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Performance Times Ticket Prices Where to Buy Tickets Seating Plan Seat Opinions Getting Here

DUCHESS THEATRE

 

BUDDY (musical)

The story of Buddy Holly, from Lubbock Texas to tragic death. Told through his music in an unforgettable way. Split into two halves, the first traces the story until his final performance, the second half is the final performance, complete with program and supporting artists.


 

Theatremonkey Opinion:
From the original review,
"Many years ago, without seeing it, theatremonkey gave a new show called Buddy three weeks to live, and wrote it off as another cheap cash in, rip off, uncreative, lets - glue - some - songs - together K-Tel Compilation show. Dragged one night, kicking and screaming into the theatre to actually see it, just two hours later it was making plans to see Buddy again, preferably every night for a month.

No exaggeration, this monkey does not dance, even for organ grinders, yet it was up and bopping along with a thousand others, and loving every second.

The imitations are impressive, vocal and visual, yet not caricatured, and Buddy's music tells its own story, evolving alongside it's creator and eventually proving it could survive without him."

Theatremonkey has seen this show many times over the years, and the new Duchess Theatre version is scaled down but still packs the same quantity of joyful release into the smaller package.

This show is worthwhile for even the most jaded teenager up to the jaded teenager's grandparents who remember the real Mr Buddy Holly, himself.
 
Your Reviews: Add your own by clicking here.
Important: Some reviews below can contain "spoilers" - please don't read if this bothers you!

(2 reviews)

I was greatly disappointed with ‘Buddy’ tonight (29th February 2008) at the Duchess. I too saw and was thrilled by the original show and I went back and saw it several times during its long run. But I am sure that the new version is nowhere near as good as the first one. For one thing, I always understood Buddy Holly was a rather gawky young man with a certain naïve charm. He was one of the pioneers of early rock and roll, although in appearance he seemed nothing like the expected concept of a rocker. The young man playing the part tonight (I don’t know his name because I refused to pay £6 for a souvenir programme and there were no ordinary £3 programmes available) seemed to me to be arrogant and pushy and distinctly lacking in charm.

Maybe this was forced on him by the script, for example Holly willingly played blue grass music in his early days, interspersed with some R & B, but the show seemed to imply that on his first appearance on the blue grass radio show he immediately burst into a big rock number. The same is true of his first contract with Decca. He recorded a number of titles in the more traditional style, but was dissatisfied when Decca didn’t want to record his rock and roll material so he left the company. I rather doubt that at what seemed to be his very first session he insulted the record producer and demanded that Decca record his rock songs. No wonder the poor boy came across as unpleasant and unattractive.

But the real problem was that all the numbers were far too loud, too fast and too aggressive. I was sitting in the middle of the dress circle and could not understand why all those much loved songs should sound like heavy metal or worse! The story takes place in the 1950s (Buddy died in 1959) and that was not the way early rock and roll was done. Of course the original rock and roll music had great energy and was exciting, but it wasn’t manic, or done at breakneck speed at such ear-splitting volume. You will not be surprised to learn that I didn’t stay for the second half because I couldn’t bear to think how the music of Ritchie Valens and the Big Bopper was going to be massacred!
_____________________

Went to see Buddy on Wednesday 5th March 2008... what a disappointment! Have seen it three times before but this will be my last. Why, oh why, do they do this to shows? It was almost unrecognizable from the original one I saw. Tiny cast, small theatre, no orchestra. Anyone seeing this for the first time here would I’m sure not be impressed. Amateurish is the word that comes to mind – it was like seeing something in your local church hall - and I remembered it as a really good show from before.

That said we only paid £20 for a meal and ticket through lastminute.com - The meal was worth the £20 by itself – Tuttons Brasserie in Convent Garden – very good and would really recommend it for a pre-theatre meal or any other time comes to that.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Performance Schedule:
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

Until 25th October 2008:
Monday to Thursday at 7.30pm
Friday at 5.30pm and 8.30pm
Saturday at 5pm and 8pm

From 27th October 2008:
Monday to Saturday at 7.30pm
Wednesday and Saturday at 3pm and 7.30pm

No performances 5th and 26th May and 25th August 2008
Extra performances 7th and 28th May and 27th August 2008 at 4pm

Runs 2 hour 20 minutes approximately, with one interval.

 

Ticket Prices:

Offers May be available - Click Here

View this information in diagram form

Stalls
Rows C to N: £55
Rows B and O: £35
Row A: £20

Dress Circle
Rows A to F: £55
Row G: £40
Row H: £35

Boxes E and F: £55 per seat.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here


Buying Tickets Through the Venue:

More Ticket Buying Options

Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems.
Theatre Box Office:
Shared between two companies at this venue
Telephone: 0870 830 0200
(020 7087 7500 if you cannot use the 0870 number)
Operated by See Tickets on behalf of the venue.

OR
Telephone:  0870 040 0082
Operated by Keith Prowse Tickets on behalf of the venue.

Online:
Shared between two companies at this venue

www.nimaxtheatres.com or www.seetickets.com

Other Online Booking Options: click here.
 

