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Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

OLIVIER THEATRE

IN REPERTOIRE:

MAJOR BARBARA (play)
Ends 3rd July 2008.
Runs 2 hours 45 minutes approximately.
Captioned performance 26th June 2008 at 7.30pm
 

FRAM (play)
Ends 22nd May 2008
Runs 3 hours approximately.
 

THE REVENGER'S TRAGEDY (play)
Previews from 27th May, opens 4th June 2008
NOT SUITABLE FOR CHILDREN AGED UNDER 15 OR THE EASILY OFFENDED.
Audio described performances 18th July 2008 at 7.30pm and 19th July 2008 at 2pm
Captioned performances 10th July 2008 at 7.30pm and 5th August 2008 at 7.30pm


HER NAKED SKIN (play)
Previews from 24th July, opens 31st July 2008


Click here now to view a video clip about the National Theatre


"Major Barbara": Salvation Army woman faces moral dilemma: should a large donation from her weapons manufacturing father be accepted... especially when his workers seem so well-cared for on these profits. Bernard Shaw takes another £10 season bow following the success of "Saint Joan" last year.

"Fram": From North Pole to League of Nations representative and celebrity anti-famine campaigner; Fridtjof Nansen lead a full life. Tony Harrison writes and co-directs his story.

"The Revenger's Tragedy": A Duke killed Vindice's lover. Vindice wants the Duke dead, but in an immoral world, what does he need to do to really make his point?

"Her Naked Skin": Imprisoned in 1913 for her beliefs, Suffragette Lady Celia Cain meets a woman who changes her life forever... A new play by Rebecca Lenkiewicz, directed by Howard Davies.
 

Theatremonkey Opinion:

"Major Barbara": It's OK. Not as gripping as last year's "St Joan," but in its way again Shaw is proven to be relevant today. Some wealthy and powerful figures still consider themselves above the law, it is cash that ultimately produces power and money really is essential when good deeds are needed.

We get a moral maze which the cast negotiate with some skill towards an ending which is logical, rational and makes us wonder how far Shaw is taking a joke. Hytner manages to pace things in such a way that as the arguments shift, the actual play remains balanced - no mean feat given the turns the actors are asked for.

Of the performances, Simon Russell Beal turns in an Alan Sugar style performance which Hayley Atwell seems to find slightly too large at times thanks to the lighter weight of her own role - though she meets it with confidence. Clare Higgins and John Heffernan manage convincing turns of their own as mother and son, with the final effect a well-judged evening of political thought that is entertaining too.

"Fram": Not available. Reports are that this is pretty strange. A dead Greek scholar rises from his memorial to help Sybil Thorndike give a verse play about survival, imagination, idealism and environmental disaster. Should business, charity, politicians or artistes provide the solutions? The result, according to professional reviewers varies between "brave attempt" and "pretentious tosh" apparently. The production is long, including video, ballet, poetry and African refugees and Russian opera. The spectacle and endeavour are not in doubt, the execution seems to leave much space for discussion. For audiences to make their own minds up on, seems to be the conclusion.

"The Revenger's Tragedy": Not available.

"Her Naked Skin": Not available.

 

Your Reviews: Add your own by clicking here.
Important: Some reviews below can contain "spoilers" - please don't read if this bothers you!

"Major Barbara" (1 review):

After seeing the outstanding 'St. Joan' last season at the National we decided that their latest Shaw production was a must see. However, I was a little disappointed. The first act was OK, even though it was long, it kept my attention from a solid cast performance and exciting sets that only the Olivier theatre can deliver. Working for a charity myself and knowing about the dilemmas of accepting money from non PC activities I felt that the story was a relevant today as it was when it was written 100 years ago. It stimulated discussion at the interval so I was looking forward to the second half. However - the second act was so dull - it didn't seem to move the story forward and although there were a few twists towards the conclusion I felt it was generally poor and unbalanced. I even nodded off for about 10 minutes and didn't feel like I missed anything!! The best bit of the whole act was the set which was quite spectacular! The actors all give good performances but no one really shone for me. For the money 'Major Barbara' is OK - its worth a shot if you like Shaw but I wouldn't rush to see it as I felt it was quite forgettable.

