gets to go to Broadway and do the role. The Americans won't know
what's hit them!
Some people have mentioned a song called 'Ball of Wax' and how
inappropriate the song is in the show. As a song on its own it is
quite enjoyable, but at that point in the show it is totally out of
place. You have this really dramatic point in the story and the
tension is high. It either doesn't need a song there - or the song
should be a lot more downbeat. It just seemed really cheesy and
stupid. I have a feeling the Americans will probably cut that out of
their version.
All the ensemble are incredible, they seem like such a tightly
knit bunch working together, ad-libbing in the background. The
dancing is incredible. From my seat the special effects were truly
magical, I cannot work any of them out. The set was also really
impressive and made me wonder how big the stage actually is. When
'Grease' was there I always thought of it as a small theatre but not
now. The posters outside the theatre all say 'Believe,' and I really
do. Will deffo be returning to this show in the future. It deserves
to run and run with a cast as strong as this. Everyone was on their
feet at the curtain call and lots of people, myself included, were
in floods of tears.
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Tuesday 15th November 2011, 7.30pm performance.
Will admit to not being keen into being taken to this one, but
enjoyed the show very much – even shed a tear now and then… “Ditto”…
It has made the transition from celluloid to stage very well,
remaining faithful to the original, whilst adding new elements to
the tale. The music was a mix of the very good, through to being
serviceable in places and even downright awful… “Ball of Wax” I’m
talking about you. In fact “Ball of Wax” is the worst, most-mistimed
of and jarringly awful songs I think I’ve ever witnessed. Taking
place in a hospital as our hero gets used to being a ghost, it
serves as introducing Sam to the “spirit-world” but detracts any
emotion from events that had just taken place. A hard one to judge –
there must be better ways of doing it, a tap dance for goodness sake
- but I think they’ve got that part very, very wrong.
The rest of the show, however, was marvellous. The illusions were
very cleverly staged – disappearing and walking through doors - the
underground train set-pieces were very clever. In fact, the simplest
illusion was the best where Molly finally realizes Sam is a there:
in the movie it was the dime up the door, here it’s different, but
I’m not going to spoil the surprise! The set was great – however,
the over reliance on projected images at the sides and rear of the
stage was more than a little off-putting, but a blind eye could be
turned to it due to the phenomenal 4 actors (esp Sharon D Clarke) in
the lead roles. The ensemble were great, although there was an over
reliance on peculiar dance movements that were frustrating at
times..!
Sat in the Grand Circle in seat D8 and had a fantastic view of the
stage, the rake enables you to see over the heads of those in front
– and Row D and E are probably the best of the bunch in the Upper
Circle. They actually feel close to the stage, but you are obviously
looking down on the stage. The brilliant illusions loose none of
their effect from this view and facial expressions can be made out
from here. I do feel, however, that £45.00 is rather a little greedy
in the pricing.
Overall – worth a punt. If you liked the film, you’ll like this.
Paul.
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