Booking fees per ticket for telephone and online bookings:
With See Tickets: £3.50 on £55 seats, £3 on £40 seats, £2.50 on £35 seats, £1.50 on £20 tickets. Note that the tickets offered may differ between phone and online sources. Pays for the rave, thinks the monkey.

With Keith Prowse Ticketing / Nimax Theatres Online: £2.50 on £55 seats, £2 on £40 and £35 seats, £1.50 on £20 tickets.

For personal callers or by post: Catherine Street, London. WC2B 5LA
No booking fee for personal callers.

Special Access Needs Customers:
Wheelchair users sadly cannot access this theatre at the moment, though access is possible for those able to walk into the auditorium. See notes. They, along with other registered disabled theatregoers can book their seats on 020 7087 7960 or 0870 895 5505 (Minicom 020 7087 7839) and enquire about concessionary prices that may be available to them. The wheelchair users line connects directly to the See Theatres phoneroom helpdesk in London. See Notes.

 

More Ticket Buying Options: Using S.T.A.R. genuine ticket agencies.
Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers May be available - Click Here

When the theatre does not have the tickets you desire available, it is well worth trying the Theatremonkey Ticketshop agency, which offers £55 seats with a £5.50 booking fee per ticket - moderate by agency standards, though higher than box office fees, worth trying as they often have an alternative choice of seats available! Simply select the show from the "drop down" menu in the centre of the page. Note that this system will confirm exact seat numbers prior to purchase.

Another alternative is www.ticketmaster.co.uk with offers £55 seats with a £3.30 per ticket booking fee. A further £2.25 per booking (not per ticket) postal charge is also added to each transaction.

Encore Tickets offer £55 seats with a £14 booking fee per ticket - plus optional UK postage of £1 per booking, not per ticket, available if time allows. Discounts and Meal Deals may be available. Quality and Value hotel / theatre ticket packages are also available.

Other Independent S.T.A.R. ticket agencies may also offer an alternative choice of seats.
 

 
 
Top Performance Times Ticket Prices Where to Buy Tickets Seating Plan Seat Opinions Getting Here

Theatre Seat Opinions:
Please remember that cheaper seats often do not offer the same view / location quality as top price ones, and that ticket prices are designed to reflect this difference.

Seating Plan Diagram

Stalls Dress Circle Notes
STALLS 
The Dress Circle overhangs the stalls at row G. The view is unaffected from all seats, with only the very top of the set not visible from row M back.

The stalls are very narrow with the longest row only 29 seats. It is normally worth avoiding the first and last four seats in rows A to E as their proximity to the stage and angle at which the row curves in towards the centre makes viewing the rear corner of the stage hard. If you are handing over good banana money the least one expects is to see the LOT.

Those in row A and B in particular look up at the stage - some may wish to avoid neck ache and sit further back. For "Buddy" though, row A has been reduced to £20, and B to £35, which should ease the pain on the wallet at least... The monkey would pick seats 5 to 10 first, and notes that usually the way this show is staged sitting here and looking up may lose a little of the back / top of the stage at times.

The rake in this theatre begins at row G. If you are paying full price, this row is prime, then try H and J. Forward of these rows the view is fine, provided the person in front is short.

Reader Lizzie says of row G:
"We sat in the stalls Row G 4 and 5 and although the seats were a little cramped, the view was very good."

The view from the back rows is good enough to rate these seats value for your money too. 

Row N seats 1 and 29 are restricted view and are normally removed. Don't bother if they are there, the saving is not worthwhile as you can have a decent seat only a little further back for the same or less money.

Be aware that a sound desk may be placed in the rear stalls replacing rows N and O 12 to 14. Worth avoiding N and O 11 and M 11 to 14 for purists.

Legroom is best in central row A, average in rows B to F (F 1 and 21 have more), better in rows G to O. Centre aisle seats are available in row K back allowing extra comfort along with a good view.

Wheelchair users cannot easily enter this theatre. See notes.

 

DRESS CIRCLE 
Split into two blocks, front and rear by an aisle and wall across the front of row D.

The view from all seats in rows A to C is fine, legroom is poor though, worst in row A.

The views in the rear block are unobstructed. Row H1 and 22 are at the side of the theatre with mostly only the aisle in front of them, these offer the best legroom in the house, the only trade off is the rather distant view of the stage.

Judge Theatremonkey normally rules the stalls better value at top and second price, and the circle fair value for all or any cheaper seats. If legroom is a factor, take the stalls row O (for less money than Dress Circle rows A to C...otherwise, there is little to choose between stalls and circle for view. Stalls are probably a bit closer, but circle is worth thinking about if the lower prices attract!

When rows D to F are top price, the monkey feels stalls are preferable taking into account both the divide and legroom up in the circle.

For "Buddy" it might be tempted to take row A stalls rather than H circle and save a few pounds, if not neck ache, just for proximity to the stage. That said, row H isn't that badly priced, the monkey felt.