We sat in the stalls in Row H 41and 42. The seats were good value, the view was excellent. I can't complain. If you are in the cheap seats of the stalls at the front you may be looking up a bit as the first act set is on a raised platform but for £10 I'm sure people will put up with that!

Bas


 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Performance Schedule:
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

"Major Barbara":
7.30pm:
6, 7, 9, 10, 19, 20, 21, 23, 24, 25, 26, 27, 28, 30 June 2008; 1, 2, 3 July 2008.

2pm:
7, 10, 21, 25, 28 June 2008; 2 July 2008.


"Fram":
7.30pm:
19, 20, 21, 22 May 2008.

 


"The Revenger's Tragedy":
7.30pm:
27, 28, 29, 30, 31 May 2008; 2, 3, 5, 11, 12, 13, 14, 16, 17, 18 June 2008: 4, 5, 9, 10, 11, 12, 14, 15, 16, 17, 18, 19 July 2008; 4, 5, 6, 7 August 2008.

7pm: 4 June 2008.

2pm: 12, 14, 18 June 2008: 5, 12, 19 July 2008; 6 August 2008.


"Her Naked Skin":

7.30pm: 24, 25, 26, 28, 29, 30 July 2008; 1, 2, 8, 9 August 2008.

7pm: 31 July 2008.

2pm: 2, 9 August 2008.

 

Ticket Prices:

Offers May be available - Click Here

View this information in diagram form

All productions EXCEPT those in the "Travelex £10 Season":

Stalls
row A to C £10 

Centre block stalls rows D to R £39.50
Side block stalls rows D to M £33.50

Dress Circle
Centre Block rows A to D £39.50, rows E to G £33.50
Side blocks rows A to D £33.50, rows E and F £22, row G £10

FIRST TWO PREVIEWS of each new production
Stalls 

row A to C £10 

Centre block stalls rows D to R £22
Side block stalls rows D to M £22

Dress Circle
Centre Block rows A to D £22, rows E to G £22
Side blocks rows A to D £22, rows E and F £17, row G £10

OTHER PREVIEWS of new productions
Stalls 

row A to C £10 

Centre block stalls rows D to R £27
Side block stalls rows D to M £27

Dress Circle
Centre Block rows A to D £27, rows E to G £27
Side blocks rows A to D £27, rows E and F £22, row G £10

 

The Travelex £10 Season 2008: Ticket prices for "Major Barbara," "Fram," "Her Naked Skin" and "The Revenger's Tragedy":

Stalls
row A to C £10 

Centre block stalls rows D to R £30
Side block stalls rows D to M £15

Dress Circle
Centre Block rows A to C £15
All other seats £10

FIRST TWO PREVIEWS of each new production
Stalls 

row A to C £10 

Centre block stalls rows D to R £30
Side block stalls rows D to M £12.50

Dress Circle
Centre Block rows A to C £12.50
All other seats £10

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here


Buying Tickets Through the Venue:

More Ticket Buying Options

Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems.
Theatre Box Office:
Telephone: 020 7452 3000. fax: 020 7452 3030
Operated by venue itself.

Online: www.nationaltheatre.org.uk operated by the venue itself.
The system also allows you to select an exact seat in the theatre, and also view the auditorium via photographs taken from various positions within it. Note that the tickets offered may differ between phone and online sources.

Also for most performances you can buy a voucher online for a programme too - exchangeable at the theatre on the day.

 

Booking fees per ticket for telephone and online bookings:
A 70p charge is levied per booking to cover postage. Avoid it by booking in person or enclosing your own stamped, self addressed envelope with a postal booking. Reader CC notes that the Box Office don't mind this, though points out that you don't get the smart envelope, nice bit of cardboard and pretty leaflets with tickets, well worth the extra few pence, if you send your own.

Reader CC also notes that,
"It's worth mentioning that often discounted restricted view seats (if they occur due to a production's staging) are never offered online, only by telephone or in person. I asked why this was and was told that in the past when they were sold online with no involvement from members of the BO, despite stating there had a restricted view, there were too many people booking them and then complaining that they weren't told about the view etc, so they are now only available by telephone where a person can describe in detail what it's like for each play."

 

For personal callers or by post: Olivier Theatre, Royal National Theatre, South Bank, SE1 9PX
No booking fee for personal callers.

