Theatremonkey.com

An Independent Inside Guide to London Theatre and Concert Venues

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FAQ's
About the theatremonkey website

For "Frequently Asked Questions" about London Theatre in general, click here.
For "Frequently Asked Questions" about theatremonkey mailing list, click here.
 

Who are you? 
Theatremonkey is a Londoner who knows the major West End theatres like the back of his paw. See its' autobiography - a tragic but true story.

Why the name?
Theatremonkey likes to think it is "monkeying about" with a respected institution - the secretive world of London Theatre! The other reason is personal and emailing a large sum to the monkey's bank will reveal it!

Why this site? 
Theatremonkey has spent years talking to fellow audience members and has noticed how often we get a raw deal as customers. From high prices for poor seats, to sitting through a third rate performance of a supposedly ' Top ' show, Theatremonkey compared notes and, using the wonders of technology, put them on this unofficial private fan site.

So what is it getting out of this?
Theatremonkey loves London's theatres and is keen to encourage the world to share the passion. And get the best deal they can when they do.

This site is totally independent, managed by an enthusiastic amateur site owner, and as such says what it likes. 

So it works in the Industry?
Nope, never. Theatremonkey is just ordinary customers who, over the years found their own ways around.

How reliable is its Opinion?
Information on this site is Theatremonkey personal, subjective opinion, based on what has been seen and heard over the years. Nobody knows everything and contributors are welcome and strongly encouraged to add to the knowledge here. This site aims to be a place for theatregoers to share ideas and experiences, not be a personal "soapbox" for the owner. Theatremonkey's own opinions "calls it as it sees it" and sincerely hopes not to steer you wrong. Also, please see What Guests say about this website.

Explain your Seat Ratings?
Everyone is different and has their own preferences and opinions on what constitutes good value. For this website, the seats to buy / avoid ratings by the site writers are compiled based on a person five foot six tall, paying full price for a ticket. Recommendations are based on view of the stage, value for money and (dealt with in greater detail elsewhere) comfort - often expressed as the "legroom" factor.

Some folk are confused by the colour codes employed on the seating plans. As one regular reader puts it,
"I take green seats to be the ones that might be worth choosing first, white ones a second choice and red a third because the monkey has a comment to make about them".

And that about sums up the intention of the site. The idea is NOT to grade seats "good, not so good, bad" but instead to highlight those that merit particular comments to be made about them.

The monkey takes a cautious and conservative approach to this charting, and for that reason some comment that tickets are better than the site guide indicated. Great! The monkey is delighted that a reader felt they had experienced "added value" in thier outing. Far better to be pleased than disappointed...and if you are pleased, do share with other readers: contact us.

Can you help me pick between / describe the differences between two seats?
The site offers an overview of every venue, plus as many comments as it receives about each one from other readers. Only you can decide if it is worth handing over your hard earned bananas for a seat, so personal instinct is honestly the best policy! Consider your own needs in terms of legroom, price and whether you are trying to have a special or simple evening out...and the answers should become clearer than even "Mystic Monkey" could help you with!

I'm larger than average, can you help on locating suitable seats?
A page of advice is available by clicking here.

No Fancy Graphics?
The monkey has to be careful about copyright. Where it has obtained permission, it uses graphics. Otherwise it generates its own!

Seating Plans - not like in the theatre?
Again, seating plans are copyright. To avoid any conflict, Theatremonkey has created its own using carefully written notes from site visits rather than copying in any way existing plans. 

How often are pages updated / what happens if they are not?
Theatremonkey has the ability to update pages at any time during opening hours - and does so whenever it has new information to add. Changes that result from a production closing are usually made late on a Saturday afternoon.

Occasionally, for technical reasons, it isn't possible to update pages as quickly as it would like. In those cases, please excuse outdated / incorrect information - it will be altered as the earliest opportunity.

Pop / Music Venues too?
Long overdue for comment in Theatremonkey's opinion and while being honest about the theatres, why not use the space.

What No Opera Coverage?
The Royal Opera House Covent Garden has a large and devoted following who are often forced by high prices to seek only the affordable seats - Slips at the very top edges of the theatre and the farthest recesses of the Amphitheatre. They know these are at least cheap and offer a way to hear the music and see what they can. The official Royal Opera House website also has an interactive seating plan now, allowing visitors to check the view from many seats all over the venue.

Also, the monkey knows nothing about this specialised art form, so does not feel it can attempt to cover it!

A reader says,
"I must say that the http://www.roh.org.uk/ interactive seating plan is wonderful....it is incredibly honest and even lets you know if a head may be in the way.... Oh, and for the record I saw a ballet there from row T of the amphitheatre - and although I was far away I had a great view (I remembered the binoculars!!) the legroom was great but my view of the stage un-obscured and being that far away, you really do appreciate the choreography.(£15 a seat). Also note that there are NO binoculars in the seats so people may be disappointed. this is not mentioned anywhere on the ROH site. Folding paper binoculars are available in the shop for £2 and actually do an alright job!"

