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Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

ARTS THEATRE

CLICK HERE for details of the "Above The Arts Theatre" Studio

 

BAD JEWS (play)
CONTAINS VERY STRONG LANGUAGE AND IMAGERY. NOT SUITABLE FOR THE EASILY OFFENDED.
Ends 30th May 2015

Who deserves granddad's religiously significant family heirloom? Observant, bossy Daphna? Wealthy irreligious Liam, or neutral Liam? In a cramped Manhattan apartment, it is decided...

Joshua Harmon's play transfers here from a successful run at the St James Theatre in January 2015. Originally developed at the Ustinov Studio, Bath.

 

____________________________________

Also, do see www.artstheatrewestend.co.uk for details of special "one night" events often held at this venue.
 

Your Reviews: Add your own by clicking here.
Important: Some reviews below can contain "spoilers" - please don't read if this bothers you! .

(From the 2015 St James Theatre run)
Not available. Reports are that once all four actors are present, this springs into vigorous life. The only issue all agree on is that the character of Daphna is so overbearing as to lose audience sympathy early and thus unbalance the piece. The fact that the other three are well able to stand up to her, and the director keeps things moving at a smart pace allow the play to be the family drama it should. Gripping, funny and though-provoking by turn. Worth catching, seems to be the verdict.



 

Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Performance Schedule:
The monkey advises checking performance times on your tickets and that performances are happening as scheduled, before travelling.

Monday to Saturday at 7.30pm
Thursday and Saturday at 2.30pm and 7.30pm

Runs 1 hour 30 minutes approximately, with no interval.



 

Ticket Prices:

Offers May be available - Click Here

View this information in diagram form

Monday to Thursday:
Stalls
Rows A to J (except restricted view seats J 1 and 18): £45
Rows BB, K and L: £37.50
Rows M and N: £27.50
Restricted view seats J 1 and 18: £20

Dress Circle
Rows A to D: £45
Rows E and F: £37.50

Dress Circle Slips
All seats: £20
 




Friday and Saturday:

Stalls
Rows A to J (except restricted view seats J 1 and 18): £49.50
Rows BB, K and L: £42
Rows M and N: £32
Restricted view seats J 1 and 18: £24.50

Dress Circle
Rows A to D: £49.50
Rows E and F: £42

Dress Circle Slips
All seats: £24.50

 

Some details may change. The monkey will update as available.




 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Buying Tickets Online:

Other Box Office Information

Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Theatre Box Office:

www.artstheatrewestend.com
Sales are handled by the theatre. This system allows you to choose your own seats.

 

Booking fees per ticket for online bookings:
No fee for box office collected tickets.

 

Other Online Choices (with S.T.A.R. genuine ticket agencies):

When the theatre does not have tickets available, it is worth trying the Theatremonkey Ticketshop agency, telephone 020 7420 9778 (0044 207 420 9778 if calling from outside the United Kingdom), which offers £45 seats with a £7.70 per ticket fee (£8.50 on £49.50 Friday and Saturday seats) - moderate by agency standards, high by box office ones, but worth trying as they often have an alternative choice of seats available! Note that this system will confirm exact seat numbers prior to purchase. A £1.95 per booking, not per ticket, handling fee may apply on some transactions by telephone. NO handling fee applies for online purchases.

www.ticketmaster.co.uk offer an option, charging booking fees of £1.25 on £45 (£1.25 on £49.50 Friday and Saturday seats) seats. A £2.75 handling fee per booking is also added. This site allows you to choose your own tickets from those available.

Encore Tickets (telephone 0207 400 1253 / 0044 207 400 1253 if calling from outside the United Kingdom) offer seats with a £13 booking fee on £45 (£13.50 on £49.50 Friday and Saturday seats). A postage charge of £2.25 per booking, not per ticket may be applied to bookings made from UK addresses more than 5 days before the performance. The "Flexiticket" Exchange Service, allowing FREE transfer / cancellation (credit note up to 12 months) of your booking up to 3 days before the performance is also available for £2.50 per ticket.Quality and Value hotel / theatre ticket packages are also available.