 

Special Access Needs Customers:
Wheelchair users and other registered disabled theatregoers can book their seats on 020 7452 3000. fax: 020 7452 3030. Deaf customers can use Minicom 020 7452 3009 Monday to Saturday 10 am to 5 pm too. Enquire about concessionary prices that may be available, details of access and facilities. The wheelchair users line connects directly to the theatre box office in London. See Notes.

www.nationaltheatre.org.uk is the official theatre website.

 

More Ticket Buying Options: Using S.T.A.R. genuine ticket agencies.
Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers May be available - Click Here

Independent S.T.A.R. ticket agencies may also offer an alternative choice of seats.
 
 
 
Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Theatre Seat Opinions:
Please remember that cheaper seats often do not offer the same view / location quality as top price ones, and that ticket prices are designed to reflect this difference.

Reader Kevin notes that this is a:
"Fab theatre and excellent seating more or less where ever you sit."
 

Seating Plan Diagram

Stalls Dress Circle Notes
STALLS 
The Dress Circle does not overhang the stalls in this theatre.

The theatre has a fan shaped auditorium with the stalls laid out as a central block of seats, and two side blocks in self contained slightly elevated wings at the edges of the auditorium. An aisle bisects Rows D to R in the centre stalls. There is no proscenium arch; the stage is open and vast.

Rows A to C in the front centre block stalls are narrower than other seats, and do not have armrests. Normally, these are the best value in the theatre considering proximity to the stage and lower price. 

For productions outside the Travelex £10 season:
Rows A to C at the front of the theatre are £10. Feel free to look elsewhere first. Both rows B and C are O.K., with C slightly better, being a little further back (less neck ache) - and it is also the last row in front of the most expensive seats in the theatre, so has a similar view for less cash. Decide if you wish to be close to the stage but a trifle uncomfortable, or comfortable but a long way away in the last row of the circle for the same money...

In the central blocks at top price, the price reflects the view, for those wanting prime seats, pick rows G and H first - an opinion endorsed by a reader.  For the rest of rows D to R, all seats in these rows offer at least fair value for money.

A reader says,
"K43:  had to keep twisting and turning to get a little relief from the pain I was feeling in my sitting-down region."

another adds,
"F40 in the stalls. As ever the seat was perfect, very comfortable and I felt very much part of the action."

Reader Bas notes,
"Row H 41and 42. The seats were good value, the view was excellent. I can't complain."


Away from G and H, either choose rows J to R in alphabetical order at top price with a central view but further from the stage or explore circle seats rows A and B seats 33 to 51 - though be aware of the sound problems that occasionally emerge there. 

A reader says,
"M27. View is very clear (I think no matter where you sit in the National you will have very clear view). And you are close to the stage. Legroom is very good. Very good seat.”

The side stalls are cheaper (except for previews, when you should try for central block seats at the same price), so if considering sitting here, try row D and E 4 to 6, 54 to 56, rows F and G 5 to 7, 53 to 55, H 6 to 8, 52 to 54, J 5 to 8, 52 to 55, K and L 6 to 9, 51 to 54 and M 7 to 10 and 50 to 53 first. Closeness to the stage compensates for not having a central view. Also consider the Dress Circle row A 11 to 22 and 62 to 73, and B and C 12 to 23 and 61 to 72.

Of the rest of the side stalls, these seats all offer a clear view of the stage. Be aware that there is a wall at the edge of the sections next to the centre block. Some people may find this (and the bar set into it) annoying, most don't though. Best value seats are those mentioned above, the others are acceptable, but theatremonkey rules that the Dress Circle seats mentioned are better since the viewing angle is more comfortable for the same money. It is worth avoiding seats 1, 2, 58 and 59 in all rows if possible, as they are, comparatively, the worst value. If you must take these numbers, choose row M then L, K and J to provide the best overview of the stage possible.

For the "Travelex £10 season" each Spring / Summer:
Rows A to C in the centre block are £10. Feel free to look elsewhere first. Both rows B and C are O.K., with C slightly better, being a little further back (less neck ache), but unless you like sitting close in, try exploring the side stalls blocks first - they may well offer a good alternative. 