Legroom is poor throughout the circle, best H1 and 22, worst in rows A and D. Reader Gavin Welch comments,
"Sat in Dress Circle Row B where view was good, legroom not too bad I thought."


Dress Circle Boxes
Two "boxes" - sort of isolated seats - at the front of the Dress Circle are sometimes made available. These offer a side view but good legroom. Worth considering if no stalls are available at the same price, and a little more legroom is required than the circle can provide.

A further two boxes at the rear of the Dress Circle. The view from both is unobstructed and the low price reflects the distance from the stage. These seats are worth considering as an alternative to rear circle tickets since better legroom is offered if sold at bottom price.

 

Notes
Total 475 seats.

Air-conditioned auditorium.

Infrared headsets available. Guide dogs can be dog sat.  Wheelchair users cannot be carried into the auditorium any more due to health and safety issues, though the ambulate can be helped and the chair stored in the foyer cupboard.  Another problem is that the disabled toilet door opens INWARDS!  Fuller details at www.theatre-access.co.uk www.seetickets.com or 0870 895 5505 or e-mail customer.relations@rutheatres.com. Artsline 020 7388 2227, email artsline@dircon.co.uk.

RU Theatres would welcome any ideas on making this auditorium accessible to wheelchair users. Independent reports have sadly failed to provide a solution, and the theatre's architecture at the moment has suggested nothing either!

No food except Ice Cream and confectionery.

Two bars, Stalls and foyer (for the Dress Circle drinkers).

5 Toilets in all. Stalls 1 gents 2 cubicles, 1 ladies 4 cubicles, 1 unisex disabled; Dress Circle 1 gents 1 cubicle, 1 ladies 3 cubicles.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Getting to this Theatre
Find this theatre on a Street Map
Nearest Underground Station Buses Car Park
Nearest Underground Station:
Covent Garden - Piccadilly Line (dark blue).

Plan your tube journey to this station using the button below:
 

An ILLUSTRATED PHOTOGRAPHIC version of this route is available by clicking here.

For mobility impaired audience members, the Society of London Theatre provide a "photo map" - illustrated walking route to this venue from a near landmark and also Waterloo Station (the nearest fully accessible station) on their website www.officiallondontheatre.co.uk, via the theatre's listing page on that site.


On leaving the station, turn right and walk into the large pedestrian plaza that is Covent Garden. If you see a long road with cars in front of you, wrong way.

On entering the plaza space, turn to your left and walk along the collonaded area (cut across if it is not raining). If you see Tesco Metro Supermarket or a bank, Wrong way.

Keep walking ahead as far as the collonaded area will allow (it forms the outer part of the market Square). Follow it to the right. At the end of the building is Russell Street. Walk along Russell Street, crossing one road, until you reach a street corner with the Fortune Theatre to the left and the Drury Lane theatre ahead of you on the opposite side of the road. 

Take the road to your right, Catherine Street and walk on past the entrance of the Drury Lane theatre. If you do not pass the entrance doors, or pass the Fortune theatre, wrong way.

The Duchess Theatre is half way down the road on your right. 
___________________________

Also close to the theatre is Temple Station - Circle Line (yellow) and District Line (green).

Plan your tube journey to this station using the button below:
 

This is closed on Sundays and some other times, so check before using. 

A photographic illustrated version of this route is available by clicking here.

If it is open, then leave the station turning left. If you see the river, wrong way!

Go up the steps and cross the road ahead of you. Keep walking straight on up Arundel Street (the road sloping upwards ahead of you).  Make sure you are on the left hand side pavement.

At the top of Arundel Street is "The Strand" and The Aldwych", a busy road intersection and cluster of buildings. You should not cross the road. Just turn to your left and walk down the Strand. 

Keep going until you come to another busy junction at the end of the buildings. Look to your right you see the Novello Theatre. Use the pedestrian crossings to get to it! The Duchess Theatre is in the road beside the Novello Theatre, to your left. 

 

Buses:
6, 11, 13, 15, all stop on the Aldwych. Walk towards the Strand Theatre and walk up the street next to it, the Duchess Theatre is on the left side of that street. If you see the Aldwych or Lyceum Theatres, wrong way.

 

Car Park:
Parker Street, under the New London Theatre. Exit the Car Park and stand with your back to the main foyer of the theatre. Cross the road ahead of you and turn to your right. The street corner is there ahead of you. If not, wrong way. At the corner of the street, Turn left into Drury Lane and walk along it. If you pass the New London Theatre, wrong way.

Walk straight on, crossing Great Queen Street. Continue down Drury Lane. Please cross to the other side of the street and continue, crossing over Broad Court and Martlett Court until you come to a four way crossroads.

Turn to your right at these crossroads. Do not cross any street. Just walk ahead down Russell Street. Cross Crown Court and continue straight on, changing to the other side of the street. 

The end of this street has the Drury Lane Theatre as its corner. Turn to your left at this corner to walk past the Drury Lane Theatre entrance. This is Catherine Street and walking downhill, the Duchess Theatre is halfway along on the other side of the road. If you come to Covent Garden pedestrian piazza, wrong way. 

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here


 

 

 

 

 

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