Lastminute.com offer £45 seats with a £5 (£4 on £37.50, £3 on £27.50, £2.25 on £20 Monday to Thursday / £5.50 on £49.50, £4.50 on £42, £3.50 on £32, £2.75 on £24.50 Friday and Saturday seats) booking fee per ticket. NOTE: Seat numbers are NOT available in advance from this company. All seats booked in the same price group will, of course, be together or at the very least be in front or behind each other in the theatre. In the very unlikely event of this not being possible this company will call you and give you the option of cancelling your booking. However if booking in two or more price bands, you will not be sat together. Please DO NOT purchase if this is unacceptable to you, as all tickets are sold subject to this condition. Discounts and "Meal and Show" packages may also be available.  

Londontheatredirect.com offer £45 Monday to Thursday and £49.50 Friday and Saturday seats with a £10 booking fee per ticket. Collecting tickets from the box office before your performance is free, OR, if required and time allows, there is a postage charge option of of £2.95 (£4.95 to non-UK addresses) per booking, not per ticket applies to all bookings. Optional Ticket Insurance is also available. Discounts and Meal and Show Packages may also be available.


See Tickettree.com for great value "hotel and theatre ticket" packages.

Other Independent S.T.A.R. ticket agencies may also offer an alternative choice of seats.

 

Box Office Information:
Tickets offered differ between outlets. Outlets also may offer different seats via their phone and online systems. Offers may be available click here.
Theatre Box Office:
Telephone: 020 7836 8463
Operated by the venue itself. Lines are open Monday to Friday 10am to 6pm.

Booking fees per ticket for telephone bookings:
No fee for box office collected tickets.

 

For personal callers or by post: 6/7 Great Newport Street, London, WC2H 7JB
No booking fee for personal callers. Box Office usually open from 10am to 6pm Monday to Friday (plus any other performance days) only. Check before travelling.

 

Special Access Needs Customers:
Wheelchair users and other registered disabled theatregoers can book their seats and enquire about concessionary prices that may be available to them on a dedicated phone line. See Notes.

www.artstheatrewestend.com is the venue website.

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Theatre Seat Opinions:
Please remember that cheaper seats often do not offer the same view / location quality as top price ones, and that ticket prices are designed to reflect this difference.

 

Seating Plan Diagram

Stalls Dress Circle Notes
STALLS 
Layout:
The circle overhangs the stalls at row E. 

Seats are arranged in a single block.

The rake (sloped floor to help see over rows in front) is most noticeable from row E back.

Rows AA and BB at the very front of the stalls may be removed.

Legroom:
Mostly acceptable throughout the stalls.

Choosing Seats in General:
If row AA is in use and discounted then some may well find it worth the neck ache thinks the monkey.

If row BB is the front row - and not discounted it's not a bad view, but possibly expensive for those who prefer to take in the stage without the strain. Discounted, worth a glance if your physio is a good one... The monkey might consider 5 to 8 at the price.

Otherwise, at top price, the monkey chooses the most central seats in rows E to J. It isn't keen on seats too near the pillars though. The first and last two or three seats in each row as a final choice.

Some productions have row J and K "restricted view" end seats 1 and 18 in use cheaply. Worth a look for those willing to peer, feels the monkey, who would take K first for being less up against the pillar. The seats next to them, K2 and 17 at full price are still worth a miss, though.

Further back, the rear stalls are close to the stage in this tiny theatre. Again, avoid the edges of rows to maximise value. The only exception is in rows M and N, where seats 1 and 2 are more central than in other rows.

If sold at second price though, as is row M usually, the monkey considers them pretty good, even if the top of the set may be missing. It would take row M or even N before dress circle row F at the same price.

With all seats the same price, the monkey would go for seats forward of row L first. 

General Hazard Notes:
The high stage makes viewing from rows AA to D a neck-aching experience.

Pillars are located at the ends of rows G and H. These pillars affect seats in Row H, numbers 1, 2, 15 and 16 and J18, though only J18 (not generally on sale - and removed) was directly behind one.

Changes for the current production:
Row BB is sold at second price. Expensive, feels the monkey.

Rows K and L are also second price, well worth it, feels the monkey, as are third price rear stalls. In fact, to be fair to the producers, without any premium seats, they've pretty well got the pricing right.

... if you are a pillar fan, J 1 and 18 have been put on sale very cheap. If the slips have gone, perhaps worth a look, but no great bargain, feels the monkey.