Regular contributor Sam opines,
"Stalls A30. (Galileo, June 2006). For £10 only this seat is always value for money, unless they put a wall in front of you, lol. But, I will try to review it in "absolute terms". The seat is obviously very close to the stage, and you get to see the facial expressions remarkably well. The actors are SO close to you, which is really, really great. The opportunity to see Simon Russell Beale from such close proximity alone is worth more than that £10. You will have however some ache. In my case it was back ache, but it wasn't that horrible. Legroom is also adequate. Not great, but not cramped either (I am about 5' 10.) In balance, I would say front of Dress Circle for the £10 season is better, but I would take this front seat before the very back of the theatre, unless your neck and/or back are very sensitive. And even though I never sat there, but I think the monkey is spot on to make row C green."

The only monkey comment is that sound can be an issue in the front of the Dress Circle at times.

If you choose this route, pick row D and E 5 to 7 and 53 to 55 and rows F and G 6 to 8 and 52 to 54 first. These side stalls offer fair value for money, with closeness to the stage compensating for not having a central view. The monkey notes they are now a little more expensive than previously, though, making the "average" rating a tad lower in its mind... Also consider the Dress Circle row A 15 to 69, and B and C 16 to 68, though the Dress Circle has been known to have a sound problem on occasion, when microphones are not used. Sadly, one reader reports a problem with the sound in the side stalls too...

Reader Bas notes,
"Major Barbara:"Row H 41and 42. The seats were good value, the view was excellent. I can't complain. If you are in the cheap seats of the stalls at the front you may be looking up a bit as the first act set is on a raised platform but for £10 I'm sure people will put up with that!"

A reader says,
"K43:  had to keep twisting and turning to get a little relief from the pain I was feeling in my sitting-down region."

A reader says,
"M27. View is very clear (I think no matter where you sit in the National you will have very clear view). And you are close to the stage. Legroom is very good. Very good seat.”

Other side block seats are acceptable. Theatremonkey notes that the Dress Circle seats mentioned offer a more comfortable viewing angle for some, for the same money - though bear potential sound problems in mind. 

Returning to the rest of the central block, these seats are the only ones priced at more than £10...£27.50, to be exact. If you want a prime view and are willing to pay, feel free says the monkey. It would, though, note that the central block front rows of the circle are much cheaper, so for a central view they are an alternative to the back few rows of the stalls...your call!

Reader "Barfly" notes:
"Sat in stalls seat M12 at the end of the stalls and I love the rake! Nice and steep, so it doesn't really matter if you get a tall guy in front of you - I only had to move because his head was in the way once. Also, because of the way the theatre's angled, there was nobody sitting directly behind me. If I moved it didn't obscure anyone else, hurrah!"
__________________________

Legroom is about adequate for most in all seats, some taller people find it cramped, though.


DRESS CIRCLE 
Called the CIRCLE in this theatre.

There is only one circle in this auditorium, so nothing overhangs it.

The Circle is split into a centre and two side blocks by aisles. A quirk of architecture means the circle has more seats than the stalls below.

The rake is very steep from row D back, and from the ends of rows F and G the feeling is of being at the back of a Roman theatre. You are looking into rather than onto the stage as the curved shape feels like you are peering down a cone. The side blocks particularly suffer the Roman amphitheatre cone effect - noticeable in row G seats 1 to 10 and 73 to 83 especially. Some vertigo sufferers in particular will feel they should take stalls rows A to C first. 

A reader says,
"D10. View is very clear. No complaints whatsoever. However, it felt just little bit far. Legroom is very good. For £10 only, a bargain”

Reader Alun comments,
"Circle E15 16 Seating: was O.K. except you feel very high up and the stage looks like you are hovering above it."
 

For productions outside the Travelex £10 season:
The centre block offers fair value in the top priced rows A to D. Choose your row in alphabetical order. Be aware that there are posts at the ends of rows - some may wish to avoid aisle seats, though the monkey didn't really find a problem. 

At second price, pick side block row A 11 to 22 and 62 to 73, and B and C 12 to 23 and 61 to 72. before choosing centre block row E. Next, take the rest of rows B and C in the side blocks before resorting to Rows F and G centre, which are a very long way from the stage for the money. 

Centre block rows F and G in particular are poor value at second  price, considering the distance from the stage. Save up to £21 by picking the seat numbers noted below for fourth price side block circle row G (roughly similar views for less cash); or the front stalls if you don't object to a lack of armrests.

