STALLS
The Dress Circle overhangs row N. Rows P to S lose their view of the top of
the stage view due to this.The stage is very high in this theatre. Those in
rows AA to C will experience neck strain looking upwards - for many rows
A and B at top price might be avoidable due to this. If row AA isn't
discounted, casual visitors paying top price might want to avoid this
row if they are prone to discomfort.
A good rake in the stalls ensures good to excellent
views from almost all seats in rows D to N. A centre aisle means the prime seats
in the middle of the theatre have
the added luxury of space next to them.
A reader comments of row AA,
"I sat front row and view was fine. Stage slopes down and there's a rail then
the stage so not too much in your face."
A few rows behind that, a reader says,
"Got row C at a discount - absolutely fine"
Reader Monica says,
"We sat in row F which is too near as the stage is high, I would recommend sitting H and behind. It is a small theatre therefore most of the seats in the stalls probably have a good
view".
Reader John Lafferty agrees,
"Our seats were in the seventh row and we were right on top of the
action, of which we had an unencumbered view."
Monkey regular seat connoisseur reporter James says,
"“Sat in Stalls K9 and K10 – great seats with a great rake. There was a
particularly tall person in front of me as is always the way, but if it wasn’t
for this then there’d be no problem with the seats at all.”
He does note, though that this was for a one-off performance though that
didn’t have big sets / lighting, so it could be different for other productions.
The monkey feels his instincts pretty spot-on for all circumstances, though.
A professional reviewer noted that for "Glengarry Glen Ross" ( in October 2007)
that row L 11 and 12 have a problem if someone taller sits in front of you. This
may have been due to the set not having the usual plinth raising it from the
stage. The monkey welcomes further comments, contact us.
Row O seats 7 and 8 offer an uninterrupted view down the centre aisle.
Reader Wim says,
"seat N7 in the stalls: perfect view, reasonable leg room, comfortable chairs. I
did move to the centre seat of row O (which was almost empty) during the break
because of the luxurious leg space in front of that row."
Row O
seats 1,2,13 and 14 are disconcertingly pinned in pairs to the side wall of the
theatre, either side of the deep alcove which houses the rest of rows O to S. The
view is OK, but a weird place for seats.
Behind those, a reader says,
"My ticket was centre Row R. I'm only
5'10.5" tall but for the first time in my life I found I could NOT sit in
the seat. It was unbearably uncomfortable. There is next to no leg room and
my knees would have been either continually bumping the back of or around
the ears of the person sitting in front of me. I kindly asked the House
Manager if I could have an aisle seat. There were very accommodating stating
that they realise the limited legroom in those seats.
I ended up in P1 which is fantastic, perfect view because the back stall
seats are pretty much centre."
Wheelchair users are able to use this theatre, and have a reasonable view
too! See Notes.
Legroom is excellent for all but the tallest throughout the Stalls until row
Q. Row O offers extra space as a
gangway runs in front of it.
Stalls Boxes
Boxes A and B are either side of the stage. They are designated restricted
view as the nearest side of stage cannot be seen. Sold at top or second price when not needed for technical
use. Each box has three seats.
If available, these boxes are worth considering as an alternative to seats in
the Circles.
DRESS CIRCLE
A shallow ledge above and at the back of the stalls, with a poor rake. Seats
are split into a central and two side blocks by aisles.
A single metal bar in front of the aisles affects the view from row A seats
12,13,20 and 21.
The central block faces the stage. Seats here offer only fair value for money as they are
far from
the stage and suffer a shallow rake, affecting the view from row C
back.
Reader
John Lafferty reports,
"Despite being on the back row, seats G1 and G2 afforded an excellent
view and there was plenty of leg room."
The two side blocks curve inwards, and
many seats here are designated restricted view due to the viewing
angle precluding seeing the side eighth of the stage. These seats are - Row A
2, 3, 4, 27, 28, 29, 30, 31; B 1, 2, 3, 4, 5, 28, 29, 30, 31, 32; C 1, 2, 25, 26, 27; D
1, 2, 3, 23, 24, 26. It is probably worth avoiding them, and the rest
of the seats in these blocks too. If you must, take those seats closest to the
centre aisle.
Poor legroom throughout the circle for many, worst in row A.
Dress Circle Boxes
Boxes C, D and E are at Dress Circle level next to the stage. When sold they
offer adequate but side on views of the stage. Box D is best, being halfway
between stage and Dress Circle. Two boxes have three seats
each, one box can seat four people.