 

Reader Comments:
"Row BB: "Ghost Stories" (June 2014). Front row. The row is close to the stage and half way through there is a slight obstruction but it’s minor."

"BB7: "Beautiful Thing" (May 2013). Bought for £24.50. As it states when you are booking your ticket, the view is restricted as the stage is raised. Compared to the Savoy Theatre's raised stage, this wasn't too bad as the stage is built up with steps and many of the actors will perform from these steps. At times, it almost feels like they are performing solely to you. On the odd occasion people's legs will be out of view and the neck-craning can get a bit annoying at times, but if you're anything like me and you love being as close to the stage as possible then these seats are for you. I would be a bit more cautious about booking seats on either far side of row BB - these usually sell last out of this row and it's easy to see why. I sensed that a lot of action would be missed from sitting in these seats."

"BB11 and 12: "Park Avenue Cat" (July 2011). I was tempted by an email that offered 'Best Seats for only £15' and booked blind. Foolishly I didn't check their location before we went. These were the WORST seats I've ever had in my life, in any theatre, anywhere. The row was squashed in front of the stage, and although we had leg room, we had to crook our necks and lean backwards to see the actors on stage. However, we got a good view up the female actors' skirts. Younger members of the audience in BB appeared to be able to maintain this awkward pose better than my husband and I - being in our late forties we have to be a bit more careful and had to keep looking downwards at our toes to rest our poor necks. An extremely uncomfortable experience. Strongly recommend that Theatremonkey never goes for these seats, even though he is probably a bit more bendy than we humans."

"B1: Would definitely go for something more central if I could have chosen. Still had a good view though, although felt a bit disconnected from the action by being right at the side."

"B1 to 4: ('Eve Ferret Sings Again!' in 2011). Seats were right at one side of the theatre and quite close to the stage but with a good view of all but the very nearside of the stage. None of these facts were an issue for this particular show (a cabaret) but might well be an issue with another show such as a play."

"B11: Seat was SO creaky I had to move to the empty one next to me. It was creaking like no theatre seat has ever creaked before. Avoid this seat. View from 1 along was very good and squeak free."

"Row C: (Mark, regular contributor). centre - Good clear view of the stage."

"D9: (Mark, regular contributor). for 'Naked Boys Singing' it's certainly close enough to see everything, put it that way."

"F5 and 6 were as good as they get in this small venue."

"F8: "The Tailor-Made Man" (February 2013). Great view."

"G12 and 13: "A Guide To Sexual Misery" (September 2010), (Clive). A perfect view with good legroom. There is a good chance of being required to move seats for the second half of this show."

"H10 to 13: "Park Avenue Cat" (July 2011), (Clive). Excellent seats – very good view of the stage with good rake and good leg-room."

"H12 and H13: "A Dish of Tea With Doctor Johnson" (September 2011), (Laura). Ended up sitting next to the play's director Max Stafford-Clark, (who was lovely by the way!). The seats themselves gave an excellent view of the action being right in the centre and just in front of the overhang from the dress circle, although legroom was a little cramped - we're 5'2" and 5'3" and we struggled slightly. I'm not sure I'd have paid top price for the seat but if you can get them cheaply then they're a fair value in my opinion."

"Row N: Great leg room and perfect unobstructed view, has a good rake. Very hot, though. Now the bad points: during the play, 8 times the entrance/exit door - the only one to theatre - was opened and let the hallway light into the auditorium. Not only that, but they appear to have a bar/club directly behind a locked single layer door. I could hear crowds singing "my sex is on fire" more than what was said on stage. It really is appalling sound proofing, surely they could have better - and a curtain over the door! It really did spoil our night."

 

DRESS CIRCLE 
Called the CIRCLE in this theatre.

Layout:
Six rows of seats cling to a narrow shelf, with a further two rows extending from the circle down the sides of the theatre. 

Legroom:
Poor throughout the circle, row A slightly better, rows R and L tighter.

Choosing Seats in General:
Centre Block:
View from all central block seats in the circle is unexceptional, with little to recommend it beyond price if cheaper than the stalls. Row B is the best bet for avoiding rails and most of the low rake problem.

Row F is a bench, so arrive early to stake out your portion. If row F is cheaper than E - and no sound desk is nearby - the monkey would save a few pounds as it doesn't mind the bench seat.