In the side blocks, at second price take A 11 to 22 and 62 to 73, and B and C 12 to 23 and 61 to 72, then centre block row E, then the edges of rows A to C in alphabetical order or row D 12 to 23 and 60 to 71, before settling for the rest of side block row D.

Ignore third price seats in the side block. They are not especially poor value, but to save money row G seats 17 to 25 and 59 to 70, sold at bottom price, offer a similar view for less cash.

At bottom price be prepared for the Roman amphitheatre cone effect particularly noticeable in row G seats 1 to 10 and 73 to 83. Before paying bottom price for the back of the Dress Circle though, consider stalls row C too. They are closer to the stage for the same money, but less comfortable and potentially neck ache inducing. A choice worth pondering if you want a close-up of the performers though, feels the monkey.

Reader Hannah M comments,
"G68 in the circle. I booked last minute and it was one of the few seats available. I generally don’t like sitting in the circle but for £10 the seat was excellent. The rake is really steep, meaning you can see perfectly over everyone. Even from this distance, I still felt very caught up in the action and didn’t miss a thing. Definitely worth going with these seats if only £27.50 ones are left in the stalls."

For previews, all seats in the centre block, plus all seats in rows A to D of the side blocks are the same top price. Choose the usual seat numbers in centre block rows A to E first , then side blocks A to D as close to centre as possible (considering aisle bars, of course).

Some comment that sound in the Circle can be a problem if there are no microphones in use. The monkey has not noticed this personally, but if you are sensitive, the stalls may be a better choice.

For the "Travelex £10 season" each Spring / Summer:
Some comment that sound in the Circle can be a problem if there are no microphones in use. One reader reports that for the 2005 season things were inaudible in row B at the extreme ends. The monkey has not noticed this personally, but if you are sensitive, the centre stalls may be a better choice.

Seats are sold at two prices, with central block rows A, B and C at a little more than all the rest. With the increased price and potential sound issues, the monkey rates these as average. Bearing in mind potential problem with sound, you may wish to be closer to the sides than the central seat in the block if your hearing isn't the greatest... and save money into the bargain.

Of the rest of the seats, all at the lowest price, it would pick EITHER row D 30 to 55 OR row A 15 to 24 and 60 to 69, B and C 16 to 25 and 59 to 68 first. It would follow that with row E centre, then the remainder of A to E at the sides, then rows F and G. In all cases  your choice is either centre or sides first, depending on your hearing and the National's amplification policy. All seats in rows E to G though are a very long way from the stage for the same money. Some may feel that the front stalls rows A to C may be preferable if only circle E to G are left.

At the back of the circle, the side blocks particularly suffer the Roman amphitheatre cone effect - noticeable in row G seats 1 to 10 and 73 to 83 especially. Some vertigo sufferers in particular will feel they should take stalls rows A to C first.
________________

Theatremonkey became addicted to the Royal National Theatre in seat B4 so say hi to the hairy guy when he is in residence.

Legroom is adequate in all seats for all but the tallest.

 

Notes
Total 1160 seats.

Air-conditioned auditorium.

Audio described and signed performances regularly. Headset system available. Guide dog sitter available. All printed information available in large print, on tape and in Braille. Minicom at the box office. Access to Olivier is level from the lift. Free car parking in centre car park for orange badge holders (get endorsement stamp at information desk). Lifts from car parks to all levels. Adapted toilets (unisex, sadly) throughout theatre. Fuller details from www.nationaltheatre.org.uk, the theatre on 020 7452 3000 (Minicom 020 7452 3009) or Artsline 020 7388 2227.

Food buffet restaurant at stalls level, coffee shop and formal restaurant in complex. Ice cream and confectionery from vendors just outside auditorium.

Bars at Stalls and Circle level.

Toilets in Stalls and Circle, two gents and two ladies. Unisex disabled toilet at stalls level.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Getting to this Theatre
Find this theatre on a Street Map
Nearest Underground Station Buses Car Park
Nearest Underground Station:
Waterloo - Bakerloo Line (brown), Jubilee Line (silver gray), Northern Line (black). Also a main line station.

Plan your tube journey to this station using the button below:

A PHOTOGRAPH ILLUSTRATED VERSION of this walking route is available by clicking here.