From what readers have told the monkey, the following applies to the London Coliseum, if it helps:
"the central stalls are good, the stage boxes have a one-fifth restricted view but are great for close viewing, the top balcony cheap with bars in the way but a value-for-money view of the stage for £5, and the sound and air-conditioning are variable! The Upper Circle seats are now spaced as well as the stalls, but the front row lacks legroom.

Another reader adds, in November 2007,
"It may be worth mentioning that kids appear to go half price as standard. Aside from the fact that the prices of the tickets, if you want something decent, are high, it does make taking a child more appealing (even more so when your ten year old turns out to really enjoy 'The Magic Flute'!!). There is also something strange at work, at least with an online booking that I haven't quite fathomed which meant went I last booked I actually paid a third of my seat price for my daughter. I booked two shows at the same time and I'm on their mailing list. However, that doesn't quite explain it and I don't like to ask too many questions!!"

The monkey is saying nothing either, but finds the information interesting...

Beyond that, the official website is at www.eno.org  - - and the box office is on 020 7632 8310 (often answered by See Tickets).

 

Why don't you cover the Globe Theatre?
The Globe has a unique and wonderful website www.shakespeares-globe.org which actually allows you to look at the stage from every section of the theatre seating. With coverage like that, a theatremonkey report seems a little unnecessary! Look under "Booking" on their website for this useful information. A seating plan is also available www.londontheatre.co.uk, showing numbering.

One reader says of the place, following a first visit,
"must remember next time to get seats in Row A where you can lean forward, or Row E where you can lean back. We were in Row B in the middle on the lowest level which was a great view but the lack of back support was a bit of a problem for us."
 

Why don't you cover other particular London venues?
The reason alas is time, space and cost. The monkey has only limited amounts of all these, and it has to draw a line somewhere. While it would be great to cover more places, the monkey simply can't afford the resources to do so. It would hate to add somewhere and then not be able to monitor changes as they happened. Rather than post information that could be years out of date, it currently would rather not disappoint readers...so it "sticks to the knitting" for the time being.

Some venues are now improving things for themselves. A reader writes,
"Cadogan Hall: http://www.cadoganhall.com/seatingplan.html now have a ‘’view from seat’ function, which enables you to ‘see’ the sightlines to the stage from various seats (As it is primarily a concert venue, I would have thought the most important thing would be the sound, but that is another matter) From a brief view, and my own knowledge of the hall it seemed pretty helpful.

On the venue itself the reader continues,
"As the Cadogan Hall has been relatively recently renovated into a venue, they have been able to pay attention to the seating, without structural compromises – the seats are comfortable and ‘good’ everywhere so they are proud to show them – though I would personally avoid those right down the front, because you either get a fabulous view up a soloists armpit or strain to see the back region of an orchestra"

 

The London O2 arena at the Millennium Dome:
Due to the size of the venue, the monkey isn't planning full coverage at the moment, but will keep the idea under review. Meanwhile, the venue has (unusually for a large hall) made fairly comprehensive numbered plans available online with their main ticket agency, Ticketmaster. Click here for the venue page, and select a plan from the "View a Seating Chart" drop down box to the right of the big "O2" graphic title. The graphics show row, seat and block numbering for most of the events planned, where it is known and confirmed. Don't forget that seating in the centre of a venue often isn't fixed until the very last second as stages are portable and nobody quite knows where equipment will go - hence nobody has total plans online because crystal balls are in short supply, alas!

A reader reports,
" personally I wouldn’t go for the upper tier seating – it is very steep and not particularly pleasant – you know it’s bad when you see people coming down the steps backwards (true I swear!)"
 

 

Is there a New York and Broadway version of this site?
Not by theatremonkey, no, but some sites exist that offer much of the same type of information.

www.theatremania.com offers some comments about seating, highlighting the best seats by price. http://www.talkinbroadway.com/eopinions/browse.php?cat_id=3 offers a public forum to post opinions of seats they have had.  www.nytheatre.com is a near equivalent, offering listings, general seating plans and a little advice on disabled access and air-conditioning etc. Sadly, the few comments about seating have disappeared from their site. For simple listings and disabled access advice, www.livebroadway.com and www.ilovenytheater.com are also helpful.

www.broadwaybox.com like theatremonkey's "current special offers" page, lists local discount offers to Broadway shows and how to obtain them. It also has "advice" seating plans too. http://home.nyc.rr.com/frugaltheatergoe/ is an excellent summary of what must surely be almost all possible discount sources and sites about shows on Broadway. www.tdf.org lists the shows likely to be available at Broadway's TKTS Half-Price Ticket Booth for the week. www.bcefa.org and www.actorsfund.org offer donated tickets to sold out shows at high prices, with the funds going to charity.

A very helpful site at: broadwaytv.com/shows/guide_seat_locator.asp seems to have vanished. This site allowed readers to inspect a fairly good computer generated view of the stage from any particular seat in a venue. A great system that London could do with, feels the monkey.