If available these boxes are worth considering as an alternative to seats in
the Circles for comfort, but not really for view.
UPPER CIRCLE
High up, with a shallow rake. The balcony above overhangs the circle but does
not affect the view noticeably.
A metal bar runs across the front of the circle, with a second bar at the
ends of the aisles, affecting the view in row A, notably seats 6, 18, 19 and 33
and B 12 and 13.
Reader Julian Taylor reports:
"I sat in B13 in the Upper Circle, would that I had spotted the red mark of doom
before booking! The seat itself seemed designed for the benefit of a
contortionist, though, oddly enough, knee-room was adequate for my 6ft plus.
My view of the action was blocked almost entirely by the head of the person in
front, who leant forward for the duration, this, and the brass bar blocked any
view of action downstage - and there was a lot of it for the production I saw
("Virginia Woolf" in Spring 2006)."
In two blocks, with a centre aisle, the ends of the rows share the same
restricted view problems as the Dress Circle below.
Note that row A, rows B and C 1 to 3, D to F seats 1 to 4, Row B 23 to 25, Row C 22 to 25, Row D 21 to 23,
Row E 19 to 22 and row F 17 to 20 are designated restricted view. It is worth
avoiding the next two seats as well, to be on the safe side unless the price is
good enough to make sitting here a bargain. Theatremonkey usually finds not.
Of the remaining seats, row B is best, the rest offer average value for a
fairly distant view...even the box office are not keen on this Upper Circle.
Legroom is poor in all rows, notably A. Centre aisle seats should be
requested for maximum comfort.
Upper Circle Boxes
Boxes F and G are above boxes C, D and E at Upper Circle level. These offer
similar views to the Dress Circle boxes below, from a higher level. Normally sold at
third price or less. Each box seats two people.
If available these boxes are worth considering as an alternative to seats in
the Circles for comfort, but not really for view.
BALCONY
Directly above the Upper Circle, a superb view of aircraft at maximum
cruising height can be seen below you, subject to cloud cover.
A metal bar runs across the front of the balcony, with a second bar at the
ends of the aisles, affecting the view in row A, notably seats 20 and 21. Bars
run between the rows too, but don't really affect the view for any but the
absolute shortest. Some find them reassuring as well.
A shallow rake and being so high up means a modest view of the stage. The 6
seats either end of rows A to C are worst, as they curve to the sides of the
auditorium. Rows D to F just induce vertigo. Usually, take C
first, before
B, then D - or for those who don't mind the height, pick E over D and save a few
pounds... The monkey would skip central row A at second to bottom price for a
slightly improved view behind that.
For "The Vortex" (February 2008) all balcony seats are
the same £15 price. Monkey advice is go for the furthest forward (skip A
for legroom if required) and most central possible. Rows E and F are
final choice.
For other productions, row A and the very ends of rows B
and C are usually reduced. Monkey feeling is that B 5, 6, 25 and 26 and C 5 and 24, all next to the
more expensive seats, are the most average of the bunch and may be worth a look
for those desperate for a ticket. Not a recommendation particularly, just an
observation of a way to sit nearer more expensive seats and save a very little
cash - if you have to see the show and don't get much other choice.
All seats here, except those marked normally offer a cheap way in to the show and
value exactly matching the low price.
Legroom is tight in all seats, worst in row A.
Notes
Total 776 seats
Air-conditioning.
Infrared headsets, not working in the front row of the stalls. If short
sighted and deaf, a problem! Guide dogs can be dogsat
outside.
The theatre has a stair lift to allow wheelchair
users into the venue. They can either park at the ends of stalls row N -
replacing 1, 2, 19 or 20 or transfer to
any aisle seat - though O12, P11 and Q11 are considered the best bet. There is
also an adapted toilet available. The monkey salutes RU Theatres for an amazing
improvement in facilities at this venue. Interestingly, the stair lift is
installed in the original "Pit" entrance - at one time the
"Pit" was an area of cheap seating at the rear of the stalls.
Other good news is that there are two disabled parking spaces behind the theatre in
Archer Street. Fuller details from
www.seetickets.com
or 0870 895 5505 or e-mail customer.relations@seetickets.com.
No food except Ice cream and confectionery.
Two bars. Stalls and Upper Circle.
Seven Toilets. Stalls 1 gents 1 cubicle, 2 ladies, 3 and 4 cubicles
respectively; 1 adapted disabled unit. Upper Circle 1 gents 1 cubicle, 1 ladies 2 cubicles; Balcony 1
gents 1 cubicle, 1 ladies 2 cubicles.
|