For mobility impaired audience members, the Society of London Theatre provide a "photo map" - illustrated walking route to this venue from a near landmark and also Waterloo Station (the nearest fully accessible station) on their website www.officiallondontheatre.co.uk, via the theatre's listing page on that site.

 

This station has multiple exits, not clearly marked, so be careful! The best route is as follows:

Follow the exit signs marked "South Bank" and / or "Shell Exit" and / or "York Road Exit" from the platform to the surface. All lead to the same place! Leave the station and you will be on York Road.

Turn to your left, and walk past the Lloyds / TSB Bank. Ahead to your left is a huge silver steel rectangle. No, the monkey does not know what it is either. To the left of it, and behind, is a pedestrian passageway called "Sutton Walk"; which goes under a bridge. Take it.

At the end is a fountain ahead of you. You are now on "Concert Road Approach". Turn to your left. The Royal Festival Hall is ahead of you. Walk towards it. 

Facing it (note the cafe in front of you) - stand on this paved area (Belvedere Road) and turn to your right. A roadway and bridge are ahead of you. Cross the roadway, walk under the bridge. 

On the other side of the bridge, the Royal National Theatre is ahead of you to the left. Also to your left is a roadway. Walk along it to the end. Turn right at the corner (another cafe is to your right)- if open, you can slip in via this entrance). 

Otherwise, go straight on, as the entrance is in the centre of the building, beyond the round sculpture ahead of you. The Olivier Theatre is at the third level inside the building to the left.
___________

If you have the misfortune to leave the station by the "Waterloo Road" exit, fear not. You can either walk through Waterloo mainline station and leave by the York Road exit, or take this route - CONSIDER YOUR PERSONAL SAFETY.

On leaving the glass doors, turn left. Walk to the corner, and turn left into "Mepham Street". Walk all the way to the end of it, avoiding the temptation to go under any bridges.

At the end of the street is York Road. Cross it. Ahead of you, to the left, is "Sutton Walk", the pedestrian road under the bridge. Take it.

At the end is a fountain ahead of you. You are now on "Concert Road Approach". Turn to your left. The Royal Festival Hall is ahead of you. Walk towards it. 

Facing it (note the cafe in front of you) - stand on this paved area (Belvedere Road) and turn to your right. A roadway and bridge are ahead of you. Cross the roadway, walk under the bridge. 

On the other side of the bridge, the Royal National Theatre is ahead of you to the left. Also to your left is a roadway. Walk along it to the end. Turn right at the corner (another cafe is to your right). 

Go straight on, as the entrance is in the centre of the building, beyond the round sculpture ahead of you. The Olivier Theatre is at the third level inside the building to the left.

___________

Another visitor suggest this route: Take the tube to the Embankment station and walk across the Hungerford  footbridge to the south bank, then walk past Festival Hall complex and under Waterloo Bridge.

The Royal National Theatre is ahead of you to the right. 

Noted are the " Gorgeous views both up and down river on a good day or evening.". The monkey endorses this comment, especially at twilight!

 

Buses:
1, 4, 68, X68, 168, 171, 176, 188, 501, 502, 513 to Waterloo Bridge.

Get off on the Bridge and look for the large advertising board on the roof of the National Theatre, facing the Thames. Take the stairs on this side of the bridge down to the ground. A safe crossing of the bridge can be made by taking the stairs down to first level and walking under it on a walkway linking the staircases either side of the bridge.

On the correct side staircase, leave it, turn to your right. The entrance is in the centre of the building, beyond the round sculpture ahead of you. The Olivier Theatre is at fourth level inside the building.

 

Car Park
Under the theatre. Take the elevators in the centre of the car park to the correct level. Theatremonkey advises parking near the exit ramps for a fast getaway after the show, and strongly recommends you note the compass point, colour band and number of the nearest pillar you park by. Banquo's ghost has nothing on the haunted souls who wander the underground space, wailing for their transport each night. Some have been there since the place opened in the 1970's.

April 2007: Save on evening car parking with a 'Saver Carnet.' Buy six car park tickets in advance for the reduced price of £35 (normally £42). Valid for one year, each ticket allows entry and exit from the Car Park from 5pm Monday to Saturday, or at any time on Bank Holidays. To purchase a 'saver carnet,' contact Olu Akinyemi on 020 7620 0397.

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Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

 

 

 

 

 

 

 

 

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