Wheelchair spaces are at the side of row F, offering a decent enough view but distraction from the soundboard when positioned nearby.

Side Blocks:
Side circle seats, Rows R and L 1 to 14 have bars restricting the sightlines, and the closest seats to the stage miss the nearside corner. These rows are benches too, so again arrive early to stake out your portion! The price makes them worth considering, if the discount for restricted view is worthwhile - though you may want to pay the same to sit in the front row or rear rows of the stalls instead for legroom / seat width comfort in particular.

On odd occasions when row F seats are the same price as slips, the monkey would go for seats in row F first. When rear stalls are also the same price - it would take rear stalls first.

General Hazard Notes:
Low bar in front of row A.

The circle has a shallow rake, making it harder to see over taller heads in front from middle row seats.

Sound desk can replace seats in row F, making F4 and 8 and E4 to 8 (which are usually nearest to it) a mss for purists.

Rows R and L have bars in front and a side view of the stage.

Changes for the current production:
Unless keen on a front circle view, the monkey would look at stalls back to row J before seats up here. About the same distance from the stage but stalls are a bit more comfortable, it feels.

Row E is about fair at second price if stalls rows K and L are not available - but even if K and L are gone, the monkey would still take stalls M or N before E here.

Row F is second price - again, worth missing until all second price stalls and the better third price stalls or cheaper slip seats have gone.

Slips are the cheapest in the house. Single stalls 1 and 18 in row J are the same price. They may have a front-on rather than side view, but the best slips may see a bit more.

 

Reader Comments:
"Row A: (Graham). A very simply laid out intimate venue. We were sat in the front row of the circle and didn't find it to cramped at all. There is a bar running across the front of the row but it did not even come close to affecting my view of the stage. The circle in general seems to have a good rake too so think the view would be fine from most seats."

"D5: (Mark). Bad seat, the rake is terrible in the circle of this theatre. Even being tall I couldn't see very well over the people in front of me. I moved to an empty seat in row B, which was much better."

"Slip Seats: Long benches and quite tight if a few larger people are sharing it with you... or the man next to you leaves his phone on gets a call then texts 10 minutes into the second half …we are not sure...! Saying that, the view was good and you don’t really miss any of the action."


Notes
Total 350 seats approx.

Not air conditioned. Be prepared for a hot and uncomfortable time in the height of summer, alas. To minimise the effects, seating in the front stalls is normally coolest as heat rises - and is also trapped in Circle overhang. Just a bit of advice from someone in the theatre industry who has a grasp of physics...

2 Spacious bars.

Guide dogs are welcome either inside or dog-sat. Audio described and signed performances occasionally. Step-free access from foyer to Circle. Wheelchair access is via a side entrance and there is an adapted toilet near the Circle seats (just a unisex one though). Contact staff in advance for full information on 020 7836 6463.  A "venue access guide" from the team who created book "Theatremonkey: A Guide to London's West End," is available to download in PDF format by clicking here.

1 gentleman's and 1 ladies toilet on each level. 

 

Top Performance Times Ticket Prices Where to Buy Tickets  Seating Plan Seat Opinions Getting Here

Getting to this Theatre
Find this theatre on a Street Map
Nearest Underground Station Buses Car Park
Nearest Underground Station:
Leicester Square - Northern (black) and Piccadilly (dark blue) lines.

The escalator from the platforms deposits passengers into a circular space with a number of staircases leading to the surface. Beside each staircase is a vast white panel listing the places accessible from that exit. 

Look for the one showing the Arts theatre. It is marked "Charing Cross Road East" and "Cranbourn Street". When you leave the ticket gates, do a 180 degree "U" turn. This exit is hidden behind you, between the gates! Go up the first little staircase. At the top of it, turn right, taking the "Cranbourn Street" exit. Go up the stairs. In front of you will be Cranbourn Street. On the opposite side of the road are shops.
 

Turn to your left. Walk to the end of the street.

 If you see the Hippodrome Nightclub on the opposite corner across a busy road, turn around. Wrong Way. If you reach the end of the street and see a large restaurant - The Sussex on the opposite corner, well done. 


Do not cross the road to it. Instead just turn left at the corner. The Arts is ahead of you on the left, a small building on Great Newport Street.