The book, "The Back Stage Guide To Broadway" by Robert Viagas published in October 2004 is also worth a look. Available at
 Dress Circle
online in the U.K. (click on the above blue banner to visit the site, then use the search facility provided to locate the item). It contains many useful tips and hints, plus a VERY brief guide to best / worst seats in theatres (sounds familiar!). For seating plans, "Seats - 150 seating plans to New York Metro Area Theatres, Concert Halls and Sports Stadiums" by Jodé Susan Millman (Applause Books) may prove helpful. Amazon.com stock this one.

Deadly sharp re-written versions of shows are available at: www.broadwayabridged.com

 

You decided to sell theatre tickets on this site?
Yes. The monkey finally capitulated.

Theatremonkey Ticketshop is run by LoveTheatre - a STAR member. The monkey agreed to start selling tickets because it was satisfied that the company meets it's own very high standards of customer service and conduct.

It may not be the cheapest option - and the monkey will never shrink from saying so; but often offers and availability are unbeatable, backed up by a high quality sales team. The monkey hopes guests will be happy with this feature.

LoveTheatre are open Monday to Friday 10am until 8pm (Saturday 10am to 6pm, Sunday 10am to 4pm) on 020 7907 7000 (quote "theatremonkey ticketshop" when calling), and online at Theatremonkey Ticketshop

Other ticket agencies are also mentioned on this site. All are S.T.A.R. members offering a choice of genuine tickets backed by "fair trading" policies.

 

The phone number for my theatre is different from others I've seen on leaflets / listings elsewhere?
Theatres use central telephone rooms to take bookings, rather than operating small box offices within each individual venue. This means that when you dial a particular theatre, you get put through to a single office owned and operated either by the individual theatre chain or by an agency on their behalf. For RU and Nimax Theatres, their phoneroom has the brand "See Tickets"; for Live Nation owned venues, "Ticketmaster" is used, while Ambassador and Delfont-Mackintosh Theatres both answer their own telephones during the day, then transfer calls to "Ticketmaster" and "See" respectively overnight.

Sometimes the phones will be answered using the brand name, rather than the individual theatre name. Theatremonkey always lists the most appropriate telephone numbers, though, and never knowingly provides details of sub-agencies in place of contact details for the the actual central phoneroom acting on behalf of the box office.

 

Why Can't you comment on ticket availability?
Simply, the monkey is a regular theatregoing member of the public and is not privy to box office information. 

Unlike Broadway, London is secretive and does not reveal anything publicly about how well a show is doing.

The best way to find out about availability is to call the box office direct and ask. Mention specific seat numbers and see if they can offer them to you. Even ask directly if seats go to Leicester Square to be sold at half price. They will often tell you.

Leicester Square TKTS booth post their day's ticket availability online. Go to www.tkts.co.uk, and look to the "ON SALE TODAY" link on the left sidebar, or scroll down until you reach a text link "click here" to get you to the "today's availability" page. 

Overseas visitors might also try using the online ticket agency systems to see what they are offered. The monkey notes, however that on occasion these systems only offer poor quality tickets. An international phonecall can prove a good investment.

 

Where does Theatremonkey sit when it goes to the theatre?
Wherever it can get a cheap seat! Seriously, given the choice the monkey likes either the front row of the stalls, or the ends of rows where there are no seats in front so that it can stretch, or aisle seats with a bit of space. This is personal preference, nothing more.

What are the Theatremonkey Opinions?
The opinions are currently just that. A reflection of the views of an ordinary ticket buying member of the public who chooses to comment on a show they have seen.

They are NOT written or drawn from professional critics (unless stated) or by anyone connected to the industry or who is biased by being "star-struck" or having a personal agenda. 

Those who contribute and / or compile the Opinions (the monkey and a small group of others) follow a code of reviewing only the work on the stage, free of influence from past performances, whatever the medium.

Readers are always welcome to add their comments too. Contact Us

 

 

Can I post information from Theatremonkey on my own website?
Sorry, no, not without the express permission of Theatremonkey.com. The seating plans and text on this site are subject to the international laws of copyright. 

 

 

Can I Contact Theatremonkey?
Sure! Contact Us.

This site wants to offer a catalogue of visitor experiences. Tell it your opinions of the tickets you bought, the people who sold them to you, the show you saw and the theatre you watched in, the place you ate in beforehand, the hotel you stayed in. Anything not libelous will be added to this site. Theatremonkey Contact Policy.

Material contributions are always gratefully received. 

Thankyou's and Credits Page

 

 

 

 

 

 

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Site © Theatremonkey.com 2000 to 2008. All rights reserved. Information on this site may not be reproduced in any form, by any distribution media, in whole or in part, without permission. This means that you MUST NOT copy graphics or text for posting on another website. Opinions expressed are those of the site owner and / or contributors, and are not those of the site host or service providers. Tickets sold from links on this site are the responsibility of the supplying company, not theatremonkey.com. Comments about this page are welcome  Contact Us. No responsibility is taken for accuracy of information, No liability can be taken for loss relating to individual use of data contained on this site. Use of this site constitutes agreement with the above. E&OE. Last Update: 14 April 2008 15:57