If you take the other staircase at Leicester Square station then at the top, in front of you will be Charing Cross Road. On the opposite corner, notice the Hippodrome Nightclub and a wide pedestrianised street. Turn to your right then right again at the corner and walk down Cranbourn Street passing the entrance you originally aimed for and missed. Change to the other side of the road and walk to the end of the street. If you reach the end of the street and see a large restaurant "the Sussex" on the opposite corner, well done. Do not cross the road to it. Instead just turn left at the corner. The Arts is ahead of you on the left, a small building on Great Newport Street.

 

Buses:
24, 29 and 176 stop on Charing Cross Road. Walk down Cranbourn Street to the end, changing to the other side of the street as you go. If you reach the end of the street and see a large restaurant - The Sussex on the opposite corner, well done. Do not cross the road to it. Instead just turn left at the corner. The Arts is ahead of you on the left, a small building on Great Newport Street.

 

Taxi:
A rank for Black taxis is at Charing Cross Station - a fair distance from the theatre, if you cannot hail one in the busy street outside the venue or on Charing Cross Road (to the right, up Newport Street).

 

Car Park:
Newport Place, China Town. On leaving, use Gerard Street to get you onto Shaftesbury Avenue. On Shaftesbury Avenue look to your right. The brown brick building to your right is the Palace Theatre. Don't bother crossing the road, but turn to your right on Shaftesbury Avenue and walk in the direction of it. When you come to the main road intersection in front of Shaftesbury Avenue, cross Charing Cross Road at the traffic lights. Now turn to your right and walk down Charing Cross Road, crossing Litchfield Street as you go.

Next is Newport Street. Turn left into it and the Arts Theatre is along on your left on the same side of the road.

This theatre does NOT take part in the "West End Parking" scheme offering discounts to theatregoers.

 

Above The Arts Theatre Studio

An extra studio theatre, above the main auditorium at this venue. A simple, adaptable room.

Productions include:

4th to 23rd May 2015
Press Night: 6th May 2015

Spontaneity Shop & Hartshorn-Hook Productions present:

KINGMAKER
A satirical play by Robert Khan & Tom Salinsky
Starring Alan Cox
Directed by Hannah Eidinow
A BUMBLING, CHARISMATIC LONDON MAYOR ATTEMPTS TO BECOME PRIME MINISTER

Following its Edinburgh Fringe 2014 sell out success, the critically acclaimed Kingmaker hits The Arts Theatre in London and The Marlborough Theatre at The Brighton Fringe this Spring. The writers of previous Edinburgh Fringe hits Coalition and Making News and multi-award winning director of Instinct For Kindness and Lockerbie – Unfinished Business have teamed with one of the most respected actors of his generation to present a satirical tale of political intrigue, gamesmanship and ambition in the corridors of power. Alan Cox is directed by Hannah Eidinow in Robert Khan and Tom Salinsky’s Kingmaker, the story of a fictional yet strangely familiar political figure whose bumbling bonhomie disguises a fierce determination and a heart of steel. The subject matter of this biting satire is expected to be brought into sharp focus in the last few days of campaigning for the general election and the inevitable political frenzy that follows during the mad month of May.

Former Mayor of London Max Newman is a seasoned politician, scruffy, energetic, seemingly chaotic immensely charming and very ambitious. As the top job becomes vacant, Max knows his time may well have come. He needs to make his move but he also needs someone to stand against so it doesn’t appear to be a shoo-in. Into the frame comes Dan Regan. Young and impressive, he has risen through the ranks very quickly but, some may say, he is a little naïve? And then there is Eleanor Hopkirk, a seasoned Tory Whip who sees straight into Max’s soul and will do everything to stand in his way. Is Dan a dupe, a decoy or Max Newman’s nemesis, can Eleanor do anything to stop the former Mayor and will Max’s comic and colourful past return to destroy him? Set in a stuffy office in the House of Commons in a time quite close to the present, Kingmaker takes a sly satirical look at the ruthless game of politics and reveals a man behind a myth and a myth behind a man.

www.kingmakerplay.co.uk / Twitter: @kingmakerplay

 

Performance Times:
Monday to Friday at 7.30pm
Saturday at 5pm and 7.30pm

 

Prices:
All seats £15 (£13 concessions)

 

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